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Information: The first column shows data points from Oenslager, Donald M., 1902-1975 in red. The third column shows data points from Oenslager, Donald, 1902-1975 in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.
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Oenslager, Donald M., 1902-1975
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Oenslager, Donald, 1902-1975
Oenslager, Donald M., 1902-1975
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Oenslager, Donald M., 1902-1975
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Oenslager, Donald, 1902-1975
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Oenslager, Donald
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Oenslager, Donald Mitchell 1902-1975
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Oenslager, Donald (Donald Mitchell), 1902-1975
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Oenslager, Donald Mitchell (American scenographer and collector, 1902-1975)
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Donald. Mitchell Oenslager
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Oenslager, Donald. M.
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Oenslager, Donald. Mitchell
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Donald Mitchell Oenslager was born on March 7, 1902, in Harrisburg, Pennsylvania. Following graduation from Harvard University in 1923, he was an instructor in scenic design at Middlebury College, Vermont. In 1925, his former Harvard instructor, George Pierce Baker, appointed him to the faculty of the Department of Drama of the Yale School of Fine Arts. Oenslager taught design at Yale until his retirement in 1970. While at Yale, he designed sets for over 250 plays, operas, ballets, and musicals in New Haven, New York, and Europe. Oenslager served as a consultant on theater architecture and design and authored several books on the subject. He was a member of the Art Commission of the City of New York, the board of directors of the American Foundation of the Arts, and the Museum of the City of NewYork. Oenslager died on June 21, 1975, in Bedford, New York.
Donald Mitchell Oenslager, an American stage designer and professor, was born in Harrisburg, Pennsylvania on 7 March 1902. Oenslager began his career in the theater as an actor, working at the Greenwich Village Theatre and the Provincetown Playhouse during the early 1920s. He became interested in theater design after studying in Europe and his first project as a designer was in 1925 for a ballet, Sooner or Later. Oenslager was active as a designer from the 1930's to the 1960s, working on many notable Broadway productions, including Of Mice and Men (1937) and A Majority of One (1959), for which he received a Tony Award. He also served as a faculty member of the Yale School of Drama, teaching design from 1925 until his death in 1975, publishing many works, including Scenery Then and Now (1936) and Notes on Scene Painting (1952). Profoundly influenced by the European stage designers, Edward Gordon Craig and Adolphe Appia, Oenslager brought a new emphasis on symbolism over realism to American theater design. Throughout his life, Oenslager built up an extensive collection of materials on both Craig and Appia. Following his death on 11 June 1975, Oenslager's widow, Mary, gave portions of the Craig material to the New York Public Library's Billy Rose Theatre Division, while other parts of the collection went to Yale University.
Oenslager was an American set designer.
Donald Oenslager, costume designer.
Donald Mitchell Oenslager (1902-1975), an American stage designer and professor, was born in Harrisburg, Pennsylvania on 7 March 1902.
Oenslager began his career in the theater as an actor, working at the Greenwich Village Theatre and the Provincetown Playhouse during the early 1920s. He became interested in theater design after studying in Europe and his first project as a designer was in 1925 for a ballet, Sooner or Later. Oenslager was active as a designer through the 1960s, working on many notable Broadway productions, including Of Mice and Men (1937) and A Majority of One (1959), for which he received a Tony Award. He also served as a faculty member of the Yale School of Drama, teaching design from 1925 until his death in 1975 and publishing many works, including, Scenery Then and Now (1936) and Notes on Scene Painting (1952). Profoundly influenced by the European stage designers, Edward Gordon Craig and Adolphe Appia, Oenslager brought a new emphasis on symbolism over realism to American theater design. Throughout his life, Oenslager built up an extensive collection of materials on both Craig and Appia. Following his death, Oenslager's widow, Mary, gave portions of the Craig material to the New York Public Library for the Performing Arts, Billy Rose Theatre Collection, while other parts of the collection went to Yale University.
Edward Gordon Craig (1872-1966), the object of Oenslager's collecting efforts and study, was an actor, artist, theater designer and director. Craig was the second of two children produced from the liaison between the actress Ellen Terry and the architect Edward William Godwin. Exposed to the theater from an early age, Craig had a promising start as an actor, but turned, almost by chance, to a career as a graphic artist and stage designer. Craig first learned various techniques of printmaking around 1893 and he developed an enthusiasm for wood engraving in particular. By the end of 1899 he had engraved nearly 200 blocks, started his own magazine and published a book. His interest in stage design developed almost in tandem with his work as a graphic artist. His 1900 production of Dido and Aeneas was groundbreaking in its approach to stage design. The limitations of the space (the Hampstead Conservatoire) enabled Craig to depart from the elaborate, realist traditions of Victorian stagecraft.
Craig's innovations in lighting and design were admired by critics and radical artists, but often proved impractical to mount in the conservative climate of the English commercial theater. In 1904, Craig moved to Berlin for greater opportunities and it was in Germany that he met the American dancer, Isadora Duncan. Although their affair was relatively brief in duration, Duncan was to be a major influence on Craig. The two shared a belief in a theater in which all of the arts were united. It was his association with Duncan that earned Craig an invitation from Konstantin Stanislavsky to design an influential production of Hamlet for the Moscow Art Theatre in 1912. Following that success, Craig opened his own School for the Art of the Theatre in Florence. Craig continued to live in Italy following the war, but he began to shift away from practice into theory, focusing more of his attention on his writings and wood engravings. By the late 1920s, Craig had executed what would be his final stage designs. Among his wood engravings, Craig's work on the 1929 edition of Hamlet for the Cranach Press is often viewed as one of his greatest accomplishments. Following the end of World War II, Craig settled in the small town of Vence in the south of France, where he completed an autobiography, Index to the Story of My Days (1957), and was visited frequently by his admirers until the time of his death in 1966.
