Royal Chicano Air Force

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Royal Chicano Air Force

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Royal Chicano Air Force

RCAF

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RCAF

RCAF Abkuerzung

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1971

active 1971

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2005

active 2005

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Biographical History

The Royal Chicano Air Force (RCAF) is an artistic collective based in Sacramento. It was founded in 1969 to express the goals of the Chicano civil rights and labor organizing movement of the United Farm Workers. The RCAF is best known for its mural paintings, poster art production, and individual artistic contributions.

From the description of Guide to the Royal Chicano Air Force Archives, 1972-1988. (University of California, Santa Barbara). WorldCat record id: 213892620 From the description of Guide to the Catalog of Slides: the Royal Chicano Air Force Archives, 197-?-1991. (University of California, Santa Barbara). WorldCat record id: 213893860 From the description of Guide to the Catalog of Silkscreen Prints: The Royal Chicano Air Force Archives, 197?-1984? (University of California, Santa Barbara). WorldCat record id: 213894039

The Royal Chicano Air Force (RCAF) is an artistic collective based in Sacramento. Initially named the Rebel Chicano Art Front, the RCAF was founded in 1969 to express the goals of the Chicano civil rights and labor organizing movement of the United Farm Workers. Its mission was to make available to the Chicano community a bilingual/bicultural arts center where artists could come together, exchange ideas, provide mutual support, and make available to the public artistic, cultural, and educational programs and events. [From their web page].

From the description of El RCAF goes to college : commemorative hand-signed, limited edition, silk screen poster, 2007. (Unknown). WorldCat record id: 754864332

The Royal Chicano Air Force is an artistic collective based in Sacramento. Initially named the Rebel Chicano Art Front, the RCAF was founded in 1969 to express the goals of the Chicano civil rights and labor organizing movement of the United Farm Workers. Its mission was to make available to the Chicano community a bilingual/bicultural arts center where artists could come together, exchange ideas, provide mutual support, and make available to the public artistic, cultural, and educational programs and events.

The founding members of the RCAF include Jose Montoya, Esteban Villa, Juanishi V. Orosco, Ricardo Favela, and Rudy Cuellar. Montoya and Villa knew of each other through their involvement in the Mexican American Liberation Art Front and the California College of Arts and Crafts. During the Chicano Movement students pressured colleges and universities to diversify their faculties. As a result, Montoya and Villa were hired as professors of art at California State University, Sacramento. Their academic positions gave them the creative freedom to initiate programmatic exchanges between the university and the barrio community. The RCAF is best known for its mural paintings, poster art production, and individual artistic contributions. In 1972, the RCAF created the not-for-profit Centro De Artistas Chicanos, a community-based organization. The artists of the Centro have produced murals and exhibitions from San Diego to Seattle. The success of the RCAF to engage communities to express their Chicano culture, history and struggle for equal rights, is a testament to the spirit of the collective and its significance in the Chicano community and in American society.

While the "RCAF" originally stood for the Rebel Chicano Art Front, people confused the letters with the acronym for the Royal Canadian Air Force. Montoya and his fellow officers capitalized on the misunderstanding, and in good humor adopted the name Royal Chicano Air Force. This new identity found its way into their wardrobe, as well as their highly successful silk screen poster program, which began to disseminate the World War I aviator and barnstorming bi-winged planes as icons. The RCAF gained a well-deserved reputation for outrageous humor, fine art posters, murals, and community activism. Their pioneering spirit throughout the 1970s and early 1980s was well-known in the California Chicano community, and continues to the present.

From the description of Ricardo Favela Royal Chicano Air Force poster collection 1971-2005 1974-1980. (San Jose Public Library). WorldCat record id: 405665696

Organizational History

The Royal Chicano Air Force (RCAF) is an artistic collective based in Sacramento. Initially named the Rebel Chicano Art Front, the RCAF was founded in 1969 to express the goals of the Chicano civil rights and labor organizing movement of the United Farm Workers. Its mission was to make available to the Chicano community a bilingual/bicultural arts center where artists could come together, exchange ideas, provide mutual support, and make available to the public artistic, cultural, and educational programs and events.

The founding members of the RCAF include José Montoya, Esteban Villa, Juanishi V. Orosco, Ricardo Favela, and Rudy Cuellar. Montoya and Villa knew of each other through their involvement in the Mexican American Liberation Art Front and the California College of Arts and Crafts. During the Chicano Movement students pressured colleges and universities to diversify their faculties. As a result, Montoya and Villa were hired as professors of art at California State University, Sacramento. Their academic positions gave them the creative freedom to initiate programmatic exchanges between the university and the barrio community. Through this effort they initiated many programs including the Barrio Art Program, which required university students to go out into the community including senior centers to teach art courses.

The RCAF created in 1972 the not-for-profit Centro De Artistas Chicanos. This community based organization became the spring-board for all types of Sacramento community programs, such as La Nueva Raza Bookstore (with its Galería Posada), Aeronaves de Aztlán (Automotive Repair Garage), RCAF Danzantes (Cultural Dance venue), Barrio Art Program, and the RCAF Graphics and Design Center. By 1977, the Centro de Artistas Chicanos and Breakfast for Niños Program (a community non-profit program that fed children before school) joined forces to create the Cultural Affairs Project, which further funded their many community services.

