Compare Constellations
Information: The first column shows data points from Hayter, William Stanley, in red. The third column shows data points from Hayter, Stanley William, 1901-1988 in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.
Name Entries
Hayter, William Stanley,
Shared
Hayter, Stanley William, 1901-1988
Hayter, William Stanley,
Name Components
Name :
Hayter, William Stanley,
Dates
- Name Entry
- Hayter, William Stanley,
Citation
- Name Entry
- Hayter, William Stanley,
[
{
"contributor": "WorldCat",
"form": "authorizedForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Hayter, Stanley William, 1901-1988
Name Components
Name :
Hayter, Stanley William, 1901-1988
Dates
- Name Entry
- Hayter, Stanley William, 1901-1988
Citation
- Name Entry
- Hayter, Stanley William, 1901-1988
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{
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},
{
"contributor": "WorldCat",
"form": "authorizedForm"
},
{
"contributor": "aar",
"form": "authorizedForm"
},
{
"contributor": "ahub",
"form": "authorizedForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Hayter, Stanley William, 1901-
Name Components
Name :
Hayter, Stanley William, 1901-
Dates
- Name Entry
- Hayter, Stanley William, 1901-
Citation
- Name Entry
- Hayter, Stanley William, 1901-
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{
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Contributors from initial SNAC EAC-CPF ingest
Hayter, Stanley William
Name Components
Name :
Hayter, Stanley William
Dates
- Name Entry
- Hayter, Stanley William
Citation
- Name Entry
- Hayter, Stanley William
[
{
"contributor": "WorldCat",
"form": "authorizedForm"
},
{
"contributor": "VIAF",
"form": "authorizedForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Hayter, S. W. 1901-
Name Components
Name :
Hayter, S. W. 1901-
Dates
- Name Entry
- Hayter, S. W. 1901-
Citation
- Name Entry
- Hayter, S. W. 1901-
[
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Contributors from initial SNAC EAC-CPF ingest
Hayter, Stanley William (English printmaker, draftsman, and painter, 1901-1988)
Name Components
Name :
Hayter, Stanley William (English printmaker, draftsman, and painter, 1901-1988)
Dates
- Name Entry
- Hayter, Stanley William (English printmaker, draftsman, and painter, 1901-1988)
Citation
- Name Entry
- Hayter, Stanley William (English printmaker, draftsman, and painter, 1901-1988)
[
{
"contributor": "VIAF",
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}
]
Contributors from initial SNAC EAC-CPF ingest
Stanley William Hayter
Name Components
Name :
Stanley William Hayter
Dates
- Name Entry
- Stanley William Hayter
Citation
- Name Entry
- Stanley William Hayter
[
{
"contributor": "VIAF",
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Contributors from initial SNAC EAC-CPF ingest
Hayter, S. W. 1901-1988 (Stanley William),
Name Components
Name :
Hayter, S. W. 1901-1988 (Stanley William),
Dates
- Name Entry
- Hayter, S. W. 1901-1988 (Stanley William),
Citation
- Name Entry
- Hayter, S. W. 1901-1988 (Stanley William),
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Hayter, S. W. 1901-1988
Name Components
Name :
Hayter, S. W. 1901-1988
Dates
- Name Entry
- Hayter, S. W. 1901-1988
Citation
- Name Entry
- Hayter, S. W. 1901-1988
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Hayter, S. W.
Name Components
Name :
Hayter, S. W.
Dates
- Name Entry
- Hayter, S. W.
Citation
- Name Entry
- Hayter, S. W.
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Hayter, Stanley W.
Name Components
Name :
Hayter, Stanley W.
Dates
- Name Entry
- Hayter, Stanley W.
Citation
- Name Entry
- Hayter, Stanley W.
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Hayter, Stanley W. 1901-1988
Name Components
Name :
Hayter, Stanley W. 1901-1988
Dates
- Name Entry
- Hayter, Stanley W. 1901-1988
Citation
- Name Entry
- Hayter, Stanley W. 1901-1988
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Hayter, S. W. 1901- (Stanley William),
Name Components
Name :
Hayter, S. W. 1901- (Stanley William),
Dates
- Name Entry
- Hayter, S. W. 1901- (Stanley William),
Citation
- Name Entry
- Hayter, S. W. 1901- (Stanley William),
[
{
"contributor": "VIAF",
"form": "alternativeForm"
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]
Contributors from initial SNAC EAC-CPF ingest
Citation
- Exist Dates
- Exist Dates
Citation
- Exist Dates
- Exist Dates
Printmaker, died in 1988.
Stanley William Hayter (1901-1988) was a printmaker from Paris, France.
eng
Latn
Citation
- BiogHist
- BiogHist
https://viaf.org/viaf/44313522
https://viaf.org/viaf/44313522
https://viaf.org/viaf/44313522
Citation
- Same-As Relation
- https://viaf.org/viaf/44313522
https://www.wikidata.org/entity/Q641304
https://www.wikidata.org/entity/Q641304
https://www.wikidata.org/entity/Q641304
Citation
- Same-As Relation
- https://www.wikidata.org/entity/Q641304
https://www.worldcat.org/identities/lccn-n50034048
https://www.worldcat.org/identities/lccn-n50034048
https://www.worldcat.org/identities/lccn-n50034048
Citation
- Same-As Relation
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https://id.loc.gov/authorities/n50034048
https://id.loc.gov/authorities/n50034048
https://id.loc.gov/authorities/n50034048
Citation
- Same-As Relation
- https://id.loc.gov/authorities/n50034048
https://ancestors.familysearch.org/en/KCS7-LHD
https://ancestors.familysearch.org/en/KCS7-LHD
https://ancestors.familysearch.org/en/KCS7-LHD
Citation
- Same-As Relation
- https://ancestors.familysearch.org/en/KCS7-LHD
http://www.worldcat.org/oclc/122563915
Citation
- Source
- http://www.worldcat.org/oclc/122563915
http://www.worldcat.org/oclc/78709121
Citation
- Source
- http://www.worldcat.org/oclc/78709121
http://www.worldcat.org/oclc/779476944
Citation
- Source
- http://www.worldcat.org/oclc/779476944
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http://www.aaa.si.edu/collections/findingaids/amerfeda.xml
Citation
- Source
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http://www.worldcat.org/oclc/669910293
Citation
- Source
- http://www.worldcat.org/oclc/669910293
http://www.worldcat.org/oclc/220183819
Citation
- Source
- http://www.worldcat.org/oclc/220183819
http://www.worldcat.org/oclc/220201937
Citation
- Source
- http://www.worldcat.org/oclc/220201937
http://www.worldcat.org/oclc/206695535
Citation
- Source
- http://www.worldcat.org/oclc/206695535
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http://www.aaa.si.edu/collections/findingaids/rattabra.xml
Citation
- Source
- http://www.aaa.si.edu/collections/findingaids/rattabra.xml
http://www.worldcat.org/oclc/312024864
Citation
- Source
- http://www.worldcat.org/oclc/312024864
http://www.worldcat.org/oclc/756821107
Citation
- Source
- http://www.worldcat.org/oclc/756821107
http://www.worldcat.org/oclc/710018175
Citation
- Source
- http://www.worldcat.org/oclc/710018175
http://www.worldcat.org/oclc/657041242
Citation
- Source
- http://www.worldcat.org/oclc/657041242
http://www.worldcat.org/oclc/79604766
Citation
- Source
- http://www.worldcat.org/oclc/79604766
http://www.worldcat.org/oclc/220178377
Citation
- Source
- http://www.worldcat.org/oclc/220178377
http://www.worldcat.org/oclc/220179813
Citation
- Source
- http://www.worldcat.org/oclc/220179813
http://www.worldcat.org/oclc/245518428
Citation
- Source
- http://www.worldcat.org/oclc/245518428
http://www.worldcat.org/oclc/83483096
Citation
- Source
- http://www.worldcat.org/oclc/83483096