Edward Gordon Craig, British actor, artist, theater designer, director and producer responsible for major innovations in the theater during the early part of the 20th century.
Donald Oenslager, theater designer and educator.
Donald Oenslager, theater designer and educator.
Edward Gordon Craig, British actor, artist, theater designer, director and producer responsible for major innovations in the theater during the early part of the 20th century.
Donald Mitchell Oenslager, an American stage designer and professor was born in Harrisburg, Pennsylvania on 7 Martch 1902.
Oenslager began his career in the theater as an actor, working at the Greenwich Village Theatre and the Provincetown Playhouse during the early 1920s. He became interested in theater design after studying in Europe and his first project as a designer was in 1925 for a ballet, Sooner or Later. Oenslager was active as a designer from the 1930s to the 1960s, working on many notable Broadway productions, including Of Mice and Men (1937) and A Majority of One (1959), for which he received a Tony Award. He also served as a faculty member of the Yale School of Drama, teaching design from 1925 until his death in 1975. Oenslager published many works, including Scenery Then and Now (1936) and Notes on Scene Painting (1952). Profoundly influenced by the European stage designers, Edward Gordon Craig and Adolphe Appia, Oenslager brought a new emphasis on symbolism over realism to American theater design. Throughout his life, Oenslager built up an extensive collection of materials on both Craig and Appia. Following his death on 11 June 1975, Oenslager's widow, Mary, gave portions of the Craig material to the New York Public Library's Billy Rose Theatre Division, while other parts of the collection went to Yale University.
Donald Mitchell Oenslager, an American stage designer and professor, was born in Harrisburg, Pennsylvania on 7 March 1902. Oenslager began his career in the theater as an actor, working at the Greenwich Village Theatre and the Provincetown Playhouse during the early 1920s. He became interested in theater design after studying in Europe and his first project as a designer was in 1925 for a ballet, Sooner or Later . Oenslager was active as a designer through the 1960s, working on many notable Broadway productions, including Of Mice and Men (1937) and A Majority of One (1959), for which he received a Tony Award. He also served as a faculty member of the Yale School of Drama, teaching design from 1925 until his death in 1975 and publishing many works, including, Scenery Then and Now (1936) and Notes on Scene Painting (1952). Profoundly influenced by the European stage designers, Edward Gordon Craig and Adolphe Appia, Oenslager brought a new emphasis on symbolism over realism to American theater design. Throughout his life, Oenslager built up an extensive collection of materials on both Craig and Appia. Following his death on 11 June 1975, Oenslager’s widow, Mary, gave portions of the Craig material to the New York Public Library for the Performing Arts, Billy Rose Theatre Division, while other parts of the collection went to Yale University.
Edward Gordon Craig, the object of Oenslager's collecting efforts and study, was an actor, artist, theater designer and director. Craig was born in Stevenage, England on 16 January 1872, the second of two children produced from the liaison between the actress Ellen Terry and the architect Edward William Godwin. He was baptized Edward Henry Gordon at the age of sixteen (taking the names of his godparents, Henry Irving and Lady Gordon) and added the surname Craig at the age of twenty-one. Exposed to the theater from an early age, Craig had made his stage debut by the age of six. After completing his studies in 1889, Craig became a member of Henry Irving's company at the Lyceum Theatre.
Although Craig received strong critical praise for his acting, he soon retreated from this promising career. In 1893, Craig married May Gibson, an actress, and moved from London to Uxbridge, where he met the artists James Ferrier Pryde and William Nicholson. From them he learned various techniques of printmaking and developed an enthusiasm for wood engraving in particular. His new interest in graphic design was soon coupled with the chance to direct a production of Alfred de Musset's On ne badine pas avec l'amour (1893), for which he also created the designs. In 1898, Craig started a magazine, The Page, which was filled almost entirely with his own work. By the end of 1899 he had engraved nearly 200 blocks and published a book, Gordon Craig's Book of Penny Toys .
During this period, Craig continued to develop as a stage designer and director. He worked with the musician, Martin Shaw, on a production of Dido and Aeneas in 1900 that was groundbreaking in its approach to stage design. The limitations of the space (the Hampstead Conservatoire) enabled Craig to depart from the elaborate, realist traditions of Victorian stagecraft. Craig’s innovations in lighting and design were admired by critics and radical artists, but often proved impractical to mount in the conservative climate of the English commercial theater. In 1904, Craig moved to Berlin for greater opportunities and designed a production of Venice Preserv’d for the Lessing Theatre in 1905. In that same year he produced a significant essay, The Art of the Theatre, which he later reworked as On the Art of the Theatre (1911). Perhaps most importantly, it was in Germany that he met the American dancer, Isadora Duncan. Although their affair was relatively brief in duration, Duncan was to be a major influence on Craig. The two shared a belief in a theater in which all of the arts were united. They collaborated on a book and had two children during the short time that they were together, but the affair was over by 1907 and Craig moved to Florence with his former lover, Elena Fortuna Meo, and established his own theatrical publication, The Mask (1908-1929). It was his association with Duncan, however, that earned Craig an invitation from Konstantin Stanislavsky to design a production of Hamlet for the Moscow Art Theatre in 1912. Following that success, Craig returned to Florence and opened his own School for the Art of the Theatre at the Arena Goldoni, which operated until the outbreak of the First World War.
