Hosmer, Harriet Goodhue, 1830-1908

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Hosmer, Harriet Goodhue, 1830-1908

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Surname :

Hosmer

Forename :

Harriet Goodhue

Date :

1830-1908

eng

Latn

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rda

Hosmer, Harriet, 1830-1908

Computed Name Heading

Name Components

Surname :

Hosmer

Forename :

Harriet

Date :

1830-1908

eng

Latn

alternativeForm

rda

Hosmer, H. G. (Harriet Goodhue), 1830-1908

Computed Name Heading

Name Components

Surname :

Hosmer

Forename :

H. G.

NameExpansion :

Harriet Goodhue

Date :

1830-1908

eng

Latn

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rda

Genders

Female

Exist Dates

Exist Dates - Date Range

1830-10-09

1830-10-09

Birth

1908-02-21

1908-02-21

Death

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Biographical History

Harriet Goodhue Hosmer (October 9, 1830 – February 21, 1908) was a neoclassical sculptor, considered the most distinguished female sculptor in America during the 19th century. She is known as the first female professional sculptor. Among other technical innovations, she pioneered a process for turning limestone into marble. Hosmer once lived in an expatriate colony in Rome, befriending many prominent writers and artists.

Harriet Hosmer was born on October 9, 1830 at Watertown, Massachusetts, and completed a course of study at Sedgewick School in Lenox, Massachusetts. Her mother and three siblings died during her childhood. She was a delicate child, and was encouraged by her father, physician Hiram Hosmer, to pursue a course of physical training by which she became expert in rowing, skating, and riding. He also encouraged her artistic passion. She traveled alone in the wilderness of the western United States, and visited the Dakota Indians.

She showed an early aptitude for modeling, and studied anatomy with her father. Through the influence of family friend Wayman Crow she attended the anatomical instruction of Dr. Joseph Nash McDowell at the Missouri Medical College (then the medical department of the state university). She then studied in Boston and practiced modeling at home until November 1852, when, with her father and her lover Charlotte Cushman, she went to Rome, where from 1853 to 1860 she was the pupil of the Welsh sculptor John Gibson, and she was finally allowed to study live models.

While living in Rome, she associated with a colony of artists and writers that included Nathaniel Hawthorne, Bertel Thorvaldsen, William Makepeace Thackeray, and the two female Georges, Eliot and Sand. When in Florence, she was frequently the guest of Elizabeth Barrett and Robert Browning at Casa Guidi.

The artists included Anne Whitney, Emma Stebbins, Edmonia Lewis, Louisa Lander, Margaret Foley, Florence Freeman, and Vinnie Ream. Hawthorne was clearly describing these in his novel The Marble Faun, and Henry James called them a "sisterhood of American ‘lady sculptors'." As Hosmer is now considered the most famous female sculptor of her time in America, she is credited with having 'led the flock' of other female sculptors.

Hosmer was drawn to the Neoclassical style, which was easy to study given her presence in Rome. She enjoyed studying mythology, and she created various representations of mythological icons, such as the sculpture of The Sleeping Faun, which includes intricate details of elements such as his hair, the grapes, and the cloth draped over him.

She also designed and constructed machinery, and devised new processes, especially in connection with sculpture, such as a method of converting the ordinary limestone of Italy into marble, and a process of modeling in which the rough shape of a statue is first made in plaster, on which a coating of wax is laid for working out the finer forms.

Hosmer exhibited her sculpture of Queen Isabella, commissioned by the Queen Isabella Association, in the California State Building at the 1893 World's Columbian Exposition in Chicago, Illinois. The statue was exhibited again in 1894 at the California Midwinter International Exposition.

For 25 years she was romantically involved with Louisa, Lady Ashburton, widow of Bingham Baring, 2nd Baron Ashburton (died 1864). Lady Ashburton provided Harriet a studio close to the Ashburton home in Knightsbridge, London.

Hosmer died at Watertown, Massachusetts, on February 21, 1908, and is buried in the family plot at Mount Auburn Cemetery, Cambridge. Aside from the work she produced, Harriet Hosmer made her mark on art history and feminist and gender studies. As the National Museum of Women in the Arts put it, "Harriet Goodhue Hosmer defied 19th-century social convention by becoming a successful sculptor of large scale, Neoclassical works in marble."

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External Related CPF

https://viaf.org/viaf/13109123

https://www.wikidata.org/entity/Q448214

https://www.worldcat.org/identities/lccn-n85347718

https://id.loc.gov/authorities/n85347718

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Languages Used

eng

Latn

Subjects

American

Sculpture, American

Americans in Italy

Art criticism

Artists

Artists

Artists

Art patronage

Arts

Breast

Caricatures and cartoons

Drama

Friendship

Letters

Poetry

Sculptors

Sculptors

Sculpture

Short stories

Spiritualism

Voyages and travels

Women artists

Women artists

Women sculptors

Women sculptors

Women sculptors

Nationalities

Americans

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Artists

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Sculptors

Legal Statuses

Places

Mexico

00, MX

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Florence

, IT

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Republic of Bulgaria

00, BG

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Huddersfield

ENG, GB

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Oriental Republic of Uruguay

00, UY

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Republic of Ecuador

00, EC

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Sunderland

ENG, GB

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Roumania, Europe

as recorded (not vetted)

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Kingdom of Morocco

00, MA

AssociatedPlace

Republic of Liberia

00, LR

AssociatedPlace

Halifax

ENG, GB

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Watertown

MA, US

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Birth

Preston

ENG, GB

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Aden

02, YE

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Ireland

00, IE

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Federation of Bosnia and Herzegovina

01, BA

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Buckinghamshire

ENG, GB

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Lambeth

ENG, GB

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Chicago

IL, US

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Residence

Southwark

ENG, GB

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Republic of Peru

00, PE

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Colombia, South America

as recorded (not vetted)

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Paris

A8, FR

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Land Schleswig-Holstein

10, DE

AssociatedPlace

Watertown

MA, US

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Death

Republic of Mauritius

00, MU

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Montenegro

00, ME

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London

ENG, GB

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Residence

Republic of India

00, IN

AssociatedPlace

Dundrum, Down

as recorded (not vetted)

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Arab Republic of Egypt

00, EG

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Birmingham

ENG, GB

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Zanzibar

25, TZ

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Terre Haute

IN, US

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Residence

Cambridgeshire

ENG, GB

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Argentine Republic

00, AR

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Rome

07, IT

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Residence

York

ENG, GB

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Aylesbury

ENG, GB

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Panama Canal

00, PA

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Abyssinia, Africa

as recorded (not vetted)

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Oxfordshire

ENG, GB

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Chester

ENG, GB

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Reading

ENG, GB

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Serbia

00, RS

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<conventionDeclaration><citation>VIAF</citation></conventionDeclaration>

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Identity Constellation Identifier(s)

w6jv0g5f

85830138