Compare Constellations

American Federation of Arts records

Title: American Federation of Arts records

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

ArchivalResource: 79.8 Linear feet

https://n2t.net/ark:/65665/mw9c7dd55d7-d3cb-43e7-8f4e-cd346add3d2e View

Robinson, David, 1936 Dec.9-. [Ellsworth Kelly] / [graphic] David Robinson.

Title: [Ellsworth Kelly] / [graphic] David Robinson. [ca. 1975]

Photograph of Kelly used in conjunction with the exhibition Heritage and Horizon: American Painting 1776-1976, held at the Albright-Knox Art Gallery, the Detroit Institute of Arts and elsewhere.

ArchivalResource: 1 photographic print : b&w ; 25 x 21 cm.

http://www.worldcat.org/oclc/744434061 View

E.C. (Eugene) Goossen papers

Title: E.C. (Eugene) Goossen papers

The papers of art historian and educator E.C. (Eugene) Goossen measure 10.8 linear feet and date from circa 1935 to 2004. The collection documents Goossen's career through biographical material, correspondence, artist files, writing project files and notes, exhibition files, other professional files and subject files, teaching files, and printed material.

ArchivalResource: 10.8 Linear feet

https://n2t.net/ark:/65665/mw909f6bdc2-c482-4a21-ad6b-64d1a3c3edf2 View

Museum of Fine Arts, Houston. Curatorial department. Barry Walker correspondence files, 1991-1998.

Title: Barry Walker correspondence files, 1991-1998.

The files include correspondence with artists, scholars, donors, museum officials, grantors and the general public. They include correspondence regarding Walker's initial attempts to acquire works and establish a department of prints and drawings.

ArchivalResource: 3 linear ft.

http://www.worldcat.org/oclc/213351896 View

Kelly, Ellsworth, 1923-. Artist file.

Title: Artist file.

Includes newspaper articles, invitations to exhibitions, press releases, photocopy of typed essay. Includes exhibitions catalogs less than 50 p.

ArchivalResource: 2 folders.

http://www.worldcat.org/oclc/122547390 View

Museum of Modern Art (New York, N.Y.). Ellsworth Kelly, sculpture for a large wall and other recent acquisitions. 1999 : Archives pamphlet file : miscellaneous uncataloged material.

Title: Ellsworth Kelly, sculpture for a large wall and other recent acquisitions. 1999 : Archives pamphlet file : miscellaneous uncataloged material.

ArchivalResource: 1 folder

http://www.worldcat.org/oclc/80632381 View

[Photographs of Ellsworth Kelly].

Title: [Photographs of Ellsworth Kelly]. 1954.

2 copyprints of photographs of Ellsworth Kelly in front of "Colors for a Large Wall" in his Broad Streeet studio, 1954; photographer unknown.

ArchivalResource: 2 photographic prints : color, 10 x 8 in.

http://www.worldcat.org/oclc/767864678 View

Kelly, Ellsworth : Biographical file.

Title: Kelly, Ellsworth : Biographical file. [1900-9999]

May contain: Resumes, newspaper articles, magazine articles, invitations to exhibition openings, gallery hand-outs, check-lists of exhibitions, advertisements, obituaries, 35 mm. slides of the artist's work.

ArchivalResource: 1 envelope : manila ; 13 x 10 in.

http://www.worldcat.org/oclc/46826688 View

Kelly, Ellsworth, 1923-. Correspondence with Edward F. Fry, 1967-1968.

Title: Correspondence with Edward F. Fry, 1967-1968.

Regarding the legal ownership of Kelly's Red-blue rocker, 1963. Court and legal documents between the Pace gallery and Robert Fraser gallery over ownership of Red-blue rocker, at the time on loan with the Solomon R. Guggenheim Museum (Thomas M. Messer, director) from the Sidney Janis gallery. White & Case acted as legal representation on behalf of the Guggenheim.

ArchivalResource: 4 items (15 leaves)

http://www.worldcat.org/oclc/212378028 View

Kelly, Ellsworth, 1923- : [miscellaneous ephemeral material].

Title: Kelly, Ellsworth, 1923- : [miscellaneous ephemeral material].