Craig continued to live in Italy following the war, having moved to Rapallo with Elena Meo and their children in 1917, but he began to shift away from practice into theory, focusing more of his attention on his writings and wood engravings. By the late 1920s, Craig had executed what would be his final stage designs, a Danish production of Ibsen’s The Pretenders (1926) and a New York production of Macbeth (1928). He left Elena Meo again in the early 1930s and moved to France with his secretary, Daphne Woodward, and their child. Among his wood engravings, Craig’s work on the 1929 edition of Hamlet for the Cranach Press is often viewed as one of his greatest accomplishments. Following the end of World War II, Craig settled in the small town of Vence in the south of France, where he completed an autobiography, Index to the Story of My Days (1957) and was visited frequently by his admirers. Craig died in Vence on 29 August 1966.
Sources
- Hamilton, James. “Craig, (Edward Henry) Gordon,” Oxford Dictionary of National Biography (Accessed 20 Jan. 2005), http://www.oxforddnb.com
- Owen, Bobbi. “Donald Oenslager.” Scenic Design on Broadway: Designers and their credits, 1915-1990. Westport, CT : Greenwood Press, 1991, 136-7.
- Owen, Bobbi. “Gordon Craig.” Scenic Design on Broadway: Designers and their credits, 1915-1990. Westport, CT : Greenwood Press, 1991, 45.
- Rawdon, Kathryn. Donald Oenslager Collection of Edward Gordon Craig: Gen MSS 424 (accessed 20 January 2005), http://webtext.library.yale.edu/xml2html/beinecke.OENCRAIG.con.html#a8
Edward Gordon Craig was born in England on 16 January 1872, the son of the actress Ellen Terry and the architect E. W. (Edward William) Godwin. In 1878, at the age of six, he made his first stage appearance in a production of Olivia, by W. G. Wills. He studied at Southfield Park and Bradfield College, and was a member of Henry Irving's theater company at the Lyceum Theatre in London beginning in 1889.
In 1893, Craig married May Gibson, and moved from London to Uxbridge. Under the influence of the artists James Ferrier Pryde and William Nicholson, he learned the art of wood-engraving, and began his career as a graphic designer. In 1893 he directed and designed his first stage production: Alfred de Musset's On ne badine pas avec l'amour . Around this time he also published a magazine, The Page, consisting mostly of his own engravings, and in 1899 published a book of woodcuts with accompanying verses entitled Gordon Craig's Book of Penny Toys .
Craig's career as a stage designer continued to evolve as he collaborated with Martin Shaw in 1901 and 1902 productions of Dido and Aeneas, The Mask of Love and other plays. In 1904 Craig traveled to Berlin to work with the Lessing Theatre, and in 1905 he published his most famous essay, The Art of the Theatre, which was later expanded and republished as On the Art of the Theatre . In Germany he met the dancer Isadora Duncan, with whom he had a brief but intense affair, ending in 1906. Duncan persuaded the theater producer Konstantin Stanislavsky to invite Craig to Moscow, and there he designed an important 1912 production of Hamlet . In 1913, Craig fulfilled a longtime dream by founding his School for the Art of the Theatre in the Arena Goldoni in Florence, however, it closed shortly thereafter at the outbreak of World War I.
Over his long career Craig became known as an important innovator in theater design, popularizing a modern, minimalist style in contrast to the more extravagant style of his mother's age, and his writings, artwork and design had an enormous impact on twentieth-century theater. His publications include the theatrical periodical The Mask (1908-1929), and the books Books and Theatres (1925), Ellen Terry and Her Secret Self (1931), Nothing, or, the Bookplate (1924), The Theatre - Advancing (1919) and his autobiography, Index to the Story of My Days (1957). He spent the last years of his life in the south of France, and died there in 1966.
Donald Mitchell Oenslager was born in Harrisburg, Pennsylvania on 7 March 1902. After graduating from Harvard in 1923, he spent several years working as an actor, appearing in a 1924 production of Desire Under the Elms at the Greenwich Village Theatre, and working at the Provincetown Playhouse. His first stage design was for a ballet titled Sooner or Later in 1925, and he soon began a prolific career in theater design that spanned the 1920's through the 1960's.
Oenslager wrote and edited several books on theater design, including Scenery Then and Now in 1936 and Notes on Scene Painting in 1952, and served as a member of the U.S. National Commission for Unesco and many local and national theater and arts organizations. He also served in the U.S. Air Force from 1942-1945, and from 1925 on he was a member of the faculty of the Yale School of Drama. He cited Adolphe Appia and Edward Gordon Craig as the inspirations for his work in theater design, and maintained collections of material related to the two designers, both of which are held by the Beinecke Library at Yale.
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- http://id.lib.harvard.edu/ead/hua04006/catalog
http://www.worldcat.org/oclc/299808285
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- http://www.worldcat.org/oclc/299808285
http://www.worldcat.org/oclc/424592354
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- http://www.worldcat.org/oclc/424592354
http://www.worldcat.org/oclc/702201264
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- http://www.worldcat.org/oclc/702201264
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http://hdl.handle.net/10079/fa/beinecke.oenslag
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- http://hdl.handle.net/10079/fa/beinecke.oenslag
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http://hdl.handle.net/10079/fa/mssa.ms.1416
Citation
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- http://hdl.handle.net/10079/fa/mssa.ms.1416
http://www.worldcat.org/oclc/83632133
Citation
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- http://www.worldcat.org/oclc/83632133
http://www.worldcat.org/oclc/704267145
Citation
- Source
- http://www.worldcat.org/oclc/704267145
http://www.worldcat.org/oclc/703441301
Citation
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- http://www.worldcat.org/oclc/703441301
http://www.worldcat.org/oclc/776886666
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- Source
- http://www.worldcat.org/oclc/776886666
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http://archives.nypl.org/the/21263
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- http://archives.nypl.org/the/21263
Howell, Alfred Corey, d. 1961,. Alfred Corey Howell collection of papers relating to Frederic Warde, 1924-1954.
