Cheang, Shu Lea, 1954-

Shu Lea Cheang (Chinese: 鄭淑麗; pinyin: Zhèng Shúlì) (born April 13, 1954) is a Taiwanese multimedia artist who works in the fields of net-based installation, social interface and film production. Cheang received a BA in History from the National Taiwan University in 1976 and an MA in Cinema Studies from New York University in 1979.[1]

Over the past decade, she has emerged as a prominent figure in new media art. Cheang is one of the leading multimedia artists dealing with multidisciplinary topics. She is regarded as a pioneering figure in internet-based art, with her multimedia approach at the interface between film, video, internet-based installation, software interaction and durational performance.[2] Her work is often interactive. She is most noted for her individual approach in the realm of art and technology, creatively intermingling social issues with artistic methods.[3]

Cheang's work employs film, video, net-based installation, and interface to explore "...ethnic stereotyping, the nature and excesses of popular media, institutional - and especially governmental - power, race relations, and sexual politics." [4] Cheang has also written and directed feature films I.K.U. and Fluidø.

She has been a member of the Paper Tiger Television collective since 1981. Though originally based in New York, Cheang is currently living and working in Paris, France.[5]

Shu Lea Cheang (Chinese: 鄭淑麗; pinyin: Zhèng Shúlì) (born April 13, 1954) is a Taiwanese multimedia artist who works in the fields of net-based installation, social interface and film production. Cheang received a BA in History from the National Taiwan University in 1976 and an MA in Cinema Studies from New York University in 1979.[1]

Over the past decade, she has emerged as a prominent figure in new media art. Cheang is one of the leading multimedia artists dealing with multidisciplinary topics. She is regarded as a pioneering figure in internet-based art, with her multimedia approach at the interface between film, video, internet-based installation, software interaction and durational performance.[2] Her work is often interactive. She is most noted for her individual approach in the realm of art and technology, creatively intermingling social issues with artistic methods.[3]

Cheang's work employs film, video, net-based installation, and interface to explore "...ethnic stereotyping, the nature and excesses of popular media, institutional - and especially governmental - power, race relations, and sexual politics." [4] Cheang has also written and directed feature films I.K.U. and Fluidø.

She has been a member of the Paper Tiger Television collective since 1981. Though originally based in New York, Cheang is currently living and working in Paris, France.[5]