The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/198091463 View

Museum of Modern Art (New York, N.Y.). Ellsworth Kelly, 15 works on paper, 1949-1958. 1997 : Archives pamphlet file : miscellaneous uncataloged material.

Title: Ellsworth Kelly, 15 works on paper, 1949-1958. 1997 : Archives pamphlet file : miscellaneous uncataloged material.

ArchivalResource: 1 folder

http://www.worldcat.org/oclc/83533409 View

Barbara Swan papers

Title: Barbara Swan papers

REELS 826-827: 697 letters, including letters to her parents and her future husband Alan Fink, and letters from Bernard Chaet, Maxine Kumin, Tillie Olsen, Anne Sexton, Andrew Stevovich, Elbert Weinberg, and the Cober Gallery; a 15-page diary; a scrapbook containing photographs, clippings, catalogs and miscellany; and many loose clippings and catalogs.

ArchivalResource:

https://n2t.net/ark:/65665/mw9a4b1a684-0bc8-4aa5-8a80-cd7aea60d530 View

Kelly, Ellsworth, 1923-. Artist file.

Title: Artist file.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/122397279 View

[Lippincott, Inc. photographs]

Title: [Lippincott, Inc. photographs]

Photographs by Roxanne Everett, of artists fabricating and installing their sculpture at Lippincott, Inc., and other sites.

ArchivalResource:

https://n2t.net/ark:/65665/mw91617a1ce-12a2-4294-b492-1fdeeea250fe View

Whitney Museum of American Art. Artists files, [ca. 1930]-1986.

Title: Artists files, [ca. 1930]-1986.

Files primarily about twentieth century American artists, both famous and not well-known. Broad range of material includes photographs of works of art, exhibition catalogs, invitations of exhibitions, news clippings, reviews, reprints of articles, biographical information, press releases, and data about specific works of art. Also, some correspondence with curators and others about the artists, and a small amount of correspondence with the artists themselves. Some loan forms are included. Artists include Charles Burchfield, Alexander Calder, Arthur Davies, Stuart Davis, Arthur Dove, William Glackens, Winslow Homer, Edward Hopper, John Marin, Reginald Marsh, Georgia O'Keeffe, and John Sloan. In addition, a large series of notebooks contains numerous photographs of works of art, artists, and workshops. Artists represented are Alexander Calder, Ellsworth Kelly, Jasper Johns, Reginald Marsh, Willem de Kooning, Katherine Schmidt, and James Turrell. Other notebooks prepared by curators for Whitney Museum catalogs contain descriptions of the work of art accompanied by photographs. Artists include Edwin Dickinson, Philip Evergood, John Heliker, Reginald Marsh, Bernard Reder, John Sloan, Raphael Soyer, Jack Tworkov, Andrew Wyeth, and William Zorach.

ArchivalResource: 292 cubic ft.

http://www.worldcat.org/oclc/155490834 View

Castelli Graphics records

Title: Castelli Graphics records

The records of Castelli Graphics measure 45.7 linear feet and date from 1965 to 2001. Administrative files, correspondence, exhibition and project files, artists' files, financial and legal records, inventory and stock records, printed materials, and photographic materials document the activities of the New York art gallery and publishing firm founded by Antoinette Castelli.

ArchivalResource: 45.7 linear feet

https://n2t.net/ark:/65665/mw99103675c-32f0-4a00-b00b-9bd9e16a08dc View

Kelly, Ellsworth, 1923-. [Ellsworth Kelly : International Art & Artists File].

Title: [Ellsworth Kelly : International Art & Artists File].

ArchivalResource: 2 boxes.

http://www.worldcat.org/oclc/225427033 View

Museum of Fine Arts, Houston. Curatorial department. Alison de Lima Greene correspondence files, 1984-1998.

Title: Alison de Lima Greene correspondence files, 1984-1998.