Title:
Alfred Corey Howell collection of papers relating to Frederic Warde, 1924-1954.
Correspondence of Alfred C. Howell with friends and colleagues of Frederic Warde. Collection includes typescript of substantial excerpts from Warde's letters to Isabella Grandin arranged topically and a bibliographyof books designed by Warde which Howell prepared with the assistance of Massey Trotter of the New York Public Library. Correspondents include but are not limited to: Beatrice Lamberton Becker; Herman Cohen; Alfred C. Cohn; P.J. Conkwright; Emily C. Connor; Geoffrey Cumberledge; Ralph Duenewald; Betty Dumaine; Philip Duschnes; Charles Ede; George Elderkin; CrosbyGaige; Isabella Grandin; Ruth Shepard Grannis; Anne Lyon Haight; William A. Jackson; Giovanni Mardersteig; John de Monins Johnson; Henry Watson Kent; William A. Kittredge; L.M. Knepple; George Leslie McKay; David McFarlane; George Macy; C.R. Morey; Stanley Morison; Donald Oenslager; Carl Pforzheimer; Carl Purlington Rollins; Rudolph Ruzicka; Datus Smith; Paul Standard; Clarence Stratton; Grace Stuart; Massey Trotter; Daniel Berkeley Updike; Henry Z. Walck and Alexander Woollcott. Also: photograph of. Stone marking the burial of Warde's ashes which was designed by Bruce Rogers.
ArchivalResource: 3 boxes (1.2 linear ft.)photographs 12 ; 13 x 20 cm.
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- Howell, Alfred Corey, d. 1961,. Alfred Corey Howell collection of papers relating to Frederic Warde, 1924-1954.
Oenslager, Donald, 1902-1975. Lecture [sound recording], 1964.
Title:
Lecture [sound recording], 1964.
Recorded lecture on the role of the designer in the contemporary theater delivered at the University of Wisconsin by an award-winnning designer, theater consultant, and educator.
ArchivalResource: 3 tape recordings.
http://www.worldcat.org/oclc/173692735 View
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- Oenslager, Donald, 1902-1975. Lecture [sound recording], 1964.
OENSLAGER, DONALD. Artist file : miscellaneous uncataloged material.
Title:
Artist file : miscellaneous uncataloged material.
ArchivalResource: 1 folder
http://www.worldcat.org/oclc/81133140 View
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- Resource Relation
- OENSLAGER, DONALD. Artist file : miscellaneous uncataloged material.
Set and costume designs collection, 1869-1986, 1910-1950 (bulk).
Title:
Set and costume designs collection, 1869-1986, 1910-1950 (bulk).
Set and costume designs principally for theatrical productions but also some opera, primarily staged in New York City. Some of well-known designers represented by a large quantity of material are Lucinda Ballard, Patton Campbell, Stewart Chaney, Alvin Colt, Frederick Fox, Mabel E. Johnston, Robert Edmond Jones, Vincente Minnelli, Donald Oenslager, Robert Randolph, and Leo Van Witsen. Pencil sketches and watercolors are the predominant media. Numerous painter's elevations are included in collection.
ArchivalResource: 33 linear ft.
http://www.worldcat.org/oclc/155489978 View
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- Resource Relation
- Museum of the City of New York. Set and costume designs collection, 1869-1986, 1910-1950 (bulk).
Oenslager, Donald, Mrs,. Remember the poor!, or, The ball and the burning : manuscript : Paris, 1826.
Title:
Remember the poor!, or, The ball and the burning : manuscript : Paris, 1826.
ArchivalResource: 1 item (45 p.), bound : ill. ; 24 cm.
http://www.worldcat.org/oclc/703444863 View
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- Oenslager, Donald, Mrs,. Remember the poor!, or, The ball and the burning : manuscript : Paris, 1826.
Oenslager, Donald, 1902-1975. Artist file.
Title:
Artist file.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/299808285 View
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- Oenslager, Donald, 1902-1975. Artist file.
Set designs, 1934-1967.
Title:
Set designs, 1934-1967.
Set designs by American set designer Donald Oenslager.
ArchivalResource: 5 folders and 1 framed item (.1 linear ft.)
http://id.lib.harvard.edu/ead/hou00557/catalog View
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- Set designs, 1934-1967.
Papers for Three designers for the contemporary theatre exhibition, 1950 October 16-November 25.
Title:
Papers for Three designers for the contemporary theatre exhibition, 1950 October 16-November 25.
xx
ArchivalResource: 1 box (1 linear ft.)
http://www.worldcat.org/oclc/659816966 View
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- Papers for Three designers for the contemporary theatre exhibition, 1950 October 16-November 25.
Bloch, Ernest, 1880-1959. Alice Lewisohn Crowley gift, ca. 1916-ca. 1931.
Title:
Alice Lewisohn Crowley gift, ca. 1916-ca. 1931.
