Brooklyn Museum. Library.
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Brooklyn Museum. Library.
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Biographical History
The Brooklyn Museum's lantern slide collection was started by the museum's curator of fine arts William Henry Goodyear, in the late nineteenth century. With the assistance of photographers Joseph Hawkes and John McKecknie, Goodyear reproduced images of archaeological and architectural sites in Europe and images of the Paris Exposition, which Hawkes often hand-colored for more realistic affect. The lantern slide collection developed, as well, through the efforts of curator of ethnology Stewart Culin and his successor Herbert Spinden who created or purchased images of objects and sites. Historic images of Museum galleries, New York City scenes, and buildings also became part of the collection. In 1921, a significant addition of one hundred eighteen boxes of slides, originally the property of Franklin Hooper, Director of the Brooklyn Institute of Arts and Sciences, were consigned to the Museum, Children's Museum, and Botanic Garden.
The Brooklyn Museum's lantern slide collection was started by the museum's curator of fine arts William Henry Goodyear, in the late nineteenth century. With the assistance of photographers Joseph Hawkes and John McKecknie, Goodyear reproduced images of archaeological and architectural sites in Europe and images of the Paris Exposition, which Hawkes often hand-colored for more realistic affect. The lantern slide collection developed, as well, through the efforts of curator of ethnology Stewart Culin and his successor Herbert Spinden who created or purchased images of objects and sites. Historic images of Museum galleries, New York City scenes, and buildings also became part of the collection. In 1921, a significant addition of one hundred eighteen boxes of slides, originally the property of Franklin Hooper, Director of the Brooklyn Institute of Arts and Sciences, were consigned to the Museum, Children's Museum, and Botanic Garden.
The Brooklyn Museum's lantern slide collection was started by the museum's curator of fine arts William Henry Goodyear, in the late nineteenth century. With the assistance of photographers Joseph Hawkes and John McKecknie, Goodyear reproduced images of archaeological and architectural sites in Europe and images of the Paris Exposition, which Hawkes often hand-colored for more realistic affect. The lantern slide collection developed, as well, through the efforts of curator of ethnology Stewart Culin and his successor Herbert Spinden who created or purchased images of objects and sites. Historic images of Museum galleries, New York City scenes, and buildings also became part of the collection. In 1921, a significant addition of one hundred eighteen boxes of slides, originally the property of Franklin Hooper, Director of the Brooklyn Institute of Arts and Sciences, were consigned to the Museum, Children's Museum, and Botanic Garden.
The Brooklyn Museum's lantern slide collection was started by the museum's curator of fine arts William Henry Goodyear, in the late nineteenth century. With the assistance of photographers Joseph Hawkes and John McKecknie, Goodyear reproduced images of archaeological and architectural sites in Europe and images of the Paris Exposition, which Hawkes often hand-colored for more realistic affect. The lantern slide collection developed, as well, through the efforts of curator of ethnology Stewart Culin and his successor Herbert Spinden who created or purchased images of objects and sites. Historic images of Museum galleries, New York City scenes, and buildings also became part of the collection. In 1921, a significant addition of one hundred eighteen boxes of slides, originally the property of Franklin Hooper, Director of the Brooklyn Institute of Arts and Sciences, were consigned to the Museum, Children's Museum, and Botanic Garden.
The Brooklyn Museum's lantern slide collection was started by the museum's curator of fine arts William Henry Goodyear, in the late nineteenth century. With the assistance of photographers Joseph Hawkes and John McKecknie, Goodyear reproduced images of archaeological and architectural sites in Europe and images of the Paris Exposition, which Hawkes often hand-colored for more realistic affect. The lantern slide collection developed, as well, through the efforts of curator of ethnology Stewart Culin and his successor Herbert Spinden who created or purchased images of objects and sites. Historic images of Museum galleries, New York City scenes, and buildings also became part of the collection. In 1921, a significant addition of one hundred eighteen boxes of slides, originally the property of Franklin Hooper, Director of the Brooklyn Institute of Arts and Sciences, were consigned to the Museum, Children's Museum, and Botanic Garden.