Series 5.2.1 (alphabetical correspondence, 1985-1996). Contains correspondence concerning the collection, acquisitions, research, exhibitions, visits, requests for slides/transparencies, letters to and from artists, museums, scholars, students, other curators, the general public and donors. Series 5.2.2 (chronological correspondence, 1984-1998). Contains correspondence concerning the collection, acquisitions, research, exhibitions, visits, requests for slides/transparencies, letters to and from artists, museums, scholars, students, other curators the general public and donors. This subseries also includes correspondence produced by various curatorial assistants and administrative assistants. Series 5.2.3 (interdepartmental correspondence, 1984-1998). Contains memos concerning gifts, purchases, use of space, exhibitions, information for publications, staffing information, care and conservation and loans. This subseries also includes correspondence produced by various curatorial and administrative assistants. Series 5.2.5 (correspondence with galleries, 1984-1996). Includes correspondence offering works for sale, regarding visits, inquiries, and details on buying, selling and shipping. Includes Texas galleries. Series 5.2.4.1 (Texas galleries, 1992). In an attempt to identify Texas artists as well as those whose work has been shaped by Texas, a letter was sent on 3/26/1992 to Texas galleries. In the letter, gallery owners were asked to identify new artists, to identify artist strengths and weaknesses, to provide a list of artists represented and offer slides if available. This subseries includes 878 slides which are filed by gallery name. Most of the slides are identified with artist name and many with title of work. Series 5.2.5 (correspondence with collectors, 1986-1996). This correspondence includes information on collections, visits, gifts (cash and works) to MFAH, and loans for exhibition. Most are filed under letter of alphabet, although several (i.e. Freed, Romsky, Simkins) have separate files created by the curator. Series 5.2.6 (correspondence wtih donors, 1985-1991). Most letters concern gifts of cash and art works. This small subseries was created by the curator. Series 5.2.7 (correspondence with museums, scholars and universities, 1985-1996). Files include invitations, information regarding visits, speakers, exhibitions, exhibition proposals, requests for catalogues, clippings and requests for information on the MFAH collection.

ArchivalResource: 19.75 linear ft.

http://www.worldcat.org/oclc/212626005 View

Harvard Art Museum. Exhibition Records, 1905-2008

Title: Harvard Art Museum. Exhibition Records, 1905-2008

These records were created by museum staff in the course of planningand installing exhibitions. They pertain primarily to exhibitions held in the Fogg Museum, theBusch-Reisinger Museum and the Sackler Museum, but they also include materials related totraveling or off-site exhibitions. The records date from 1905-2008 and includecorrespondence on a wide range of topics, exhibition proposals, photographic prints andnegatives, object lists, loan forms, press releases, clippings, invitations, posters, printed labelsand wall text, memoranda, exhibition catalogues and drafts of catalogue essays.

ArchivalResource:

http://id.lib.harvard.edu/ead/art00018/catalog View

Righter, James V. (James Volney). Illustrated journal/sketchbook, 2000 Nov. 12-2002 Jan. 19.

Title: Illustrated journal/sketchbook, 2000 Nov. 12-2002 Jan. 19.

Notes on and/or sketches of the following subjects or places: Ellsworth Kelly; International Place, Boston; Boston Public Library.

ArchivalResource: 1 v. : ill. (some col.) ; 21 cm.