The designs are primarily costume designs, with a few set designs, for theatrical productions including Everybody's husband by Gilbert Cannan, 1919; Harlequinade by Harley Granville-Barker and Dion Calthrop, 1921; The mummer's revel and The masque of the apple, music by Kurt Schindler, 1931 with costume designs possibly by Esther Peck; Night at an inn by Lord Dunsany, 1916; Pinwheel by Francis Edward Faragoh, 1927 with sketches and notes by Donald Oenslager; and The player queen by William Butler Yeats, 1923 with costume designs probably by Alexander Koiransky. Ballets represented in the collection are La boutique fantasque, music by Ottorino Respighi, 1920 with costume designs probably by Esther Peck; Petrouchka, music by Igor Stravinsky, 1916; Royal fandango by Gustavo Morales, 1921 with costume designs and 1 set design by Ernest de Weerth; and 1 costume design for Le tricorne, 1922 "after Picasso's design for a costume for the ballet." There is 1 set design by Jo Davidson of the Wailing Wall for the symphonic drama Israel by Ernest Bloch, 1928. There are also several unidentified costume and set designs.
ArchivalResource: 1 box (ca. 101 drawings) : col. ; 39 x 50 cm. or smaller.
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- Bloch, Ernest, 1880-1959. Alice Lewisohn Crowley gift, ca. 1916-ca. 1931.
Oenslager, Donald, 1902-1975,. Donald Oenslager collection of Edward Gordon Craig, 1898-1967.
Title:
Donald Oenslager collection of Edward Gordon Craig, 1898-1967.
The Donald Oenslager Collection of Edward Gordon Craig is an artificial collection containing correspondence and artwork created by the noted theatrical designer and graphic artist, Edward Gordon Craig.
ArchivalResource: 4.5 linear ft. (8 boxes)
http://www.worldcat.org/oclc/79409395 View
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- Oenslager, Donald, 1902-1975,. Donald Oenslager collection of Edward Gordon Craig, 1898-1967.
Aeschylus. Prometheus bound / Aeschylus. The merchant / Titus Maccius Plautus; a production book.
Title:
Prometheus bound / Aeschylus. The merchant / Titus Maccius Plautus; a production book. [1939]
ArchivalResource: 1 v.
http://www.worldcat.org/oclc/702197652 View
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- Resource Relation
- Aeschylus. Prometheus bound / Aeschylus. The merchant / Titus Maccius Plautus; a production book.
Williams, Henry B. (Henry Beates), 1907-. Papers, 1943-1987.
Title:
Papers, 1943-1987.
Papers relating to his career teaching drama and theatre at several institutions, particularly Dartmouth College.
ArchivalResource: 14 boxes (15 linear ft.)
http://www.worldcat.org/oclc/122337845 View
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- Resource Relation
- Williams, Henry B. (Henry Beates), 1907-. Papers, 1943-1987.
Jo Mielziner papers, 1903-1976
Title:
Jo Mielziner papers 1903-1976
Jo Mielziner, set and lighting designer, theater architect and consultant. The collection consists of personal papers, personal and professional correspondence, production materials, office and financial files, writings, professional appearance and exhibition files, photographs, scrapbooks and subject files documenting the life and career of Jo Mielziner.
ArchivalResource:
http://archives.nypl.org/the/21477 View
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- Jo Mielziner papers, 1903-1976
Oenslager, Donald, 1902-1975. Set designs, 1934-1967.
Title:
Set designs, 1934-1967.
Set designs rendered in ink, watercolor, gouache, pencil, and chalk for productions of Prometheus bound, Pygmalion, and Antigone among other plays. Also includes a costume design for L'Histoire du soldat.
ArchivalResource: Arranged alphabetically by title.
http://www.worldcat.org/oclc/80633889 View
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- Oenslager, Donald, 1902-1975. Set designs, 1934-1967.
Oenslager, Donald, Mrs,. The mill of the lake : manuscript : Paris, 1826.
Title:
The mill of the lake : manuscript : Paris, 1826.
ArchivalResource: 1 item (93 p.), bound : ill. ; 24 cm.
http://www.worldcat.org/oclc/703441301 View
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- Resource Relation
- Oenslager, Donald, Mrs,. The mill of the lake : manuscript : Paris, 1826.
Donald Oenslager collection of Edward Gordon Craig, 1898-1967
Title:
Donald Oenslager collection of Edward Gordon Craig 1898-1967
The Donald Oenslager Collection of Edward Gordon Craig is an artificial collection containing correspondence and artwork created by the noted theatrical designer and graphic artist, Edward Gordon Craig. Although born and raised in England, Craig moved to the continent in 1904 where he continued to work; the impact of his radical innovations in stage design were international in scope. Craig’s colleague, Donald Oenslager, an American stage designer and longtime faculty member of the Yale School of Drama, whose own work had been profoundly influenced by Craig, amassed the selection of letters and prints that form this collection.
ArchivalResource: 4.5 linear feet; 8 boxes
http://archives.nypl.org/the/21739 View
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- Resource Relation
- Donald Oenslager collection of Edward Gordon Craig, 1898-1967
Donald Oenslager collection of Adolphe Appia, 1900-1971, 1920-1926
Title:
Donald Oenslager collection of Adolphe Appia 1900-1971 1920-1926
The papers contian correspondence, manuscripts, articles, and miscellaneous papers, documenting the life and career of Adolphe Appia. The papers were collected by Donald Oenslager, professor at the Yale School of Drama.