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http://www.aaa.si.edu/collections/findingaids/halapiri.xml
Citation
- Source
- http://www.aaa.si.edu/collections/findingaids/halapiri.xml
http://www.worldcat.org/oclc/429887454
Citation
- Source
- http://www.worldcat.org/oclc/429887454
http://www.worldcat.org/oclc/122576736
Citation
- Source
- http://www.worldcat.org/oclc/122576736
http://www.worldcat.org/oclc/122403897
Citation
- Source
- http://www.worldcat.org/oclc/122403897
http://www.worldcat.org/oclc/662610298
Citation
- Source
- http://www.worldcat.org/oclc/662610298
http://www.worldcat.org/oclc/646400485
Citation
- Source
- http://www.worldcat.org/oclc/646400485
http://www.worldcat.org/oclc/233007051
Citation
- Source
- http://www.worldcat.org/oclc/233007051
http://www.worldcat.org/oclc/83923189
Citation
- Source
- http://www.worldcat.org/oclc/83923189
http://www.worldcat.org/oclc/220180077
Citation
- Source
- http://www.worldcat.org/oclc/220180077
http://www.worldcat.org/oclc/646397706
Citation
- Source
- http://www.worldcat.org/oclc/646397706
http://www.worldcat.org/oclc/495596714
Citation
- Source
- http://www.worldcat.org/oclc/495596714
http://www.worldcat.org/oclc/243616743
Citation
- Source
- http://www.worldcat.org/oclc/243616743
http://www.worldcat.org/oclc/220163425
Citation
- Source
- http://www.worldcat.org/oclc/220163425
http://www.worldcat.org/oclc/756821018
Citation
- Source
- http://www.worldcat.org/oclc/756821018
http://www.worldcat.org/oclc/220149817
Citation
- Source
- http://www.worldcat.org/oclc/220149817
http://www.worldcat.org/oclc/688855907
Citation
- Source
- http://www.worldcat.org/oclc/688855907
http://www.worldcat.org/oclc/122541039
Citation
- Source
- http://www.worldcat.org/oclc/122541039
http://www.worldcat.org/oclc/122552525
Citation
- Source
- http://www.worldcat.org/oclc/122552525
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/aar/kuhkath.xml</filename> <ead_entity en_type="persname" encodinganalog="600" source="lcsh">Hayter, Stanley William, 1901-1988</ead_entity> </container> </objectXMLWrap>
http://www.aaa.si.edu/collections/findingaids/kuhkath.xml
Citation
- Source
- http://www.aaa.si.edu/collections/findingaids/kuhkath.xml
http://www.worldcat.org/oclc/83458714
Citation
- Source
- http://www.worldcat.org/oclc/83458714
http://www.worldcat.org/oclc/495595048
Citation
- Source
- http://www.worldcat.org/oclc/495595048
http://www.worldcat.org/oclc/220208817
Citation
- Source
- http://www.worldcat.org/oclc/220208817
http://www.worldcat.org/oclc/756821019
Citation
- Source
- http://www.worldcat.org/oclc/756821019
http://www.worldcat.org/oclc/657043843
Citation
- Source
- http://www.worldcat.org/oclc/657043843
http://www.worldcat.org/oclc/122637220
Citation
- Source
- http://www.worldcat.org/oclc/122637220
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/ahub/f_2081.xml</filename> <ead_entity authfilenumber="ark:/81055/vdc_100000000561.0x0000d7" en_type="persname" role="Subject" rules="BLWMSSAREV" source="iams">Hayter, Stanley William, 1901-1988, engraver</ead_entity> </container> </objectXMLWrap>
http://archiveshub.ac.uk/data/gb58-addms89011
Citation
- Source
- http://archiveshub.ac.uk/data/gb58-addms89011
http://www.worldcat.org/oclc/270874859
Citation
- Source
- http://www.worldcat.org/oclc/270874859
http://www.worldcat.org/oclc/83272116
Citation
- Source
- http://www.worldcat.org/oclc/83272116
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/aar/kainjaco.xml</filename> <ead_entity en_type="persname" encodinganalog="700" source="lcsh">Hayter, Stanley William, 1901-</ead_entity> </container> </objectXMLWrap>
http://www.aaa.si.edu/collections/findingaids/kainjaco.xml
Citation
- Source
- http://www.aaa.si.edu/collections/findingaids/kainjaco.xml
http://www.worldcat.org/oclc/495595039
Citation
- Source
- http://www.worldcat.org/oclc/495595039
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/syru/martinelli_e.xml</filename> <ead_entity en_type="persname" encodinganalog="600" source="lcnaf">Hayter, Stanley William, 1901-</ead_entity> </container> </objectXMLWrap>
http://library.syr.edu/digital/guides/m/martinelli_e.htm
Citation
- Source
- http://library.syr.edu/digital/guides/m/martinelli_e.htm
http://www.worldcat.org/oclc/220178813
Citation
- Source
- http://www.worldcat.org/oclc/220178813
http://www.worldcat.org/oclc/122394546
Citation
- Source
- http://www.worldcat.org/oclc/122394546
http://www.worldcat.org/oclc/495595070
Citation
- Source
- http://www.worldcat.org/oclc/495595070
http://www.worldcat.org/oclc/646395711
Citation
- Source
- http://www.worldcat.org/oclc/646395711
http://www.worldcat.org/oclc/220244094
Citation
- Source
- http://www.worldcat.org/oclc/220244094
http://www.worldcat.org/oclc/646395822
Citation
- Source
- http://www.worldcat.org/oclc/646395822
http://viaf.org/viaf/44313522
Citation
- Source
- http://viaf.org/viaf/44313522
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/aar/dehnadop.xml</filename> <ead_entity en_type="persname" encodinganalog="700" source="lcsh">Hayter, Stanley William, 1901-1988</ead_entity> </container> </objectXMLWrap>
http://www.aaa.si.edu/collections/findingaids/dehnadop.xml
Citation
- Source
- http://www.aaa.si.edu/collections/findingaids/dehnadop.xml
http://www.worldcat.org/oclc/50920308
Citation
- Source
- http://www.worldcat.org/oclc/50920308
http://www.worldcat.org/oclc/430380133
Citation
- Source
- http://www.worldcat.org/oclc/430380133
http://www.worldcat.org/oclc/779477510
Citation
- Source
- http://www.worldcat.org/oclc/779477510
http://www.worldcat.org/oclc/435526894
Citation
- Source
- http://www.worldcat.org/oclc/435526894
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/ude/full_ead/mss0382.xml</filename> <ead_entity en_type="persname" encodinganalog="700" source="lcnaf">Hayter, Stanley William, 1901-</ead_entity> </container> </objectXMLWrap>
http://library.udel.edu/static/purl.php?mss0382
Citation
- Source
- http://library.udel.edu/static/purl.php?mss0382
http://www.worldcat.org/oclc/81906215
Citation
- Source
- http://www.worldcat.org/oclc/81906215
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/syru/roberts_c.xml</filename> <ead_entity en_type="persname" encodinganalog="600" source="lcnaf">Hayter, Stanley William, 1901-1988.</ead_entity> </container> </objectXMLWrap>
http://library.syr.edu/digital/guides/r/roberts_c.htm
Citation
- Source
- http://library.syr.edu/digital/guides/r/roberts_c.htm
http://www.worldcat.org/oclc/122455568
Citation
- Source
- http://www.worldcat.org/oclc/122455568
http://www.worldcat.org/oclc/83548303
Citation
- Source
- http://www.worldcat.org/oclc/83548303
http://www.worldcat.org/oclc/220179033
Citation
- Source
- http://www.worldcat.org/oclc/220179033
http://www.worldcat.org/oclc/199253785
Citation
- Source
- http://www.worldcat.org/oclc/199253785
http://www.worldcat.org/oclc/82919389
Citation
- Source
- http://www.worldcat.org/oclc/82919389
http://www.worldcat.org/oclc/233007004
Citation
- Source
- http://www.worldcat.org/oclc/233007004
http://www.worldcat.org/oclc/220148360
Citation
- Source
- http://www.worldcat.org/oclc/220148360
http://www.worldcat.org/oclc/83873031
Citation
- Source
- http://www.worldcat.org/oclc/83873031
http://www.worldcat.org/oclc/220244565
Citation
- Source
- http://www.worldcat.org/oclc/220244565
http://www.worldcat.org/oclc/744428318
Citation
- Source
- http://www.worldcat.org/oclc/744428318
http://www.worldcat.org/oclc/744427350
Citation
- Source
- http://www.worldcat.org/oclc/744427350
Stackpole, Ralph, 1885-1973. Ralph Stackpole papers, ca. 1920-1980.