http://www.worldcat.org/oclc/631793612 View

Belle Krasne Ribicoff papers

Title: Belle Krasne Ribicoff papers

The papers of Belle Krasne Ribicoff measure 1.6 linear feet and date from 1942-circa 2010, with the bulk of the collection dating from 1945-2004. Papers include biographical materials; correspondence with artists, art historians, writers, museum directors, and others; individual files relating to Belle and Irving Ribicoff's art collection and the Friends of Abe Ribicoff's campaign for the United States Senate; artwork; printed material, e.g., clippings, announcements, exhibition catalogues, brochures; and photographs. The collection documents Ribicoff's career as an arts editor, critic, and her involvement in civic and arts organizations for the State of Connecticut.Biographical materials include documentation of the Buttenweiser Prize awarded to Belle Krasne by the Art History Departmental Honors at Vassar College in 1945 and curriculum vitae.Correspondence, primarily incoming letters consists of letters, postcards, draft versions, and copies of e-mails. Belle Krasne Ribicoff was friends with many artists; their letters focus on daily activities, work, and the art world. Among the correspondents are Oscar and Eleanor Chelminsky, Joseph Cornell, Piero and Virginia Dorazio, John and Rae Ferren, Helen Frankenthaler, James Fitzsimmons, Adolph Gottlieb, John Graham, Ellsworth Kelly, Frank Modell, George L.K. Morris, Philip Pearlstein, Eero Saarinen, David Smith, and Adja Yunkers. There is substantial correspondence from Ben Benn, Sidney Geist, Leon Hartley, Ralph Rosenborg, and Theodore Roszak. Also found are love letters to Belle Krasne Ribicoff from Jean Bazaine. Many of the artists' letters are illustrated. Of note, are a letter from Carl Holty to J.B. Neumann and an artist's statement written by Adolph Gottlieb.Ribicoff had a professional and personal relationship with a number of prominent writers, actors, and other individuals known for their work in the arts, such as Edward Albee, Claire Bloom, Peter DeVries, Horton Foote, Elia Kazan, Mark Lamos, Estelle Parsons, Karl Shapiro, Cornelia Otis Skinner, and P.L. Travers. There are letters from museum directors, art historians, and other well-known cultural figures, such as Dore Ashton, Clement Greenberg, Balcomb Greene, Rene d'Harnoncourt, Pierre Matisse, E. P. Richardson, Andrew C. Ritchie, Harry Salpeter, Curt Valentin, and Mark Van Doren. Also found are files of holiday cards, many original artwork; letters to Ribicoff upon her departure from <emph render="italic">Art Digest</emph>; letters from representatives at Storm King Art Center Museum and the Wadsworth Atheneum; and letters from unidentified correspondents. The Ribicoff collection relates to the personal art collection of Belle and Irving Ribicoff; materials document the purchase and sale of artwork and the lending of artwork for exhibitions. There is a file of petition letters sponsored by the Friends of Abe Ribicoff campaign for the United States Senate.Original artwork includes prints by Jean Arp and Adja Yunkers and pencil sketches of Sarai Ribicoff by William Bailey. Printed material consists of news clippings; a periodical; exhibition announcements; brochures; an offprint of an article by Cleve Gray; and miscellaneous printed material.Photographs contain black and white photographs of Belle Krasne Ribicoff, Ben and Velida Benn, Richard Krautheimer, and of the jurors attending the Carnegie International exhibition (circa 1954), including Jean Bazaine, Rico Lebrun, Eric Newton, and James Thrall Soby.

ArchivalResource:

https://n2t.net/ark:/65665/mw91c413ec6-93d1-49eb-aefe-563ddcb130b4 View

Papers of John Coolidge and Agnes Mongan, 1909-2006

Title: Papers of John Coolidge and Agnes Mongan, 1909-2006

These papers of Fogg Art Museum directors John Coolidge and AgnesMongan document their administration of the museum and related professional activities. Mostof Coolidge's papers were created during his administration, from 1948 to 1968; most ofMongan's papers are from her tenure as acting director and then director (1968 to 1971). Thepapers consist primarily of correspondence, including Coolidge's correspondence with artdealers, and also include photographs, memoranda, reports, meeting minutes, blueprints, printedmaterial, letters of recommendation, page proofs, financial documents, sketches and grantproposals.

ArchivalResource: 152 file boxes + oversize materials

http://id.lib.harvard.edu/ead/art00017/catalog View

Kelly, Ellsworth, 1923-. Ellsworth Kelly : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].

Title: Ellsworth Kelly : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York]. 1930?-1990

File of color and black and white photographs of work of art, assembled by the staff of The Museum of Modern Art in New York from the museum's establishment until 1990. Items may include full views, details, installations, etc.

ArchivalResource: 1 or more folders: ill. (some col.) ; 38 cm.

http://www.worldcat.org/oclc/662627267 View

Wagstaff, Samuel J. The Samuel J. Wagstaff, Jr. records, 1956-1978 (predominantly 1968-1971).

Title: The Samuel J. Wagstaff, Jr. records, 1956-1978 (predominantly 1968-1971). 1956-1978 (predominantly 1968-1971)