ArchivalResource: Total Boxes: 2; Linear Feet: 1
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- Donald Oenslager collection of Adolphe Appia, 1900-1971, 1920-1926
Donald Oenslager papers, 1925-1974
Title:
Donald Oenslager papers 1925-1974
The papers include clippings, albums, photographs, glass slides, and set designs documenting the career of Donald Oenslager as educator and set designer.
ArchivalResource: 52.5 linear feet (34 boxes)
http://hdl.handle.net/10079/fa/mssa.ms.1416 View
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- Resource Relation
- Donald Oenslager papers, 1925-1974
Browne, Maurice, 1881-1955. Ellen Van Volkenburg-Maurice Browne general correspondence, 1911-
Title:
Ellen Van Volkenburg-Maurice Browne general correspondence, 1911-
ArchivalResource: ca. 5 linear ft.
http://www.worldcat.org/oclc/68796456 View
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- Resource Relation
- Browne, Maurice, 1881-1955. Ellen Van Volkenburg-Maurice Browne general correspondence, 1911-
Oenslager, Donald, 1902-1975. Typewritten document signed : New York, 1970 Oct. 23.
Title:
Typewritten document signed : New York, 1970 Oct. 23.
Concerning his commission to design the setting and lighting for Steinbeck's "Of Mice and Men"; director, George S. Kaufman, producer, Sam Harris.
ArchivalResource: 1 item (1 p.) ; (8vo)
http://www.worldcat.org/oclc/270612657 View
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- Oenslager, Donald, 1902-1975. Typewritten document signed : New York, 1970 Oct. 23.
Robert E. Sherwood papers, 1917-1968 (inclusive), 1934-1955 (bulk)
Title:
Robert E. Sherwood papers, 1917-1968 (inclusive), 1934-1955 (bulk)
Set designs of American theatrical and motion picture designer Robert Edmond Jones.
ArchivalResource: 27.5 linear feet (79 boxes and 1 oversize volume)
http://nrs.harvard.edu/urn-3:FHCL.Hough:hou00564 View
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- Robert Edmond Jones additional papers, 1911-1946 inclusive, 1941-1946 bulk.
Oenslager, Donald, Mrs,. The bridal night : manuscript : Paris, 1826.
Title:
The bridal night : manuscript : Paris, 1826.
ArchivalResource: 1 item (55 p.), bound : ill. ; 24 cm.
http://www.worldcat.org/oclc/270934688 View
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- Oenslager, Donald, Mrs,. The bridal night : manuscript : Paris, 1826.
Howard D. Rothschild papers, 1921-1989.
Title:
Howard D. Rothschild papers, 1921-1989.
Correspondence, auction catalogs and other personal material of collector Howard D. Rothschild.
ArchivalResource: 14 boxes (7 linear ft.)
http://id.lib.harvard.edu/ead/hou00263/catalog View
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- Resource Relation
- Howard D. Rothschild papers, 1921-1989.
Gore Vidal papers, 1850-2020 (inclusive), 1936-2008 (bulk)
Title:
Gore Vidal papers, 1850-2020 (inclusive), 1936-2008 (bulk)
Papers of American author, Gore Vidal (1925-), including literary manuscripts, correspondence, photographs, political papers, legal and business records, and other material. Also includes papers of his companion, Howard Austen (1929-2003).
ArchivalResource: 414 linear feet (449 boxes, cartons, and film reels)
http://id.lib.harvard.edu/ead/hou01943/catalog View
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- Resource Relation
- Gore Vidal papers, 1875-2004 (inclusive), 1936-2000 (bulk).
Papers of Paul J. Sachs, 1903-2005
Title:
Papers of Paul J. Sachs, 1903-2005
These papers of Fogg Art Museum associate director Paul J. Sachs document his administration of the museum, his teaching career at Harvard, and related professional activities. The papers consist primarily of correspondence and also include photographs, printed material, clippings, architectural drawings, reports, financial records, letters of introduction, insurance records, maps, funding appeals, minutes, memoranda, exhibition brochures, page proofs and press releases.
ArchivalResource: 99 file boxes + oversize materials
http://id.lib.harvard.edu/ead/art00010/catalog View
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- Papers, 1903-2005
Roderick Nordell papers, 1948-2000.
Title:
Roderick Nordell papers, 1948-2000.
Clippings of articles by a long-time Christian Science Monitor critic and editor, programs from performances he attended, correspondence and other papers.
ArchivalResource: 53 boxes (17 linear feet).
http://id.lib.harvard.edu/ead/hou01934/catalog View
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- Resource Relation
- Roderick Nordell papers, 1948-2000.
Sachs, Paul J. (Paul Joseph), 1878-1965. Papers, 1903-2005.
Title:
Papers, 1903-2005.
These papers of Fogg Art Museum associate director Paul J. Sachs document his administration of the museum, his teaching career at Harvard, and related professional activities. The papers consist primarily of correspondence and also include photographs, printed material, clippings, architectural drawings, reports, financial records, letters of introduction, insurance records, maps, funding appeals, minutes, memoranda, exhibition brochures, page proofs and press releases.
ArchivalResource: 99 files boxes + oversize materials.
http://www.worldcat.org/oclc/424592354 View
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- Resource Relation
- Sachs, Paul J. (Paul Joseph), 1878-1965. Papers, 1903-2005.
Donald Oenslager papers and designs, 1922-1982
Title:
Donald Oenslager papers and designs 1922-1982
Donald Oenslager was a set and lighting designer, teacher, lecturer, writer and collector. The collection consists of set and costume designs, technical drawings, elevations, manuscripts and correspondence with other prominent theater designers.