Title:
Ralph Stackpole papers, ca. 1920-1980.
Chiefly incoming correspondence, including several files of letters from Leo Eloesser, as well as correspondence from several federal agencies concerning Stackpole's involvement with various New Deal projects. Also contains outgoing correspondence, including letters written by Stackpole as Head of the Dept. of Sculpture at the California School of Fine Arts. Correspondence also includes letters written by his wife, Ginette, and his son, Peter (3 letters total). Other contents: TS of articles written by Stackpole; clippings (to 1980); poetry and prose by Peter Yates; inscribed copies of works by George Sterling.
ArchivalResource: 2 boxes (.8 linear ft.)
http://www.worldcat.org/oclc/122563915 View
View in SNACcreatorOf
Citation
- Resource Relation
- Stackpole, Ralph, 1885-1973. Ralph Stackpole papers, ca. 1920-1980.
Oral history interview with Jacob Kainen
Title:
Oral history interview with Jacob Kainen
An interview of Jacob Kainen conducted 1982 Aug. 10-1982 Sept. 22, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 6 cassettes analog.Transcript: 108 p.
https://n2t.net/ark:/65665/mw9b3fdd057-20aa-4e92-aaae-8b8e30d39212 View
View in SNACreferencedIn
Citation
- Resource Relation
- Kainen, Jacob. Jacob Kainen interview, 1982 Aug. 10-Sept. 22.
Erle Loran papers
Title:
Erle Loran papers
The papers of California painter and teacher Erle Loran measure 12.6 linear feet and date from 1912 to 1991. Found are biographical materials; two linear feet of personal and professional correspondence; personal business records; writings which include extensive drafts and notes for Loran's book <emph render="italic">Cezanne's Composition</emph>; over 400 items of artwork that include watercolors, drawings, charcoal, and pastel studies; printed materials; photographs of Loran, family, and friends, and artwork; and one audio recording of a lecture by Loran on Cezanne.Biographical materials include biographical sketches, curriculum vita, a will, notes and a notebook, and an appointment book for 1987. Also found is an anniversary invitation, a certificate from the University of California, and the Pepsi-Cola award for 1948.Two linear feet of correspondence is with artists, critics, galleries, and universities. Correspondents inlcude Romare Bearden, Andrew Dasburg, Clement Greenberg, John Haley, Dalzell Hatfield, Hans Hofmann, Harry Levinson (president of Permanent Pigments), Sam Sabean, Bertha Schaefer, Clyfford Still, and Ulfert Wilke. There is also correspondence with the University of California. Personal business records include exhibition files, price and consignment lists, teaching materials, University of California Press records, and records relating to the publication of his book on Cézanne. Some of these records also document Loran's involvement with the Fine Arts Museum, Friends of Ethnic Arts, and the San Francisco Art Institute. In addition, there are records related to Loran's role in a donation of forty-five paintings by Hans Hofmann to the University Art Center. Also found are materials related to Loran's activities as an art collector including sales receipts, auction catalogs, and photographs of artwork owned by Loran.Writings by Loran include a complete manuscript version of <emph render="italic">Cézanne's Composition</emph> along with additional notes and drafts, and numerous other short essays on Cézanne's life and art. Loran's other writings include essays about Hans Hofmann, Marsden Hartley, symbology in abstract art, and contemporary art.Loran's career as an artist is extensively documented by four linear feet of original artwork, mostly preliminary sketches. The work demonstrates a variety of techniques including watercolor, pastel, pencil, pen, gouache, and oil sketches. Content includes landscapes, portraits, fantasy scenes, urban scenes, and rural scenes. Printed materials include extensive newsclippings from seven decades, exhibition announcements, and exhibition catalogs. Photographs are of Loran, his second wife Clyta, the Loran family, friends and colleagues, artwork, and source materials. Also found within the papers is an audio recording on cassette of a lecture by Loran on Cézanne.
ArchivalResource:
https://n2t.net/ark:/65665/mw925cee8b4-a8f7-4f7f-b704-bf23331c4f25 View
View in SNACcreatorOf
Citation
- Resource Relation
- Loran, Erle, 1905-1999. Erle Loran papers, 1913-1991.
Carl Zigrosser papers
Title:
Carl Zigrosser papers
Personal and professional records including correspondence, writings, notes, printed material, subject files, photograph album, and diaries relating to Zigrosser's work as an authority on prints and printmaking and his personal relationships with artists.
ArchivalResource:
https://n2t.net/ark:/65665/mw9c88ba1db-1061-48d2-bae9-77dd7e7f65c5 View
View in SNACcreatorOf
Citation
- Resource Relation
- Zigrosser, Carl, 1891-. Carl Zigrosser papers, 1891-1971.
William Horace Littlefield papers
Title:
William Horace Littlefield papers
Biographical information, correspondence, photographs, writings, works of art, scrapbooks, artists' and organization files, and inventories documenting William Littlefield's career and a painter, writer, and art collector.
ArchivalResource: 6.2 linear feet
https://n2t.net/ark:/65665/mw94717618d-e843-4ade-8991-d17771a69041 View
View in SNACcreatorOf
Citation
- Resource Relation
- Littlefield, William Horace, 1902-1969. William Horace Littlefield papers, 1920-1969.
Wesley Conrad Wehr papers
Title:
Wesley Conrad Wehr papers
Letters, writings and notes, sketches and drawings, printed matter, and photographs regarding artists, mainly from the Pacific Northwest, with whom Wehr was associated.
ArchivalResource:
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- Wehr, Wesley, 1929-. Wesley Conrad Wehr papers, 1948-1980.
Colette Roberts Papers and Interviews with Artists
Title:
Colette Roberts Papers and Interviews with Artists
The papers of New York City and Paris art historian, educator, and gallerist Colette Roberts measure 10.2 linear feet and date from 1918 to 1971. Papers include correspondence, writings, teaching records, project proposals, gallery records from Grand Central Moderns Gallery, clippings, Roberts' printed articles, press releases, exhibition catalogs, posters, photographs, and a few works of art on paper. Also found are 124 interviews with contemporary artists conducted by Roberts.
ArchivalResource: 10.2 Linear feet
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- Roberts, Colette, 1910-. Colette Roberts papers and interviews with artists, 1918-1971.