The Brooklyn Museum's lantern slide collection was started by the museum's curator of fine arts William Henry Goodyear, in the late nineteenth century. With the assistance of photographers Joseph Hawkes and John McKecknie, Goodyear reproduced images of archaeological and architectural sites in Europe and images of the Paris Exposition, which Hawkes often hand-colored for more realistic affect. The lantern slide collection developed, as well, through the efforts of curator of ethnology Stewart Culin and his successor Herbert Spinden who created or purchased images of objects and sites. Historic images of Museum galleries, New York City scenes, and buildings also became part of the collection. In 1921, a significant addition of one hundred eighteen boxes of slides, originally the property of Franklin Hooper, Director of the Brooklyn Institute of Arts and Sciences, were consigned to the Museum, Children's Museum, and Botanic Garden.
The Brooklyn Museum's lantern slide collection was started by the museum's curator of fine arts William Henry Goodyear, in the late nineteenth century. With the assistance of photographers Joseph Hawkes and John McKecknie, Goodyear reproduced images of archaeological and architectural sites in Europe and images of the Paris Exposition, which Hawkes often hand-colored for more realistic affect. The lantern slide collection developed, as well, through the efforts of curator of ethnology Stewart Culin and his successor Herbert Spinden who created or purchased images of objects and sites. Historic images of Museum galleries, New York City scenes, and buildings also became part of the collection. In 1921, a significant addition of one hundred eighteen boxes of slides, originally the property of Franklin Hooper, Director of the Brooklyn Institute of Arts and Sciences, were consigned to the Museum, Children's Museum, and Botanic Garden.
The Brooklyn Museum's lantern slide collection was started by the museum's curator of fine arts William Henry Goodyear, in the late nineteenth century. With the assistance of photographers Joseph Hawkes and John McKecknie, Goodyear reproduced images of archaeological and architectural sites in Europe and images of the Paris Exposition, which Hawkes often hand-colored for more realistic affect. The lantern slide collection developed, as well, through the efforts of curator of ethnology Stewart Culin and his successor Herbert Spinden who created or purchased images of objects and sites. Historic images of Museum galleries, New York City scenes, and buildings also became part of the collection. In 1921, a significant addition of one hundred eighteen boxes of slides, originally the property of Franklin Hooper, Director of the Brooklyn Institute of Arts and Sciences, were consigned to the Museum, Children's Museum, and Botanic Garden.
The Brooklyn Museum's lantern slide collection was started by the museum's curator of fine arts William Henry Goodyear, in the late nineteenth century. With the assistance of photographers Joseph Hawkes and John McKecknie, Goodyear reproduced images of archaeological and architectural sites in Europe and images of the Paris Exposition, which Hawkes often hand-colored for more realistic affect. The lantern slide collection developed, as well, through the efforts of curator of ethnology Stewart Culin and his successor Herbert Spinden who created or purchased images of objects and sites. Historic images of Museum galleries, New York City scenes, and buildings also became part of the collection. In 1921, a significant addition of one hundred eighteen boxes of slides, originally the property of Franklin Hooper, Director of the Brooklyn Institute of Arts and Sciences, were consigned to the Museum, Children's Museum, and Botanic Garden.
The Brooklyn Museum's lantern slide collection was started by the museum's curator of fine arts William Henry Goodyear, in the late nineteenth century. With the assistance of photographers Joseph Hawkes and John McKecknie, Goodyear reproduced images of archaeological and architectural sites in Europe and images of the Paris Exposition, which Hawkes often hand-colored for more realistic affect. The lantern slide collection developed, as well, through the efforts of curator of ethnology Stewart Culin and his successor Herbert Spinden who created or purchased images of objects and sites. Historic images of Museum galleries, New York City scenes, and buildings also became part of the collection. In 1921, a significant addition of one hundred eighteen boxes of slides, originally the property of Franklin Hooper, Director of the Brooklyn Institute of Arts and Sciences, were consigned to the Museum, Children's Museum, and Botanic Garden.