ArchivalResource: 71; 103 boxes
http://archives.nypl.org/the/21772 View
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- Donald Oenslager papers and designs, 1922-1982
O'Neill, Eugene, 1888-1953. Bound east for Cardiff ; The Emperor Jones / Eugene O'Neill ; a production book compiled by Marjorie Hertsche.
Title:
Bound east for Cardiff ; The Emperor Jones / Eugene O'Neill ; a production book compiled by Marjorie Hertsche. [1931]
ArchivalResource: 1 v.
http://www.worldcat.org/oclc/702201264 View
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- O'Neill, Eugene, 1888-1953. Bound east for Cardiff ; The Emperor Jones / Eugene O'Neill ; a production book compiled by Marjorie Hertsche.
John Mason Brown papers, 1922-1967.
Title:
John Mason Brown papers
Papers of American author and drama critic John Mason Brown.
ArchivalResource: 144 boxes (36 linear ft.)
http://id.lib.harvard.edu/ead/hou00655/catalog View
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- John Mason Brown papers, 1922-1967.
Donald Oenslager collection of Edward Gordon Craig, 1881-1975
Title:
Donald Oenslager collection of Edward Gordon Craig 1881-1975
Collection contains materials collected by Donald Oenslager documenting the life and career of Edward Gordon Craig, including correspondence, writings, artwork and materials related to theater design, photographs and subject files. Correspondence includes letters between Craig, Isadora Duncan and Paris Singer, letters between Oenslager and various individuals concerning his collection and interest in Craig, and third party letters. Writings include holographs, typescripts, clippings and reviews of writings by Craig, Oenslager and others, primarily related to Craig, including articles by Sheldon Cheney and Ellen Terry, and typescript fragments of Isadora Duncan's My Life. Artwork and theater design contains originals and reproductions of woodcuts, etchings and drawings by Craig and others, as well as an engraved woodblock of the alphabet, a model for Craig's stage screens, prints of two etchings by Francisco Goya and a hand-colored lithograph of Ellen Terry by Pamela Colman Smith. Photographs include pictures of Craig, Ellen Terry, and others. Subject files contain newspaper clippings, theater programs of productions acted in or designed by Craig, materials related to Craig's publications The Mask and The Page, and other papers.
ArchivalResource: Total Boxes: 14; Other Storage Formats: 2 broadsides; Linear Feet: 9.45
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- Donald Oenslager collection of Edward Gordon Craig, 1881-1975
Steinbeck, John, 1902-1968. Typescripts, a memorandum, letters and printed matter related to the stage production of Of Men and Men : New York, 1937.
Title:
Typescripts, a memorandum, letters and printed matter related to the stage production of Of Men and Men : New York, 1937.
Collection consists of 2 complete carbon typescripts of the play, 1 typescript sides for the part of Curley's wife, correspondence between Donald Oenslager and Charles Ryskamp, a Playbill and unused tickets.
ArchivalResource: 1 box (10 items) unbound ; various sizes
http://www.worldcat.org/oclc/776886666 View
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- Steinbeck, John, 1902-1968. Typescripts, a memorandum, letters and printed matter related to the stage production of Of Men and Men : New York, 1937.
Simon, Louis M., 1906-. Louis M. Simon papers, 1923-1965.
Title:
Louis M. Simon papers, 1923-1965.
Collection contains letters from George P. Baker, Robert Edmond Jones, Donald Oenslager, Brooks Atkinson, Oriana Atkinson, and Herbert Biberman; correspondence, reports, and clippings of the Actors' Equity Association, ca. 1952; correspondence, publications, reports, and programs of the American National Theatre and Academy, 1952-1963; correspondence and clippings of the American Theatre Wing, 1953-1958; legal and financial records pertaining to the Shubert organization, 1923-1954; programs; photos; and clippings on Brooks Atkinson.
ArchivalResource: 2 boxes.
http://www.worldcat.org/oclc/612377334 View
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- Resource Relation
- Simon, Louis M., 1906-. Louis M. Simon papers, 1923-1965.
Oenslager, Donald, 1902-1975. Donald Oenslager papers, 1925-1974 (inclusive).
Title:
Donald Oenslager papers, 1925-1974 (inclusive).
The papers include clippings, albums, photographs, glass slides, and set designs documenting the career of Donald Oenslager as educator and set designer.
ArchivalResource: 52.5 linear ft. (34 boxes)
http://www.worldcat.org/oclc/702169933 View
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- Resource Relation
- Oenslager, Donald, 1902-1975. Donald Oenslager papers, 1925-1974 (inclusive).
Harvard University Archives Photograph Collection: Portraits, ca. 1852-ca. 2004
Title:
Harvard University Archives Photograph Collection: Portraits. ca.1852-ca.2004.
Photographs of individuals associated with Harvard University: faculty, students, administrators, staff, honorees, and habitués of Harvard Square. For those whose lives pre-date the era of photography, the contents of the folders are often photographic reproductions of other image types, such as etchings, paintings, or drawings. In a few cases, the images themselves may be original etchings or sketches.
ArchivalResource: 50 cubic ft.; 20,000 photographs; 10,000 folders.
http://id.lib.harvard.edu/ead/hua04006/catalog View
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- Harvard University Archives Photograph Collection: Portraits, ca. 1852-ca. 2004
Oenslager, Donald, 1902-1975. Donald Oenslager papers and designs, 1922-1982.