Abraham Rattner and Esther Gentle papers
Title:
Abraham Rattner and Esther Gentle papers
Abraham Rattner's papers provide insight into an important time for twentieth century American art and culture. By studying Rattner's papers, the researcher may view the beginnings of Modernism, the cultural change that pushed the boundaries of artistic and literary traditions and provided new ways in which to express ourselves.The Abraham Rattner and Esther Gentle papers measure 26.3 linear feet and date from 1891 through the 1980s. The collection documents Rattner's life and career as an artist through interviews, extensive correspondence, gallery files, studio notebooks, writings, notes, date books and diaries, photographs, and works of art.The biographical files contain documents such as Rattner's birth certificate, travel visas, his senior yearbook from 1912 which shows some of his early art work, and some of his awards. His birth certificate is of particular interest since it shows Rattner's birth date to be 1893 instead of the recognized 1895.The correspondence offers great insight into the thoughts of many American and European artists and writers during the 1930s and 1940s. Rattner, a prolific writer, expressed many of his own thoughts and concerns through his letters, many of which are included in this collection. The vast amount of correspondence include letters from notable figures such as George Biddle, Kay Boyle, Paul Burlin, Norman Carton, Robert Coates, Stuart Davis, Adolph Dehn, Richard de Rochemont, John Dos Passos, Xavier Gonzales, John Howard Griffin, Ramon Guthrie, Robert Gwathmey, Weeks Hall, Stanley W. Hayter, Jean Helion, Hilaire Hiler, Joseph Hirsch, Stefan Hirsch, Carl Holty, Louis Kronberg, Rico Lebrun, Jacques Lipchitz, Earle Ludgin, Thalia Wescott Malcolm, Henry Miller, Joan Miro, Bror Julius Olsson Nordfeldt, Channing Peake, Henry Varnum Poor, Felix Ruvolo, Waverly Root, Jack Gage Stark, Frank C. Watkins, and Allen Weller, among others.Rattner was engaged in a wide range of special art projects, and he kept detailed files on these projects. The projects spanned from 1940 through 1973 and included endeavors such as illustrations for <emph render="italic">Life</emph> magazine, stained-glass designs, mosaic and tapestry projects, as well as special paintings such as <emph render="italic">Victory--Jerusalem the Golden</emph> and <emph render="italic">The Gallows of Baghdad</emph>. Rattner's papers also detail the history of a fresco painted by Paul Gauguin entitled <emph render="italic">Joan d'Arc</emph>which Rattner purchased in France in 1925.Rattner's forty year friendship with the writer Henry Miller is chronicled throughout the collection in the forms of correspondence, writings, printed material, phototographs and artwork. Their correspondence ranges from 1938 through 1978 and offers great insight into their relationship. Rattner and Miller's road trip from New York to New Orleans in 1940-1941 is documented in the series entitled Special Projects. Also included in the collection are printed material, such as biographical material on Miller, Miller's writings, literary announcements and reviews; Miller's writings on Rattner; and photographs of Miller.The gallery files contain correspondence, receipts, and notes regarding the galleries which represented Rattner. Those galleries included the Rosenberg Gallery, the Downtown Gallery, and the Kennedy Gallery. A small series of exhibition files contain material about exhibitions held outside of Rattner's representative galleries.Rattner's writings proved to be an outlet for his thoughts on painting, his inspirations, frustrations, and sadness. In addition to painting, Rattner was able to express his creativity through writing poetry. Writing also helped him work through his depression over the death of his first wife Bettina Bedwell.He also kept finely detailed studio notebooks. The original order has been maintained, and they trace the history of almost each painting, drawing, and study attempted by Rattner. The notebooks often provide information regarding whether the work was sent to a gallery or given as a gift. Sometimes they contain correspondence or writings that reveal the inspiration for a work. They have been arranged in chronological order, according to Rattner's own filing system.Rattner retained receipts for most of his art expenses. Arranged by decade, these receipts show the type of paint, colors, types of paper and brushes that he used.Rattner also kept many household files and personal financial records. Household files contain insurance records, warranties and rental agreements, while the financial records contain returned checks and bank statements. Some bank statements from Esther Gentle Reproductions are also included. The household files and financial records are not filmed.The date books and diaries reveal the aspects of daily life and the personal thoughts of Rattner and Esther Gentle. In many cases, Rattner shared his date books and diaries with Gentle. The early diaries are fascinating, especially the 1939 diary that discloses the Rattners' last days in France before escaping Nazism and returning to the United States.Rettner's scrapbooks span from 1938 to 1952 and contain newspaper and magazine clippings that mention the artist or his work.The printed material covers a period from 1930s through the 1980s and includes exhibition catalogs, exhibition announcements, clippings, and miscellaneous material such as an autograph book from 1969 and a map of Israel that shows Rattner's travel route. There is a large amount of unfilmed printed material that is listed in the series description.Writings by others consists of writings on Rattner and other topics.The collection contains many photographs taken of Rattner and taken by him, as well as photos of family, friends, his studio, travels, and photographs of Rattner's art. Photographs of notable people include Henry Miller, Joan Miro, John Dos Passos, Archibald MacLeish, and Malcolm Cowley, among others.The amount of Rattner's art work included in the collection is small, but it is significant because it provides examples of his very early work, dating from 1912-1914. Some later studies are also present, as well as a number of random sketches. Color was very important to Rattner, and some of his color studies from the 1940s are also included. Art work by other artists is comprised of some small paintings by Max Weber, a water color by Henry Miller, a painting by Ken Buryd, as well as some work by unknown artists.In addition to tracing Rattner's life and career, the collection also documents the lives of Rattner's two wives, Bettina Bedwell and Esther Gentle. Both women had profound effects on Rattner's work. Among Bettina Bedwell's papers are her diary, fashion sketches, and correspondence. Esther Gentle's papers include correspondence, writings, as well as papers documenting her business Esther Gentle Reproductions. There are a small amount of papers relating to Allen Leepa, Rattner's stepson with Esther Gentle.<ref actuate="onLoad" show="embed" target="ref712" title="Index">See index for list of correspondents from various series.</ref>
ArchivalResource:
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- Resource Relation
- Rattner, Abraham. Abraham Rattner and Esther Gentle papers, 1891-1986.
Print Club (Philadelphia, Pa.). Archives, 1915-1985.
Title:
Archives, 1915-1985.
The archives consist of five types of records: minutes of the Board, 1921-76; correspondence of the officers and director, 1916-1964; financial records, 1922-1972; consignment records, 1933-64; and scrap books and published catalogues, 1926-50.
ArchivalResource: 60 linear ft.
http://www.worldcat.org/oclc/122541039 View
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- Resource Relation
- Print Club (Philadelphia, Pa.). Archives, 1915-1985.
Piri Halasz papers
Title:
Piri Halasz papers
The papers of Piri Halasz are dated circa 1950-2017, and measure 1.6 linear feet and 0.179 GB. The collection consists of correspondence with Clement Greenberg and a number of well-known artists; writings including article and book manuscripts, drafts of lectures, talks, and born-digital presentations; interview transcripts and sound recordings; exhibition reviews; research; biographical material; photographs; and printed material documenting Halasz's activities as an art critic, writer and curator. The series titled "Greenbergiana" contains various materials related to Greenberg, including an interview Halasz conducted with Greenberg in 1991, a questionnaire filled out by artist Pat Lipsky Sutton concerning Greenberg's ideas about her work, and items concerning his death and memorial services.Correspondence contains letters from Anthony Caro, Helen Frankenthaler, Clement Greenberg, Jules Olitski, Larry Poons, Anne Truitt, and others. There is a folder of greeting cards, some with original artwork, from artists of her acquaintance. Also found is correspondence with publishers about articles submitted by Halasz for consideration. Photographs are of Halasz and colleagues.Writings include drafts of published and unpublished articles about Pablo Picasso, Ad Reinhardt, Abraham Rattner, Jennings Tofel, Larry Poons, Stanley William Hayter, Morris Louis, Manhattan museums, Randy Bloom and other subjects. There are transcripts of lectures and talks given by Halasz, and transcripts of interviews she conducted with Stanley William Hayter and Randy Bloom. The series also contains a manuscript for her 1985 novel, <emph render="italic">The Artist's Widow</emph> and supplemental material related to her book, <emph render="italic">A Memoir of Creativity, 1956-2008</emph>. Born-digital material includes two PowerPoint presentations related to Halasz's lectures."A Year in the Life of Present Modernism," an exhibition curated by Halasz, was held in 1997-1998 at the Tribes Gallery, New York City. Documentation includes printed material, photographs, and biographical information about Halasz and participating artists.A small amount of biographical material includes curricula vitae, identifications cards, drawings by Halasz, and photographs of Halasz at various stages in life.Interviews include one transcript and nineteen sound recording on cassettes of artists, relatives of artists, historians, and curators. All interviews were conducted by Halasz as research for various writing projects. Interviewees include artists Randy Bloom, Frank Bowling, Stanley William Hayter, Larry Poons, Peter Reginato, Ann Walsh, and James Walsh.
ArchivalResource:
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- Resource Relation
- Piri Halasz papers, 1969-2009
Oral history interview with Philip Pavia
Title:
Oral history interview with Philip Pavia
An interview of Philip Pavia conducted 1965 Jan. 19, by Bruce Hooton, for the Archives of American Art.
OralHistoryResource: Sound recording: 1 sound tape reel ; 7 in.Transcript: 30 p.
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- Pavia, Philip, 1915-2005. Philip Pavia interview, 1965 Jan. 19.
Katharine Kuh papers
Title:
Katharine Kuh papers
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and <emph render="italic">The Saturday Review</emph>. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, <emph render="italic">Technics and Creativity</emph>, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics. Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for <emph render="italic">The Saturday Review</emph>, exhibition announcements and catalogs, calendars of events, programs, brochures, books including <emph render="italic">Poems</emph> by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.
ArchivalResource: 12 linear feet
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- Katharine Kuh papers, 1875-1994, bulk 1930-1994
Oral history interview with Berthe von Moschzisker
Title:
Oral history interview with Berthe von Moschzisker
An interview of Berthe von Moschzisker conducted 1990 November 26, by Anne Schuster Hunter, for the Archives of American Art Philadelphia Project.
