Bonade, Daniel, 1896-1976

Daniel Louis Bonade; born April 4, 1896; died 11 November 1976 in Cannes (France). Spoke English and French.

Daniel Louis Bonade; born April 4, 1896; died 11 November 1976 in Cannes (France). Spoke English and French.

Daniel Bonade, Swiss-born American clarinetist, teacher and writer, was born in 1896 in Geneva, Switzerland. He was the son of two prominent musicians: Louis and Esther Bonade. He began studying the clarinet at the age of eight with Ferdinand Capelle in Geneva. After Louis Bonade's death, the family moved to France where Bonade studied with Henri Lefebvre, outstanding pupil of Cyril Rose. Bonade's sister, Marie, later married Lefebvre. In 1910, Bonade entered the Paris Conservatoire and in 1913 won the prestigious Premier Prix while studying with Proper Mimart.

In 1916, while touring the United States with Diaghileff's Ballets Russes, Bonade played for Leopold Stokowski, who offered him the principal clarinet position of the Philadelphia Orchestra. In 1930, Bonade left the Philadelphia Orchestra and continued his orchestral career with positions in the Cleveland Symphony Orchestra, the Columbia Broadcasting Symphony Orchestra, and the NBC Orchestra.

As a faculty member of the Curtis Institute of Music, the Cleveland Institute of Music, and the Juilliard School of Music he trained many successful clarinetists in the United States from 1920 to 1960. His students became members of top-ranked American orchestras and included Robert McGinnis, Robert Marcellus, Mitchell Lurie, Ignatius Gennusa, Anthony Gigliotti, and Bernard Portnoy.

Through Bonade's affiliation with the G. Leblanc Corporation, a leading-clarinet manufacturer in Paris, France and Kenosha, Wisconsin, he developed and marketed his mouthpiece, ligature, and reeds. He also published several books on clarinet playing and wrote articles for The Leblanc Bandsman and Symphony magazine.

Daniel Bonade, Swiss-born American clarinetist, teacher and writer, was born in 1896 in Geneva, Switzerland. He was the son of two prominent musicians: Louis and Esther Bonade. He began studying the clarinet at the age of eight with Ferdinand Capelle in Geneva. After Louis Bonade's death, the family moved to France where Bonade studied with Henri Lefebvre, outstanding pupil of Cyril Rose. Bonade's sister, Marie, later married Lefebvre. In 1910, Bonade entered the Paris Conservatoire and in 1913 won the prestigious Premier Prix while studying with Proper Mimart.

In 1916, while touring the United States with Diaghileff's Ballets Russes, Bonade played for Leopold Stokowski, who offered him the principal clarinet position of the Philadelphia Orchestra. In 1930, Bonade left the Philadelphia Orchestra and continued his orchestral career with positions in the Cleveland Symphony Orchestra, the Columbia Broadcasting Symphony Orchestra, and the NBC Orchestra.

As a faculty member of the Curtis Institute of Music, the Cleveland Institute of Music, and the Juilliard School of Music he trained many successful clarinetists in the United States from 1920 to 1960. His students became members of top-ranked American orchestras and included Robert McGinnis, Robert Marcellus, Mitchell Lurie, Ignatius Gennusa, Anthony Gigliotti, and Bernard Portnoy.

Through Bonade's affiliation with the G. Leblanc Corporation, a leading-clarinet manufacturer in Paris, France and Kenosha, Wisconsin, he developed and marketed his mouthpiece, ligature, and reeds. He also published several books on clarinet playing and wrote articles for The Leblanc Bandsman and Symphony magazine.

Daniel Bonade, Swiss-born American clarinetist, teacher and writer, was born in 1896 in Geneva, Switzerland. He was the son of two prominent musicians: Louis and Esther Bonade. He began studying the clarinet at the age of eight with Ferdinand Capelle in Geneva. After Louis Bonade's death, the family moved to France where Bonade studied with Henri Lefebvre, outstanding pupil of Cyril Rose. Bonade's sister, Marie, later married Lefebvre. In 1910, Bonade entered the Paris Conservatoire and in 1913 won the prestigious Premier Prix while studying with Proper Mimart.

In 1916, while touring the United States with Diaghileff's Ballets Russes, Bonade played for Leopold Stokowski, who offered him the principal clarinet position of the Philadelphia Orchestra. In 1930, Bonade left the Philadelphia Orchestra and continued his orchestral career with positions in the Cleveland Symphony Orchestra, the Columbia Broadcasting Symphony Orchestra, and the NBC Orchestra.

As a faculty member of the Curtis Institute of Music, the Cleveland Institute of Music, and the Juilliard School of Music he trained many successful clarinetists in the United States from 1920 to 1960. His students became members of top-ranked American orchestras and included Robert McGinnis, Robert Marcellus, Mitchell Lurie, Ignatius Gennusa, Anthony Gigliotti, and Bernard Portnoy.

Through Bonade's affiliation with the G. Leblanc Corporation, a leading-clarinet manufacturer in Paris, France and Kenosha, Wisconsin, he developed and marketed his mouthpiece, ligature, and reeds. He also published several books on clarinet playing and wrote articles for The Leblanc Bandsman and Symphony magazine.