Title:
Donald Oenslager papers and designs, 1922-1982.
The Donald Oenslager Papers and Designs span the years 1922-1982 and reflect his long and varied career as a stage designer, professor, consultant, writer, and lecturer.
ArchivalResource: 71 linear feet (103 boxes)
http://www.worldcat.org/oclc/84614057 View
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- Oenslager, Donald, 1902-1975. Donald Oenslager papers and designs, 1922-1982.
Elisabeth Fraser papers, 1920-1999
Title:
Elisabeth Fraser papers 1920-1999
Elisabeth Fraser was a stage, screen and television actress. Her papers consist of correspondence, diaries and journals, scripts and ephemera documenting her career.
ArchivalResource:
http://archives.nypl.org/the/21528 View
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- Elisabeth Fraser papers, 1920-1999
Papers for Three designers for the contemporary theatre exhibition, 1915-1954 (inclusive), 1950 (bulk).
Title:
Papers for Three designers for thecontemporary theatre exhibition, 1915-1954 (inclusive), 1950 (bulk).
Primarily papers and photographs concerningan exhibition for theater designers, Robert Edmond Jones, Donald Oenslager,and Lee Simonson.
ArchivalResource: 2boxes (.25 linear ft.)
http://id.lib.harvard.edu/ead/hou02088/catalog View
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- Papers for Three designers for the contemporary theatre exhibition, 1915-1954 (inclusive), 1950 (bulk).
Oenslager, Donald, 1902-1975. Costume designs for Life with mother, 1953.
Title:
Costume designs for Life with mother, 1953.
Seven drawings in watercolor, ink and pencil, unsigned, for the play, Life with Mother by Lindsay Howard and Russel Crouse.
ArchivalResource: 7 drawings: col.; 34 cm. x 50 cm.
http://www.worldcat.org/oclc/122517183 View
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- Oenslager, Donald, 1902-1975. Costume designs for Life with mother, 1953.
Oenslager, Donald, 1902-1975. Set design and diagrams for Johnny Johnson, [1936].
Title:
Set design and diagrams for Johnny Johnson, [1936].
Five unsigned sketches on graph paper in pencil and watercolor for the play, Johnny Johnson.
ArchivalResource: 5 drawings : color ; 28 cm. x 22 cm. and smaller.
http://www.worldcat.org/oclc/777015967 View
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- Oenslager, Donald, 1902-1975. Set design and diagrams for Johnny Johnson, [1936].
Living Theatre records, 1945-1991
Title:
Living Theatre records 1945-1991
The Living Theatre was founded by Judith Malina and Julian Beck in 1947. The records consist of scripts and related performance papers. Also included are business papers, financial records, clippings, diaries, photographs and correspondence. There is little material reflecting the personal lives of Malina and Beck.
ArchivalResource:
http://archives.nypl.org/the/21263 View
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- Living Theatre records, 1945-1991
Citation
- Constellation Relation
- Howell, Alfred Corey, d. 1961,
Citation
- Constellation Relation
- Aeschylus.
Citation
- Constellation Relation
- Aeschylus.
Citation
- Constellation Relation
- American Shakespeare Festival
Citation
- Constellation Relation
- Appia, Adolphe, 1862-1928.
Citation
- Constellation Relation
- Appia, Edmond, 1894-1961
Citation
- Constellation Relation
- Aronson, Boris, 1900-1980
Citation
- Constellation Relation
- Barrymore theatre
Citation
- Constellation Relation
- Browne, Maurice, 1881-1955.
Citation
- Constellation Relation
- Brown, John Mason, 1900-1969
Citation
- Constellation Relation
- Burke, Billie, 1885-1970.
Citation
- Constellation Relation
- Cheney, Sheldon, 1886-1980.
Citation
- Constellation Relation
- Craig, Edward Gordon, 1872-1966.
Citation
- Constellation Relation
- Crouse, Russel, 1893-1966.
Citation
- Constellation Relation
- Defoe, Daniel, 1661?-1731.
Citation
- Constellation Relation
- Duncan, Isadora, 1877-1927.
Citation
- Constellation Relation
- Fraser, Elisabeth
Citation
- Constellation Relation
- Goya, Francisco, 1746-1828.
International theatre institute of the United States, inc.
http://n2t.net/ark:/99166/w6n672c6
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associatedWith
Citation
- Constellation Relation
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- Yale University
Citation
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eng
Zyyy
Citation
- Language
- eng
Theater
Citation
- Subject
- Theater
Theater
Citation
- Subject
- Theater
Costume design
Citation
- Subject
- Costume design
Drama
Citation
- Subject
- Drama
Set designers
Citation
- Subject
- Set designers
Set designers
Citation
- Subject
- Set designers
Theaters
Citation
- Subject
- Theaters
Theaters
Citation
- Subject
- Theaters
Wood-engraving
Citation
- Subject
- Wood-engraving
Americans
Citation
- Nationality
- Americans
Artists
Citation
- Occupation
- Artists
Collector
Citation
- Occupation
- Collector
Costume designers
Citation
- Occupation
- Costume designers
Set designers
Citation
- Occupation
- Set designers
Wood-engravers
Citation
- Occupation
- Wood-engravers
Citation
- Place
- United States
United States
Parsed from SNAC EAC-CPF.
Citation
- Place
- United States
United States
Parsed from SNAC EAC-CPF.
Citation
- Place
- United States
United States
Parsed from SNAC EAC-CPF.
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Citation
- Convention Declaration
- Convention Declaration 175