OralHistoryResource: Sound recording: 2 sound cassettes.Transcript: 108 p. (on partial microfilm reel)
https://n2t.net/ark:/65665/mw9d42c19e6-f7ab-45b2-971d-268e1d7668f9 View
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- Von Moschzisker, Berthe, 1915-. Berthe von Moschzisker interview, 1990 Nov. 26.
Oral history interview with Seong Moy
Title:
Oral history interview with Seong Moy
An interview of Seong Moy conducted 1971 Jan. 18-28, by Paul Cummings, for the Archives of American Art.
OralHistoryResource: Sound recordings: 2 sound tape reels (3 hours) ; 5 in.Transcript: 69 p.
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- Moy, Seong. Oral history interview with Seong Moy, 1971 Jan. 18-1971 Jan. 28.
Museum of Modern Art (New York, N.Y.). Hayter and Studio 17, new directions in gravure. 1944 : Archives pamphlet file : miscellaneous uncataloged material.
Title:
Hayter and Studio 17, new directions in gravure. 1944 : Archives pamphlet file : miscellaneous uncataloged material.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/122637220 View
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- Museum of Modern Art (New York, N.Y.). Hayter and Studio 17, new directions in gravure. 1944 : Archives pamphlet file : miscellaneous uncataloged material.
Colette Roberts Artist Interviews, 1964-1969
Title:
Colette Roberts Artist Interviews 1964-1969
Papers of the American art critic, gallery director.Born in Paris, France, died 1971. Director of Grand Central Moderns (N.Y.), 1952-1968. Collection consists of taped interviews with Will Barnet, Nell Blaine, Victor Candell, Giorgio Cavallon, pianist George Copeland, Ben Cunningham, Fielding Dawson, Marcel Duchamp, Adolph Gottlieb, José Guerrero, Stanley William Hayter, John Hultberg, Jennett Lam, Charlotte Lichtblau, Roy Lichtenstein, Richard Lindner, Robert Mallary, Leo Manso, Ezio Martinelli, Seong Moy, Norman Narotzky, Louise Nevelson, Betty Parsons, Bernard Pfriem, Abraham Rattner, Man Ray, Robert Reid, Ralph Rosenborg, Jason Seley, William Soles, Hyde Solomon, Hedda Sterne, and Reuben Tam.
ArchivalResource: 37 tapes.
http://library.syr.edu/digital/guides/r/roberts_c.htm View
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- Colette Roberts Artist Interviews, 1964-1969
Irving Sandler interviews and papers
Title:
Irving Sandler interviews and papers
The interviews and papers of art critic, art historian, and educator Irving Sandler measure 2.8 linear feet and 1.63 GB and date from 1944-2017. Included are interviews and recorded lectures, some in digital format; photographs of artwork and artists; membership files, meeting minutes, and ephemera from the Club organization; printed material from individual artist and group exhibits; and teaching files.
ArchivalResource: 2.8 Linear feet; 1.63 Gigabytes
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- WRFM (Radio station : New York, N.Y.). Interviews of artists, 1962 Mar. 26-1963 Apr. 8.
Hayter, Stanley William, 1901-1988. Artist file.
Title:
Artist file.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/243616743 View
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- Hayter, Stanley William, 1901-1988. Artist file.
Oral history interview with Karl Schrag
Title:
Oral history interview with Karl Schrag
Interview of Karl Schrag conducted 1970 October 14-20, by Paul Cummings, for the Archives of American Art. Schrag speaks of his childhood in Germany; how his parents were nervous about him becoming an artist; going to various art schools; studying with Bissiere; his first exhibition in Brussels; moving to America because of the political situation in Europe; enrolling in the Art Students League; getting involved with Atelier 17; how the mid-1940s were crucial in his development; American artists he found interesting; his thoughts on the Abstract Expressionists; how he started teaching; joining Tamarind workshop; his first retrospective, the Ford Foundation-A.F.A Show; being on the Fulbright jury; how his pictures relate to each other; his technique; and becoming the Director of Atelier 17. He recalls Andre L'Hote, Roger Bissiere, Harry Sternberg, Anton Refregier, William Kienbusch, Fred Farr, Carroll Cloar, John Sloan, Maurice Becker, Stanley William Hayter, Yves Tanguy, Bohuslav Horak, Robert Broner, Margaret Lowenbraun, and many others.
OralHistoryResource: Sound recording: 3 sound tape reels (3 hr.) ; 5 in.Transcript: 45 p.
https://n2t.net/ark:/65665/mw96f20ed28-9889-45fa-8ee4-33b962f5a0dc View
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- Schrag, Karl. Oral history interview with Karl Schrag, 1970 Oct. 14-Oct. 20 [sound recording].
Brooklyn Museum records
Title:
Brooklyn Museum records
Included are extensive memoirs of William Henry Fox director of the museum for over 25 years; scattered records of the Brooklyn Institute, 1823-1873; catalogs for Brooklyn Museum exhibits (4 1/2 reels) and for exhibits held in various galleries and museums, primarily in N.Y. (14 reels); brief records of the Dept. of Painting and Sculpture primarily relating to Gilbert Stuart's portrait of George Washington; records of the Dept. of Prints and Drawings, mainly regarding exhibitions, including correspondence, much of it with curator Una Johnson, correspondence with art dealers, files on artists, and statistics on exhibitions, 1936-1939; and records of the Registrar's office, 1933-1936, regarding the museum's involvement in the Federal Art Project of the Works Progress Administration, mainly the Graphic Arts Division.
ArchivalResource:
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- Resource Relation
- Brooklyn Museum. Brooklyn Museum records, 1823-1963.
Colette Roberts Papers and Interviews with Artists
Title:
Colette Roberts Papers and Interviews with Artists
The papers of New York City and Paris art historian, educator, and gallerist Colette Roberts measure 10.2 linear feet and date from 1918 to 1971. Papers include correspondence, writings, teaching records, project proposals, gallery records from Grand Central Moderns Gallery, clippings, Roberts' printed articles, press releases, exhibition catalogs, posters, photographs, and a few works of art on paper. Also found are 124 interviews with contemporary artists conducted by Roberts.
ArchivalResource: 10.2 Linear feet
https://n2t.net/ark:/65665/mw9bb878da1-c929-41fc-aa11-e3a678ffd3f1 View
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- Resource Relation
- Roberts, Colette, 1910-1971. Colette Roberts interviews with artists, 1961-1971 [sound recording].
Brian Coffey papers, 1917–1996
Title:
Brian Coffey papers 1917–1996
The Brian Coffey papers consist of personal and literary papers which document the life and career of the avant-garde Irish poet from 1917 to 1996.