The RCAF is best known for its mural paintings, poster art production, and individual artistic contributions. The artists of the Centro have produced murals and exhibitions from San Diego to Seattle. RCAF is significant as a collective that has maintained a twenty-five year history of engaging communities to express their Chicano culture, history and struggle for equal rights.

While the "RCAF" originally stood for the Rebel Chicano Art Front, people confused the letters with the acronym for the Royal Canadian Air Force. Montoya and his fellow officers capitalized on the misunderstanding, and in good humor adopted the name Royal Chicano Air Force. This new identity found its way into their wardrobe, as well as their highly successful silk screen poster program, which began to disseminate the World War I aviator and barnstorming bi-winged planes as icons. The RCAF gained a well-deserved reputation for outrageous humor, fine art posters, murals, and community activism. Their pioneering spirit throughout the 1970s and early 1980s was well-known in the California Chicano community, and continues to the present.

The RCAF Archives complement the work of CEMA's Proyecto CARIDAD (Chicano Art Resources Information Development and Dissemination), the archival cataloging of Chicano visual arts slide images. Together, these projects document the visual art production and social history of important Chicano art collectives in California.

From the guide to the Royal Chicano Air Force Archives, 1973-1988, (University of California, Santa Barbara. Library. California Ethnic and Multicultural Archives)

Organizational History

The Royal Chicano Air Force is an artistic collective based in Sacramento. Initially named the Rebel Chicano Art Front, the RCAF was founded in 1969 to express the goals of the Chicano civil rights and labor organizing movement of the United Farm Workers. Its mission was to make available to the Chicano community a bilingual/bicultural arts center where artists could come together, exchange ideas, provide mutual support, and make available to the public artistic, cultural, and educational programs and events.

The founding members of the RCAF include José Montoya, Esteban Villa, Juanishi V. Orosco, Ricardo Favela, and Rudy Cuellar. Montoya and Villa knew of each other through their involvement in the Mexican American Liberation Art Front and the California College of Arts and Crafts. During the Chicano Movement students pressured colleges and universities to diversify their faculties. As a result, Montoya and Villa were hired as professors of art at California State University, Sacramento. Their academic positions gave them the creative freedom to initiate programmatic exchanges between the university and the barrio community. Through this effort they initiated many programs including the Barrio Art Program, which required university students to go out into the community including senior centers to teach art courses.

In 1972 the RCAF created the not-for-profit Centro De Artistas Chicanos, a community based organization, which became the spring-board for all types of Sacramento community programs, such as La Nueva Raza Bookstore (with its Galería Posada), Aeronaves de Aztlán (Automotive Repair Garage), RCAF Danzantes (Cultural Dance venue), Barrio Art Program, and the RCAF Graphics and Design Center. By 1977, the Centro de Artistas Chicanos and Breakfast for Niños Program (a community non-profit program that fed children before school) joined forces to create the Cultural Affairs Project, which further funded their many community services.

The RCAF is best known for its mural paintings, poster art production, and individual artistic contributions. The artists of the Centro have produced murals and exhibitions from San Diego to Seattle. The success of the RCAF to engage communities to express their Chicano culture, history and struggle for equal rights, is a testament to the spirit of the collective and it's significance in the Chicano community and in American society.

While the "RCAF" originally stood for the Rebel Chicano Art Front, people confused the letters with the acronym for the Royal Canadian Air Force. Montoya and his fellow officers capitalized on the misunderstanding, and in good humor adopted the name Royal Chicano Air Force. This new identity found its way into their wardrobe, as well as their highly successful silk screen poster program, which began to disseminate the World War I aviator and brainstorming bi-winged planes as icons. The RCAF gained a well-deserved reputation for outrageous humor, fine art posters, murals, and community activism. Their pioneering spirit throughout the 1970s and early 1980s was well-known in the California Chicano community, and continues to the present.

Bibliography: Royal Chicano Air Force. The RCAF Homepage. http://www.rcaf.info/ (accessed April 1, 2009).

From the guide to the Ricardo Favela Royal Chicano Air Force Poster Collection, 1971-2005, 1974-1980, (San José State University. Library.)

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External Related CPF

https://viaf.org/viaf/267252415

https://www.worldcat.org/identities/lccn-n83217218

https://id.loc.gov/authorities/n83217218

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Subjects

Art, Modern

Art, Modern

Art, American

Art, American

Mexican American art

Mexican American artists

Mexican American artists

Mexican American posters

Royal Chicano Air Force

Royal Chicano Air Force

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Slides (Photography)

Nationalities

Americans

Activities

Mexican American artists

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California

as recorded (not vetted)

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California

as recorded (not vetted)

AssociatedPlace

California

as recorded (not vetted)

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California

as recorded (not vetted)

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<conventionDeclaration><citation>VIAF</citation></conventionDeclaration>

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Identity Constellation Identifier(s)

w66t4t1v

9916929