The records contain administrative correspondence, personal correspondence prior to and during Wagstaff's tenure as Curator of Contemporary Art at the Detroit Institute of Arts, research work on various artists, periods and schools of art, and files dealing with accessioned art objects and exhibitions during Mr. Wagstaff's tenure. Included are letters between the exhibiting artists and Mr. Wagstaff. In the series on exhibitions, there is also much correspondence with the artists, some of whom has later become more prominent. Also included are original drawings and plans by various artists, especially Robert Morris. Also of interest is Wagstaff's personal correspondence regarding research on Gauguin and the Ecole du Pont-Aven; research notes and a rough draft of an article on sources of influence in the work of Gauguin; and a critique of a monograph on the ceramics and sculpture of Gauguin by Christopher Gray. Notes and correspondence regarding the provenance and symbolic history of various objects in the collection of the Wadsworth Atheneum (including various Medieval panels and missal) are of additional interest. Correspondence regarding Wagstaff's personal collecting parallels some of his work on exhibitions at the Metropolitan Museum, the Wadsworth Atheneum and the Detroit Institute of Arts, and after. Notable are early recorded interest in silver collecting and photographic collecting. Researchers will find this collection of great use because of Wagstaff's importance as a primary figure in the museum exhibition of avant-garde American art of the 1960s and early '70s. Though this collection does not cover his years as a collector and promoter of photography, it provides precursory documentation and information regarding his collecting and research strategies.

ArchivalResource: 9 linear feet.

http://www.worldcat.org/oclc/422767042 View

Hans Namuth photographs and papers

Title: Hans Namuth photographs and papers

The papers of New York photographer and filmmaker Hans Namuth measure 4.5 linear feet and date from 1945 to 1985. The bulk of the collection consists of photographs taken by Namuth of New York artists. Also included are papers regarding Namuth's film about Alfred Stieglitz and other professional files.The first series contains materials related to the planning and production of Namuth's film <emph render="italic">Alfred Stieglitz, Photographer</emph>. Documentation includes articles, correspondence, exhibition materials, grant program request sheets, magazines and catalogs, photo requests, photographs and photographic materials, notes and research, shot lists, script drafts and fragments, interview transcripts, and correspondence. Interviewees include Ansel Adams, Arnold Newman, Aaron Copland, Dorothy Norman, and others.The second series contains various writings and papers relating to Namuth’s professional activities, including Namuth’s exhibition at the 1958 Brussels World Fair, business and financial records, papers on <emph render="italic">The Construction of Boston</emph> by Kennth Koch, correspondence, a notebook, and various printed materials. Namuth's correspondence is with James Boynton, Bernard Karpel, the Museum of Modern Art, Cynthia Navaretta, Elizabeth Shaw, the Virginia Museum of Fine Arts, and the Yale University School of Art and Architecture.Photographs taken by Hans Namuth depict prominent American (primarily New York-based) artists, architects, writers, musicians, and art critics. Artists are shown in their studios or homes, either at work or posing for the camera, and include Alexander Calder, Stuart Davis, Willem de Kooning, Grace Hartigan, Edward Hopper, Jasper Johns, Lee Krasner, Isamu Noguchi, Jackson Pollock, Robert Rauschenberg, Mark Rothko, and Andrew Wyeth, among many others. Photographs of other individuals include Marcel Breuer, John Cage, Leo Castelli, Buckminster Fuller, and Ludwig Mies van der Rohe, and others. Also found are photographs of exhibitions, openings, and art-related events from the 1950s and 1960s, such as a traveling Picasso exhibit and a Robert Rauschenberg opening at the Jewish Museum. Most photographs are black and white, but a few color prints are included.

ArchivalResource: 4.5 linear feet

https://n2t.net/ark:/65665/mw98657f618-8639-4278-8569-19240b164357 View

Museum of Modern Art (New York, N.Y.). Artist's choice, Ellsworth Kelly, fragmentation and the single form. 1990 : Archives pamphlet file : miscellaneous uncataloged material.

Title: Artist's choice, Ellsworth Kelly, fragmentation and the single form. 1990 : Archives pamphlet file : miscellaneous uncataloged material.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/86151047 View

Barbara Rose papers, 1940-1993 (bulk 1960-1985).

Title: Barbara Rose papers, 1940-1993 (bulk 1960-1985).