ArchivalResource: 12.5 linear feet (and 5 oversized boxes)
http://library.udel.edu/static/purl.php?mss0382 View
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- Brian Coffey papers, 1917–1996
Abraham Rattner and Esther Gentle papers
Title:
Abraham Rattner and Esther Gentle papers
Abraham Rattner's papers provide insight into an important time for twentieth century American art and culture. By studying Rattner's papers, the researcher may view the beginnings of Modernism, the cultural change that pushed the boundaries of artistic and literary traditions and provided new ways in which to express ourselves.The Abraham Rattner and Esther Gentle papers measure 26.3 linear feet and date from 1891 through the 1980s. The collection documents Rattner's life and career as an artist through interviews, extensive correspondence, gallery files, studio notebooks, writings, notes, date books and diaries, photographs, and works of art.The biographical files contain documents such as Rattner's birth certificate, travel visas, his senior yearbook from 1912 which shows some of his early art work, and some of his awards. His birth certificate is of particular interest since it shows Rattner's birth date to be 1893 instead of the recognized 1895.The correspondence offers great insight into the thoughts of many American and European artists and writers during the 1930s and 1940s. Rattner, a prolific writer, expressed many of his own thoughts and concerns through his letters, many of which are included in this collection. The vast amount of correspondence include letters from notable figures such as George Biddle, Kay Boyle, Paul Burlin, Norman Carton, Robert Coates, Stuart Davis, Adolph Dehn, Richard de Rochemont, John Dos Passos, Xavier Gonzales, John Howard Griffin, Ramon Guthrie, Robert Gwathmey, Weeks Hall, Stanley W. Hayter, Jean Helion, Hilaire Hiler, Joseph Hirsch, Stefan Hirsch, Carl Holty, Louis Kronberg, Rico Lebrun, Jacques Lipchitz, Earle Ludgin, Thalia Wescott Malcolm, Henry Miller, Joan Miro, Bror Julius Olsson Nordfeldt, Channing Peake, Henry Varnum Poor, Felix Ruvolo, Waverly Root, Jack Gage Stark, Frank C. Watkins, and Allen Weller, among others.Rattner was engaged in a wide range of special art projects, and he kept detailed files on these projects. The projects spanned from 1940 through 1973 and included endeavors such as illustrations for <emph render="italic">Life</emph> magazine, stained-glass designs, mosaic and tapestry projects, as well as special paintings such as <emph render="italic">Victory--Jerusalem the Golden</emph> and <emph render="italic">The Gallows of Baghdad</emph>. Rattner's papers also detail the history of a fresco painted by Paul Gauguin entitled <emph render="italic">Joan d'Arc</emph>which Rattner purchased in France in 1925.Rattner's forty year friendship with the writer Henry Miller is chronicled throughout the collection in the forms of correspondence, writings, printed material, phototographs and artwork. Their correspondence ranges from 1938 through 1978 and offers great insight into their relationship. Rattner and Miller's road trip from New York to New Orleans in 1940-1941 is documented in the series entitled Special Projects. Also included in the collection are printed material, such as biographical material on Miller, Miller's writings, literary announcements and reviews; Miller's writings on Rattner; and photographs of Miller.The gallery files contain correspondence, receipts, and notes regarding the galleries which represented Rattner. Those galleries included the Rosenberg Gallery, the Downtown Gallery, and the Kennedy Gallery. A small series of exhibition files contain material about exhibitions held outside of Rattner's representative galleries.Rattner's writings proved to be an outlet for his thoughts on painting, his inspirations, frustrations, and sadness. In addition to painting, Rattner was able to express his creativity through writing poetry. Writing also helped him work through his depression over the death of his first wife Bettina Bedwell.He also kept finely detailed studio notebooks. The original order has been maintained, and they trace the history of almost each painting, drawing, and study attempted by Rattner. The notebooks often provide information regarding whether the work was sent to a gallery or given as a gift. Sometimes they contain correspondence or writings that reveal the inspiration for a work. They have been arranged in chronological order, according to Rattner's own filing system.Rattner retained receipts for most of his art expenses. Arranged by decade, these receipts show the type of paint, colors, types of paper and brushes that he used.Rattner also kept many household files and personal financial records. Household files contain insurance records, warranties and rental agreements, while the financial records contain returned checks and bank statements. Some bank statements from Esther Gentle Reproductions are also included. The household files and financial records are not filmed.The date books and diaries reveal the aspects of daily life and the personal thoughts of Rattner and Esther Gentle. In many cases, Rattner shared his date books and diaries with Gentle. The early diaries are fascinating, especially the 1939 diary that discloses the Rattners' last days in France before escaping Nazism and returning to the United States.Rettner's scrapbooks span from 1938 to 1952 and contain newspaper and magazine clippings that mention the artist or his work.The printed material covers a period from 1930s through the 1980s and includes exhibition catalogs, exhibition announcements, clippings, and miscellaneous material such as an autograph book from 1969 and a map of Israel that shows Rattner's travel route. There is a large amount of unfilmed printed material that is listed in the series description.Writings by others consists of writings on Rattner and other topics.The collection contains many photographs taken of Rattner and taken by him, as well as photos of family, friends, his studio, travels, and photographs of Rattner's art. Photographs of notable people include Henry Miller, Joan Miro, John Dos Passos, Archibald MacLeish, and Malcolm Cowley, among others.The amount of Rattner's art work included in the collection is small, but it is significant because it provides examples of his very early work, dating from 1912-1914. Some later studies are also present, as well as a number of random sketches. Color was very important to Rattner, and some of his color studies from the 1940s are also included. Art work by other artists is comprised of some small paintings by Max Weber, a water color by Henry Miller, a painting by Ken Buryd, as well as some work by unknown artists.In addition to tracing Rattner's life and career, the collection also documents the lives of Rattner's two wives, Bettina Bedwell and Esther Gentle. Both women had profound effects on Rattner's work. Among Bettina Bedwell's papers are her diary, fashion sketches, and correspondence. Esther Gentle's papers include correspondence, writings, as well as papers documenting her business Esther Gentle Reproductions. There are a small amount of papers relating to Allen Leepa, Rattner's stepson with Esther Gentle.<ref actuate="onLoad" show="embed" target="ref712" title="Index">See index for list of correspondents from various series.</ref>
ArchivalResource:
https://n2t.net/ark:/65665/mw98b38e43e-390b-4c78-9a1b-51b9d7ff2357 View
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- Abraham Rattner and Esther Gentle papers, 1891-1986
Oral history interview with Robert Broner
Title:
Oral history interview with Robert Broner
An interview of Robert Broner conducted 1974 May 3-8, by Dennis Barrie, for the Archives of American Art. Broner speaks of growing up in Detroit; his early interest in art due to his brother's influence; attending Cass Technical High School and Wayne University; his U.S. Army service during World War II; getting his Masters' at UCLA; teaching and life at Auburn University; going to New York and working in Stanley William Hayter's studio; taking a course from Stuart Davis at the New School; Hayter and Davis as teachers; printmaking; Robert Blackburn's printing shop; his preference for printmaking over painting; returning to Detroit; the establishment of a printing press and printmaking at the Society of Arts and Crafts; becoming the art critic on the DETROIT TIMES; the development of his work; and printmaking in Michigan. He recalls Sarkis Sarkisian, Robert Blackburn, and Emil Weddige.
OralHistoryResource: Sound recording: 1 sound tape reel ; 7 in.Transcript: 48 p.
https://n2t.net/ark:/65665/mw9a7cd293a-1b16-4f15-93e8-8ae90475c1d1 View
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- Broner, Robert, 1922-. Robert Broner interviews, 1974 May 3-1974 May 8.
Donna Marxer interviews of artists
Title:
Donna Marxer interviews of artists
The Donna Marxer interviews with artists measures 0.6 linear feet and date from 1977 to 1992. The collection contains audio interviews and transcripts for nine artists including: Minna Citron, Barbara Bertoli, Dorothy Dehner, Sari Dienes, Andree Golbin, Kay Pancoast, Susan Schwalb, and Stanley Hayter. Also included are printed materials such as clippings, exhibition announcements, and an invitation to an exhibition opening.
OralHistoryResource: 9 sound cassettes (partially transcribed)
https://n2t.net/ark:/65665/mw96235caff-1532-40da-b4cf-2b4ef9cbd109 View
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- Resource Relation
- Marxer, Donna, 1934-. Donna Marxer interviews of artists, 1977-1992.
Oral history interview with George Earl Ortman
Title:
Oral history interview with George Earl Ortman
An interview of George Earl Ortman conducted 1963 Sept. 19-Nov. 5, by Richard Brown Baker, for the Archives of American Art.
OralHistoryResource: Sound recordings: 3 sound tape reels ; 7 in.Sound recordings: 1 sound tape reel ; 5 in.Transcript: 211 p. (on one microfilm reel)
https://n2t.net/ark:/65665/mw982f06ba0-85fc-4152-8103-2cf09594f6c9 View
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- Resource Relation
- Ortman, George, 1926-. George Earl Ortman interviews, 1963 Sept. 19-Nov. 5.
Hayter, Stanley William, 1901-. Stanley William Hayter : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].
Title:
Stanley William Hayter : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York]. 1930?-1990
File of color and black and white photographs of work of art, assembled by the staff of The Museum of Modern Art in New York from the museum's establishment until 1990. Items may include full views, details, installations, etc.
ArchivalResource: 1 or more folders: ill. (some col.) ; 38 cm.
http://www.worldcat.org/oclc/662610298 View
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- Hayter, Stanley William, 1901-. Stanley William Hayter : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].
Hayter, Stanley William, 1901-1988. [Artist name : International Art & Artists File].
Title:
[Artist name : International Art & Artists File].
ArchivalResource: 1 file.
http://www.worldcat.org/oclc/429887454 View
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- Hayter, Stanley William, 1901-1988. [Artist name : International Art & Artists File].