The Brooklyn Museum's lantern slide collection was started by the museum's curator of fine arts William Henry Goodyear, in the late nineteenth century. With the assistance of photographers Joseph Hawkes and John McKecknie, Goodyear reproduced images of archaeological and architectural sites in Europe and images of the Paris Exposition, which Hawkes often hand-colored for more realistic affect. The lantern slide collection developed, as well, through the efforts of curator of ethnology Stewart Culin and his successor Herbert Spinden who created or purchased images of objects and sites. Historic images of Museum galleries, New York City scenes, and buildings also became part of the collection. In 1921, a significant addition of one hundred eighteen boxes of slides, originally the property of Franklin Hooper, Director of the Brooklyn Institute of Arts and Sciences, were consigned to the Museum, Children's Museum, and Botanic Garden.
The Brooklyn Museum's lantern slide collection was started by the museum's curator of fine arts William Henry Goodyear, in the late nineteenth century. With the assistance of photographers Joseph Hawkes and John McKecknie, Goodyear reproduced images of archaeological and architectural sites in Europe and images of the Paris Exposition, which Hawkes often hand-colored for more realistic affect. The lantern slide collection developed, as well, through the efforts of curator of ethnology Stewart Culin and his successor Herbert Spinden who created or purchased images of objects and sites. Historic images of Museum galleries, New York City scenes, and buildings also became part of the collection. In 1921, a significant addition of one hundred eighteen boxes of slides, originally the property of Franklin Hooper, Director of the Brooklyn Institute of Arts and Sciences, were consigned to the Museum, Children's Museum, and Botanic Garden.
The Brooklyn Museum's lantern slide collection was started by the museum's curator of fine arts William Henry Goodyear, in the late nineteenth century. With the assistance of photographers Joseph Hawkes and John McKecknie, Goodyear reproduced images of archaeological and architectural sites in Europe and images of the Paris Exposition, which Hawkes often hand-colored for more realistic affect. The lantern slide collection developed, as well, through the efforts of curator of ethnology Stewart Culin and his successor Herbert Spinden who created or purchased images of objects and sites. Historic images of Museum galleries, New York City scenes, and buildings also became part of the collection. In 1921, a significant addition of one hundred eighteen boxes of slides, originally the property of Franklin Hooper, Director of the Brooklyn Institute of Arts and Sciences, were consigned to the Museum, Children's Museum, and Botanic Garden.
The Brooklyn Museum's lantern slide collection was started by the museum's curator of fine arts William Henry Goodyear, in the late nineteenth century. With the assistance of photographers Joseph Hawkes and John McKecknie, Goodyear reproduced images of archaeological and architectural sites in Europe and images of the Paris Exposition, which Hawkes often hand-colored for more realistic affect. The lantern slide collection developed, as well, through the efforts of curator of ethnology Stewart Culin and his successor Herbert Spinden who created or purchased images of objects and sites. Historic images of Museum galleries, New York City scenes, and buildings also became part of the collection. In 1921, a significant addition of one hundred eighteen boxes of slides, originally the property of Franklin Hooper, Director of the Brooklyn Institute of Arts and Sciences, were consigned to the Museum, Children's Museum, and Botanic Garden.
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Subjects
Great Pyramid (Egypt)
Monuments
Philae, temple of
Photograph collections
Pyramids
Pyramids of Egypt
Sphinx
Temple of Isis (Gizeh, Egypt)
Temples
Temples, Egyptian
Nationalities
Activities
Occupations
Legal Statuses
Places
Egypt--J♯±zah
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AssociatedPlace
Abū Sunbul(Egypt)
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Karnak (Egypt)
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Nubia
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Dandara (Egypt)
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Egypt--Maydūm
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Edfu, Temple of
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Ancient Egypt
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AssociatedPlace
Abydos (Egypt)
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Meydûm (Egypt)
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AssociatedPlace
Luxor (Egypt)
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AssociatedPlace
J♯±zah (Egypt)
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AssociatedPlace
Egypt
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AssociatedPlace
Abydos (Egypt : Extinct city)
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Ṣaqqārah (Egypt)
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AssociatedPlace
Philae (Egypt)
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Idfū (Egypt)
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AssociatedPlace
Temples--Ancient Egypt
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AssociatedPlace
Abu Simbel (Nubia)
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AssociatedPlace
Isnā (Egypt)
as recorded (not vetted)
AssociatedPlace
Africa
as recorded (not vetted)
AssociatedPlace
Saqqara (Egypt)
as recorded (not vetted)
AssociatedPlace
Egypt--Abū Sunbul
as recorded (not vetted)
AssociatedPlace