The collection, a selected portion from the total Barbara Rose archive, documents Rose's research and writings about American art, especially the New York art world during the 1960s and 1970s. It contains correspondence, manuscripts, photographs, and audio and video tapes. About .5 linear ft. of correspondence from artists includes substantial files of letters from Anne and Avigdor Arikha, and Mark Di Suvero, plus copies of letters between Ad Reinhardt and Thomas Merton (1956-64), and two 1966 letters from Robert Motherwell in which he describes the post-war New York art scene. Correspondence with other artists, critics and dealers is scattered throughout the manuscript and research files. These latter files contain Rose's research and portions of manuscripts for published and unpublished works on Patrick Henry Bruce, Georgia O'Keefe, Andy Warhol, Lee Krasner and Jackson Pollock, the Fernando Vijande gallery in Spain, E.A.T. (Experiments in Art and Technology), and the Art and Technology program of the Los Angeles County Museum. Smaller files contain notes and portions of manuscripts about Clement Greenberg, Peggy Guggenheim, Alexander Liberman, Mark Di Suvero, and the Pier 35 project in New York City. One file contains Rose's student notes from a class with Meyer Schapiro. The Vijande Gallery material includes biographical and visual material (slides and photographs) about Spanish artists, most of whom were represented by the gallery. These include José Luis Alexanco, Frederic Amat, Francesc Artigua, Rafael Baixeras, Evaristo Bellotti, Juan Bordes, Carmen Calvo, Miguel Angel Camparo, Joan Cardells, Victoria Civera, Chema Cobo, Costus, Gerardo Delgado, Xavier Franquesa, Maria Gomez, Luis Gordillo, Miquel Navarro, Soledad Sevilla, José Maria Sicilia, Juan Uslé, and Zush.

ArchivalResource: 10 linear ft.147 sound cassettes : 1 5/16 ips ; 3 78/ c 21/2 in., 1/8 in. tape, originals.13 sound tape reels of 13 : 7.5 ips ; 5 in and 7 in., 1/8 in tape, originals.6 videocassettes (VHS, U-Matic, Beta) : sd. ; originals.

http://hdl.handle.net/10020/cifa930100 View

David Herbert papers

Title: David Herbert papers

The papers of New York gallery owner and art dealer David Herbert measure 5.8 linear feet and date from circa 1909-1996, with the bulk of the material dating from 1945-1995. Herbert's papers document his years working for Betty Parsons Gallery, Sidney Janis Gallery, Graham Gallery, and others; the operation of the David Herbert Gallery from 1959-1962; Herbert's partnerships and agreements with Richard Feigen and others; and his activities as an independent dealer. Records include biographical material, correspondence, notebooks, subject files, artist files, exhibition files, business records, printed material, and photographs.

ArchivalResource: 5.8 Linear feet

https://n2t.net/ark:/65665/mw9be75a48b-8da9-4d68-9952-9de8b2091c80 View

Oral history interview with Diane Waldman

Title: Oral history interview with Diane Waldman

An interview of Diane Waldman conducted 2010 June 8-9, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Waldman's home, in New York, N.Y.

OralHistoryResource: Sound recording, master: 4 memory cards (5 hr., 57 min.) digital; 1.25 in.

https://n2t.net/ark:/65665/mw96aeb78f4-637e-40a2-bb38-726bc8f2e747 View

Kelly, Ellsworth, 1923-. Artist file : miscellaneous uncataloged material.

Title: Artist file : miscellaneous uncataloged material.

ArchivalResource: boxes.

http://www.worldcat.org/oclc/122448924 View

Irving Sandler interviews and papers

Title: Irving Sandler interviews and papers

The interviews and papers of art critic, art historian, and educator Irving Sandler measure 2.8 linear feet and 1.63 GB and date from 1944-2017. Included are interviews and recorded lectures, some in digital format; photographs of artwork and artists; membership files, meeting minutes, and ephemera from the Club organization; printed material from individual artist and group exhibits; and teaching files.

ArchivalResource: 2.8 Linear feet; 1.63 Gigabytes

https://n2t.net/ark:/65665/mw9323dd266-9966-48b9-aff2-9e6479a8cbb0 View

Robinson, David, 1936 Dec.9-. [Ellsworth Kelley] [graphic] / David Robinson.

Title: [Ellsworth Kelley] [graphic] / David Robinson. [ca. 1975]

Photograph of Kelly used in conjunction with the exhibition Heritage and Horizon: American Painting 1776-1976, held at the Albright-Knox Art Gallery, the Detroit Institute of Arts and elsewhere.