Jacob Kainen papers
Title:
Jacob Kainen papers
The papers of painter, printmaker, and curator Jacob Kainen measure 33.3 linear feet and date from 1905 to 2009, with the bulk of the material from 1940-2001. The bulk of the collection consists of correspondence/subject files including personal correspondence to and from friends and family members and professional correspondence and records concerning Kainen's activities as an artist, curator, teacher, and art collector. The collection also contains biographical material, writings, diary and journal entries, calendars, inventories, interview and "dialog" transcripts, printed material, photographs, works of art by other artists, and nine scrapbooks.Biographical materials include items concerning Kainen's career as a curator and artist, in addition to a useful bibliography, detailed biographical outline, and a copy of an FBI report compiled on him. Also included are five videocassette recordings of Kainen. Alphabetical correspondence/subject files comprise the bulk of the collection and include both Jacob's and Ruth's correspondence with family, friends, colleagues, artists, art critics, curators, museums, arts organizations, galleries, and many others. There is a significant amount of correspondence with David Acton, the Addison Gallery of Art and Jock Reynolds, William Agee, Australian National Gallery, Baltimore Museum of Art, Avis Berman, the British Museum, Brooklyn Museum, Elizabeth Broun and the Smithsonian American Art Museum, Bryce Butler, Pheobe Cole, the Corcoran Gallery and School of Art, Richard Field, Ruth Fine, Fort Wayne Museum of Art, Newton Frohlich, Gordon Gilkey and the Pacific Northwest College of Art, Arshile Gorky, Piri Halesz, Carol Harrison, Donald Holden, Wilhelmina Holladay, John Baptist Jackson, Jim Jordon, Lou Kantor, Harry Lunn Jr., Middendorf Gallery, National Gallery of Art, Peter Morse, Gerald Nordland, Francis O'Connor, Jerome Pollack, Richard Powell, Ann Purcell, Harry Rand, Martin Ries, Joseph Solman, Leo Steinberg, Prentiss Taylor, Victorino Tejera, Valerie Thornton, Joanne Weber, and numerous family members. Writings are by and about Jacob Kainen. Kainen's writings include articles, lectures, exhibition catalog essays, notes, travel notebooks, short stories, poems, and written statements about his artistic motivations and justifications. There are writings about Kainen by Avis Berman, Ruth Cole Kainen, and others. The bulk of the numerous diary entries are from Ruth Cole Kainen's diaries, many of which concern Jacob and their family. There are also annotated and revised diary entries. There is one folder of diary entries and one folder of journal entries by Jacob Kainen and two dismantled journal-like notebooks. The papers include daily calendars and travel itineraries from 1972 through 2001.The papers include transcripts of formal interviews and informal conversations with Jacob Kainen. Transcripts are of informal dinner, telephone, and general conversations between friends, colleagues, artists, and Ruth Cole Kainen. Included are conversations with Avis Berman, Walter Hopps, Harry Rand, Joshua Taylor, and several others. Many of these transcripts were also annnotated by Jacob and Ruth Kainen. Also found are numerous transcripts of more formal interviews with Kainen by art historians, art critics, and students. There are inventories, appraisals, and lists of sold and not sold paintings, as well as color photographs of some of Kainen's works of art. Also found are inventories of the Kainens' art collection. Printed materials include Kainen's exhibition catalogs and announcements, clippings of articles by and about Jacob Kainen, and an exhibition guestbook.Photographs are of Kainen with his family and friends, at exhibition openings, and working in his studios. Works of art by others includes handmade greeting cards, limited edition prints, and portfolios given to Jacob Kainen. Nine scrapbooks containing news clippings and exhibition publications document the entirety of Kainen's career as an artist.
ArchivalResource:
https://n2t.net/ark:/65665/mw974ec158d-d417-4d06-931d-44a4af17ab27 View
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- Jacob Kainen papers, 1905-2003 (bulk 1940-2001)
Adolf Dehn papers
Title:
Adolf Dehn papers
The papers of printmaker and painter Adolf Dehn measure 6.6 linear feet and date from 1912-1987. The collection contains extensive correspondence, as well as writings, exhibition announcements, catalogs, clippings, invoices, receipts, legal documents, scrapbooks, artwork, and photographs. There is also scattered correspondence of Virginia Dehn, mostly concerning her husband Adolf Dehn.
ArchivalResource: 6.6 Linear feet
https://n2t.net/ark:/65665/mw92c8a7afd-8bd9-4c4c-935d-90de370a645e View
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- Dehn, Adolf, 1895-1968. Adolf Dehn papers, 1912-1987.
Katharine Kuh papers
Title:
Katharine Kuh papers
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and <emph render="italic">The Saturday Review</emph>. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, <emph render="italic">Technics and Creativity</emph>, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics. Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for <emph render="italic">The Saturday Review</emph>, exhibition announcements and catalogs, calendars of events, programs, brochures, books including <emph render="italic">Poems</emph> by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.
ArchivalResource: 12 linear feet
https://n2t.net/ark:/65665/mw987a0763e-de6c-4f9e-b143-4875b3a2244a View
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- Kuh, Katharine. Katharine Kuh papers, 1875-1994, bulk, 1930-1994.
Hayter, Stanley W. : Biographical file.
Title:
Hayter, Stanley W. : Biographical file. [1900-9999]
May contain: Resumes, newspaper articles, magazine articles, invitations to exhibition openings, gallery hand-outs, check-lists of exhibitions, advertisements, obituaries, 35 mm. slides of the artist's work.
ArchivalResource: 1 envelope : manila ; 13 x 10 in.
http://www.worldcat.org/oclc/50920308 View
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- Hayter, Stanley W. : Biographical file.
Hayter, Stanley William, 1901-1988 : [miscellaneous ephemeral material].
Title:
Hayter, Stanley William, 1901-1988 : [miscellaneous ephemeral material].
The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/199253785 View
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- Hayter, Stanley William, 1901-1988 : [miscellaneous ephemeral material].
Hayter, Stanley William, 1901-1988. Print signed : [n.p.], to Paul Rosenberg, [n.d.].
Title:
Print signed : [n.p.], to Paul Rosenberg, [n.d.].
ArchivalResource: 1 item.
http://www.worldcat.org/oclc/270874859 View
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- Hayter, Stanley William, 1901-1988. Print signed : [n.p.], to Paul Rosenberg, [n.d.].
New York Artists Equity Association records
Title:
New York Artists Equity Association records
The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and 2.99 Gb and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed and digital materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events.
ArchivalResource: 26.8 Linear feet; 2.99 Gigabytes
https://n2t.net/ark:/65665/mw9262aeec9-d4bf-436e-aef6-73441a4b1195 View
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- New York Artists Equity Association. New York Artists Equity Association records, 1944-2003.
Oral history interview with Stanley William Hayter
Title:
Oral history interview with Stanley William Hayter
An interview of Stanley William Hayter conducted 1971 Mar. 11, by Paul Cummings, for the Archives of American Art.
OralHistoryResource: Sound recording: 1 sound tape reel (1 hour 15 min.) ; 5 in.Transcript: 12 p.
https://n2t.net/ark:/65665/mw9e1f2a738-4877-40e4-b637-912ea92be4c6 View
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- Hayter, Stanley William, 1901-1988. Stanley William Hayter interview, 1971 Mar. 11.
HAYTER, STANLEY WILLIAM. Artist file : miscellaneous uncataloged material.
Title:
Artist file : miscellaneous uncataloged material.
ArchivalResource: 1 folder
http://www.worldcat.org/oclc/83483096 View
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- HAYTER, STANLEY WILLIAM. Artist file : miscellaneous uncataloged material.
Oral history interview with Buffie Johnson
Title:
Oral history interview with Buffie Johnson
An interview of Buffie Johnson conducted 1977 Nov. 22-1978 Jan. 23, by Paul Cummings, for the Archives of American Art.
OralHistoryResource: Sound recording: 2 sound tape reels ; 5 in.Transcript: 140 p.
https://n2t.net/ark:/65665/mw939e09048-eb0d-453d-8407-d295b4ef7c7e View
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- Resource Relation
- Johnson, Buffie. Buffie Johnson interviews, 1977 Nov. 22-1978 Jan. 23.
Oral history interview with Alvin S. Romansky
Title:
Oral history interview with Alvin S. Romansky
An interview of Alvin S. Romansky conducted 1979 September 17, by Sandra Curtis Levy, for the Archives of American Art.