Daniel Bonade, Swiss-born American clarinetist, teacher and writer, was born in 1896 in Geneva, Switzerland. He was the son of two prominent musicians: Louis and Esther Bonade. He began studying the clarinet at the age of eight with Ferdinand Capelle in Geneva. After Louis Bonade's death, the family moved to France where Bonade studied with Henri Lefebvre, outstanding pupil of Cyril Rose. Bonade's sister, Marie, later married Lefebvre. In 1910, Bonade entered the Paris Conservatoire and in 1913 won the prestigious Premier Prix while studying with Proper Mimart.

In 1916, while touring the United States with Diaghileff's Ballets Russes, Bonade played for Leopold Stokowski, who offered him the principal clarinet position of the Philadelphia Orchestra. In 1930, Bonade left the Philadelphia Orchestra and continued his orchestral career with positions in the Cleveland Symphony Orchestra, the Columbia Broadcasting Symphony Orchestra, and the NBC Orchestra.

As a faculty member of the Curtis Institute of Music, the Cleveland Institute of Music, and the Juilliard School of Music he trained many successful clarinetists in the United States from 1920 to 1960. His students became members of top-ranked American orchestras and included Robert McGinnis, Robert Marcellus, Mitchell Lurie, Ignatius Gennusa, Anthony Gigliotti, and Bernard Portnoy.

Through Bonade's affiliation with the G. Leblanc Corporation, a leading-clarinet manufacturer in Paris, France and Kenosha, Wisconsin, he developed and marketed his mouthpiece, ligature, and reeds. He also published several books on clarinet playing and wrote articles for The Leblanc Bandsman and Symphony magazine.

Daniel Bonade, Swiss-born American clarinetist, teacher and writer, was born in 1896 in Geneva, Switzerland. He was the son of two prominent musicians: Louis and Esther Bonade. He began studying the clarinet at the age of eight with Ferdinand Capelle in Geneva. After Louis Bonade's death, the family moved to France where Bonade studied with Henri Lefebvre, outstanding pupil of Cyril Rose. Bonade's sister, Marie, later married Lefebvre. In 1910, Bonade entered the Paris Conservatoire and in 1913 won the prestigious Premier Prix while studying with Proper Mimart.

In 1916, while touring the United States with Diaghileff's Ballets Russes, Bonade played for Leopold Stokowski, who offered him the principal clarinet position of the Philadelphia Orchestra. In 1930, Bonade left the Philadelphia Orchestra and continued his orchestral career with positions in the Cleveland Symphony Orchestra, the Columbia Broadcasting Symphony Orchestra, and the NBC Orchestra.

As a faculty member of the Curtis Institute of Music, the Cleveland Institute of Music, and the Juilliard School of Music he trained many successful clarinetists in the United States from 1920 to 1960. His students became members of top-ranked American orchestras and included Robert McGinnis, Robert Marcellus, Mitchell Lurie, Ignatius Gennusa, Anthony Gigliotti, and Bernard Portnoy.

Through Bonade's affiliation with the G. Leblanc Corporation, a leading-clarinet manufacturer in Paris, France and Kenosha, Wisconsin, he developed and marketed his mouthpiece, ligature, and reeds. He also published several books on clarinet playing and wrote articles for The Leblanc Bandsman and Symphony magazine.

Daniel Bonade, Swiss-born American clarinetist, teacher and writer, was born in 1896 in Geneva, Switzerland. He was the son of two prominent musicians: Louis and Esther Bonade. He began studying the clarinet at the age of eight with Ferdinand Capelle in Geneva. After Louis Bonade's death, the family moved to France where Bonade studied with Henri Lefebvre, outstanding pupil of Cyril Rose. Bonade's sister, Marie, later married Lefebvre. In 1910, Bonade entered the Paris Conservatoire and in 1913 won the prestigious Premier Prix while studying with Proper Mimart.

In 1916, while touring the United States with Diaghileff's Ballets Russes, Bonade played for Leopold Stokowski, who offered him the principal clarinet position of the Philadelphia Orchestra. In 1930, Bonade left the Philadelphia Orchestra and continued his orchestral career with positions in the Cleveland Symphony Orchestra, the Columbia Broadcasting Symphony Orchestra, and the NBC Orchestra.

As a faculty member of the Curtis Institute of Music, the Cleveland Institute of Music, and the Juilliard School of Music he trained many successful clarinetists in the United States from 1920 to 1960. His students became members of top-ranked American orchestras and included Robert McGinnis, Robert Marcellus, Mitchell Lurie, Ignatius Gennusa, Anthony Gigliotti, and Bernard Portnoy.

Through Bonade's affiliation with the G. Leblanc Corporation, a leading-clarinet manufacturer in Paris, France and Kenosha, Wisconsin, he developed and marketed his mouthpiece, ligature, and reeds. He also published several books on clarinet playing and wrote articles for The Leblanc Bandsman and Symphony magazine.