ArchivalResource: 1 photographic print : b&w ; 25 x 21 cm.

http://www.worldcat.org/oclc/220213323 View

Museum of Fine Arts, Houston. Curatorial department. Alison de Lima Greene artist correspondence files, 1985-2000.

Title: Alison de Lima Greene artist correspondence files, 1985-2000.

The files contain correspondence with artists, often relating to objects in the MFAH collection. They also contain letters from young or emerging artists offering resumes and art work (as gift or for sale). Some contain object slides and photography; many contain postcards or copies of work. Includes many artists associated with MFAH and Glassell School and many whose works are owned by MFAH.

ArchivalResource: 3 linear ft.

http://www.worldcat.org/oclc/212626037 View

Belle Krasne Ribicoff papers

Title: Belle Krasne Ribicoff papers

The papers of Belle Krasne Ribicoff measure 1.6 linear feet and date from 1942-circa 2010, with the bulk of the collection dating from 1945-2004. Papers include biographical materials; correspondence with artists, art historians, writers, museum directors, and others; individual files relating to Belle and Irving Ribicoff's art collection and the Friends of Abe Ribicoff's campaign for the United States Senate; artwork; printed material, e.g., clippings, announcements, exhibition catalogues, brochures; and photographs. The collection documents Ribicoff's career as an arts editor, critic, and her involvement in civic and arts organizations for the State of Connecticut.Biographical materials include documentation of the Buttenweiser Prize awarded to Belle Krasne by the Art History Departmental Honors at Vassar College in 1945 and curriculum vitae.Correspondence, primarily incoming letters consists of letters, postcards, draft versions, and copies of e-mails. Belle Krasne Ribicoff was friends with many artists; their letters focus on daily activities, work, and the art world. Among the correspondents are Oscar and Eleanor Chelminsky, Joseph Cornell, Piero and Virginia Dorazio, John and Rae Ferren, Helen Frankenthaler, James Fitzsimmons, Adolph Gottlieb, John Graham, Ellsworth Kelly, Frank Modell, George L.K. Morris, Philip Pearlstein, Eero Saarinen, David Smith, and Adja Yunkers. There is substantial correspondence from Ben Benn, Sidney Geist, Leon Hartley, Ralph Rosenborg, and Theodore Roszak. Also found are love letters to Belle Krasne Ribicoff from Jean Bazaine. Many of the artists' letters are illustrated. Of note, are a letter from Carl Holty to J.B. Neumann and an artist's statement written by Adolph Gottlieb.Ribicoff had a professional and personal relationship with a number of prominent writers, actors, and other individuals known for their work in the arts, such as Edward Albee, Claire Bloom, Peter DeVries, Horton Foote, Elia Kazan, Mark Lamos, Estelle Parsons, Karl Shapiro, Cornelia Otis Skinner, and P.L. Travers. There are letters from museum directors, art historians, and other well-known cultural figures, such as Dore Ashton, Clement Greenberg, Balcomb Greene, Rene d'Harnoncourt, Pierre Matisse, E. P. Richardson, Andrew C. Ritchie, Harry Salpeter, Curt Valentin, and Mark Van Doren. Also found are files of holiday cards, many original artwork; letters to Ribicoff upon her departure from <emph render="italic">Art Digest</emph>; letters from representatives at Storm King Art Center Museum and the Wadsworth Atheneum; and letters from unidentified correspondents. The Ribicoff collection relates to the personal art collection of Belle and Irving Ribicoff; materials document the purchase and sale of artwork and the lending of artwork for exhibitions. There is a file of petition letters sponsored by the Friends of Abe Ribicoff campaign for the United States Senate.Original artwork includes prints by Jean Arp and Adja Yunkers and pencil sketches of Sarai Ribicoff by William Bailey. Printed material consists of news clippings; a periodical; exhibition announcements; brochures; an offprint of an article by Cleve Gray; and miscellaneous printed material.Photographs contain black and white photographs of Belle Krasne Ribicoff, Ben and Velida Benn, Richard Krautheimer, and of the jurors attending the Carnegie International exhibition (circa 1954), including Jean Bazaine, Rico Lebrun, Eric Newton, and James Thrall Soby.

ArchivalResource:

https://n2t.net/ark:/65665/mw91c413ec6-93d1-49eb-aefe-563ddcb130b4 View