OralHistoryResource: Sound recording: 6 sound cassettes.Transcript: 234 p. (on 1 microfilm reel)
https://n2t.net/ark:/65665/mw9da0fee8e-39a4-4e30-b995-76efadd773ea View
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- Resource Relation
- Romansky, Alvin S., 1907-. Alvin S. Romansky interviews, 1979 Sept. 17 [sound recording].
Ezio Martinelli Papers, 1927-1968
Title:
Ezio Martinelli Papers 1927-1968
Correspondence, family, business, and personal (1927-1967); artwork, including photographs and reproductions of Martinelli’s United Nations commission; statements on his work; and printed material, including clippings about Martinelli (1928-1968), and exhibition announcements, catalogs, and invitations (1934-1968). Correspondents include Aldo John Casanova, Ed Colker, Martin Craig, Dorothy Dehner, Helmut von Erffa, Giannetto Fieschi, Horace Gregory, Peter Grippe, Edmund Haines, Stanley Hayter, Louis I. Kahn, Leon Kelly, Leon Kroll, Norman Lewis, Sam Maitin, Barbara Brooks Morgan, Marnie Pomeroy, Melville Price, Walter Reinsel, Theodore Roszak, Charles Seide, Helena Simkhovitch, David Smith, and Carl Zigrosser.
ArchivalResource: 5.25 linear ft.
http://library.syr.edu/digital/guides/m/martinelli_e.htm View
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- Ezio Martinelli Papers, 1927-1968
Hayter, Stanley William, 1901-1988. Correspondence with Carl Zigrosser, 1942-1961, n.d.
Title:
Correspondence with Carl Zigrosser, 1942-1961, n.d.
Stanley William Hayter was a printer and print historian of a generation after Carl Zigrosser. Their correspondence concerns exhibitions, Hayter's own work, and technical aspects of printing. Hayter was particularly interested in American artists using unusual and innovative printing techniques. Carl Zigrosser assisted him with his application to the Guggenheim Foundation. After World War II, Hayter re-established Atelier 17, his innovative Paris studio, and Zigrosser wrote publicity statements supporting both the Atelier, Hayter's work in prints, and his book New Ways of Gravure. The two disagreed over the value and position of the Print Council of America. There is a quantity of printed matter about Hayter.
ArchivalResource: 39 items (57 leaves).
http://www.worldcat.org/oclc/206695535 View
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- Hayter, Stanley William, 1901-1988. Correspondence with Carl Zigrosser, 1942-1961, n.d.
Edna Reindel papers
Title:
Edna Reindel papers
The papers of artist Edna Reindel measure 0.8 linear feet and date from circa 1918-1990. The collection contains biographical material, printed material, artist files and photographs that document Reindel's career and her friendships with Hollywood celebrities, art patrons, and artists.
ArchivalResource: 0.8 Linear feet
https://n2t.net/ark:/65665/mw947b0aba0-b812-4b8e-bbab-42901911ef66 View
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- Reindel, Edna M. Edna Reindel papers, 1918-1990.
Anne Ryan papers
Title:
Anne Ryan papers
The papers of New York-based painter, printmaker, collagist and writer Anne Ryan measure 3.8 linear feet and date from circa 1905 to 1970. The papers document her career as an artist and writer in New York, New Jersey and Spain through biographical material, correspondence, diaries and journals, writings, printed material, photographic material and artwork.
ArchivalResource: 3.8 Linear feet
https://n2t.net/ark:/65665/mw9338d8d6c-21ed-442d-ba7b-52ac24daef94 View
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- Resource Relation
- Ryan, Anne, 1889-1954. Anne Ryan papers, 1922-1968.
Sandler, Irving, 1925-. Irving Harry Sandler papers, circa 1944-2007, bulk 1944-1980.
Title:
Irving Harry Sandler papers, circa 1944-2007, bulk 1944-1980.
Membership files, minutes of meetings from the Club, an organization Sandler directed, interviews, writings, photographs, and printed material relating to the career of Irving Sandler as an art critic, historian, and educator.
ArchivalResource: 1.0 linear ft.
http://www.worldcat.org/oclc/233006991 View
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- Sandler, Irving, 1925-. Irving Harry Sandler papers, circa 1944-2007, bulk 1944-1980.
Gyorgy Kepes papers
Title:
Gyorgy Kepes papers
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.
ArchivalResource: 21.2 Linear feet
https://n2t.net/ark:/65665/mw9f863f285-f429-48f1-ba6e-fb74702c12ba View
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- Kepes, Gyorgy, 1906-2001. Gyorgy Kepes papers, 1825-1989 (bulk 1909-1989).
American Federation of Arts records
Title:
American Federation of Arts records
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.
ArchivalResource: 79.8 Linear feet
https://n2t.net/ark:/65665/mw9c7dd55d7-d3cb-43e7-8f4e-cd346add3d2e View
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- American Federation of Arts records, 1895-1993 (bulk 1909-1969)
Oral history interview with Roland C. Petersen
Title:
Oral history interview with Roland C. Petersen
An interview of Roland C. Petersen conducted 2002 Sept. 17, by Paul Karlstrom, for the Archives of American Art, in Petersen's home, in Pacifica, Calif.
OralHistoryResource: Sound recording: 1 sound cassette (60 min.) : analog.Transcript: 12 p.
https://n2t.net/ark:/65665/mw956ca99ef-0d8b-43f4-987f-8e6e2eaea50b View
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- Resource Relation
- Petersen, Roland, 1926-. Oral history interview with Roland C. Petersen, 2002 Sept. 17 [sound recording].
Adolf Dehn papers
Title:
Adolf Dehn papers
The papers of printmaker and painter Adolf Dehn measure 6.6 linear feet and date from 1912-1987. The collection contains extensive correspondence, as well as writings, exhibition announcements, catalogs, clippings, invoices, receipts, legal documents, scrapbooks, artwork, and photographs. There is also scattered correspondence of Virginia Dehn, mostly concerning her husband Adolf Dehn.
ArchivalResource: 6.6 Linear feet
https://n2t.net/ark:/65665/mw92c8a7afd-8bd9-4c4c-935d-90de370a645e View
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- Adolf Dehn papers, 1912-1987
David Gascoyne papers, 1822-2010, n.d.
Title:
David Gascoyne papers 1822-2010, n.d.
ArchivalResource: 11 series (138 files)
http://archiveshub.ac.uk/data/gb58-addms89011 View
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- David Gascoyne papers, 1822-2010, n.d.
Oral history interview with Gabor Peterdi
Title:
Oral history interview with Gabor Peterdi
An interview of Gabor Peterdi conducted 1971 Apr. 29, by Paul Cummings, for the Archives of American Art. Peterdi speaks of his youth in Hungary and his early desire to be a painter, Paris and his first encounter with surrealism, studying printmaking with Stanley William Hayter and the Paris art scene in the 1930s. He comments on coming to the U.S. in 1939, his involvement with the Julien Levy, Norlyst, Laurel and Borgenicht Galleries and his service in the U.S. Army. He discusses Hayter's New York studio, the International Graphic Arts Society, teaching at the Brooklyn Museum Art School and starting its graphics workshop, the interaction of prints and paintings, symbolism, teaching, various print techniques and printmaking as a creative art form. He recalls Jeanne Bucher, Bill Hayter, Howard Putzel and Julien Levy.
OralHistoryResource: Sound recording: 2 sound tape reels (3 hr.) ; 5 in.Transcript: 79 p.
https://n2t.net/ark:/65665/mw988c7870e-2072-458b-bc00-f4ad29d9bf0e View
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- Resource Relation
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Clemens Kalischer papers
Title:
Clemens Kalischer papers
276 photographs, ca. 1946-1966, taken by Kalisher of artists teaching at Bennington College, Bennington, Vermont, Black Mountain College, North Carolina, and the MacDowell Colony, Peterborough, New Hampshire.
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eng
Zyyy
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- Language
- eng
Art
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- Subject
- Art
Art, British
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- Art, British
Printmaker
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- Printmaker
Prints
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- Prints
Americans
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- Americans
Engravers
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- New York (State)--New York
New York (State)--New York
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New York (State)--New York
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- Convention Declaration 203