Armstrong, Louis, 1901-1971
Name Entries
person
Armstrong, Louis, 1901-1971
Name Components
Surname :
Armstrong
Forename :
Louis
Date :
1901-1971
eng
Latn
authorizedForm
rda
ארמסטרונג, לואי, 1901-1971
Name Components
Name :
ארמסטרונג, לואי, 1901-1971
Armstrong, Louis Daniel, 1901-1971
Name Components
Surname :
Armstrong
Forename :
Louis Daniel
Date :
1901-1971
eng
Latn
alternativeForm
rda
Uncle Satchmo, 1901-1971
Name Components
Forename :
Uncle Satchmo
Date :
1901-1971
eng
Latn
alternativeForm
rda
Армстронг, Луи, 1900-1971
Name Components
Surname :
Армстронг
Forename :
Луи
Date :
1900-1971
alternativeForm
rda
Satchelmouth, 1901-1971
Name Components
Forename :
Satchelmouth
Date :
1901-1971
eng
Latn
alternativeForm
rda
Pops, 1901-1971
Name Components
Forename :
Pops
Date :
1901-1971
eng
Latn
alternativeForm
rda
Satchmo, 1901-1971
Name Components
Forename :
Satchmo
Date :
1901-1971
eng
Latn
alternativeForm
rda
Ārmstrongs, Lūiss, 1900-1971
Name Components
Name :
Ārmstrongs, Lūiss, 1900-1971
Satch, 1901-1971
Name Components
Forename :
Satch
Date :
1901-1971
eng
Latn
alternativeForm
rda
Genders
Exist Dates
Biographical History
Louis Armstrong, a jazz musician and entertainer, was born on August 4, 1901 in New Orleans, Louisiana. He claimed to have been born on July 4, 1900, which is the date given on his World War I draft card. However, recent research gives good documentation to the August 4, 1901 date, including his baptismal certificate. Some sources also cite 1898 as his birth date. He died on July 6, 1971.
Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the Creole Jazz Band [fr]. In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin. He earned a reputation at "cutting contests" and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featured and musically influential band soloist and recording artist. Hardin became Armstrong's second wife and they returned to Chicago to play together and then he began to form his own "Hot" jazz bands. After years of touring, he settled in Queens, and by the 1950s, he was a national musical icon, assisted in part, by his appearances on radio and in film and television, in addition to his concerts.
ith his instantly recognizable rich, gravelly voice, Armstrong was also an influential singer and skillful improviser, bending the lyrics and melody of a song. He was also skilled at scat singing. Armstrong is renowned for his charismatic stage presence and voice as well as his trumpet playing. By the end of Armstrong's life, his influence had spread to popular music in general. Armstrong was one of the first popular African-American entertainers to "cross over" to wide popularity with white (and international) audiences. He rarely publicly politicized his race, to the dismay of fellow African Americans, but took a well-publicized stand for desegregation in the Little Rock crisis. He was able to access the upper echelons of American society at a time when this was difficult for black men.
Armstrong appeared in films such as High Society (1956) alongside Bing Crosby, Grace Kelly, and Frank Sinatra, and Hello, Dolly! (1969) starring Barbra Streisand. He received many accolades including three Grammy Award nominations and a win for his vocal performance of Hello, Dolly! in 1964. In 2017, he was posthumously inducted into the Rhythm & Blues Hall of Fame.
eng
Latn
External Related CPF
https://id.loc.gov/authorities/n50001506
https://catalog.archives.gov/id/10581246
https://viaf.org/viaf/195226
https://www.wikidata.org/entity/Q1779
https://www.worldcat.org/identities/lccn-n50001506
https://id.loc.gov/authorities/n50001506
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Languages Used
eng
Zyyy
Subjects
Musicians
Blues (Music)
Fox-trots
Jazz
Jazz
Jazz musicians
Jazz musicians
Popular music
Popular music
Popular music
Popular music
Popular music
Nationalities
Americans
Activities
Occupations
Singers
Arrangers
Performer
Legal Statuses
Places
United States
AssociatedPlace
Convention Declarations
<conventionDeclaration><citation>VIAF</citation></conventionDeclaration>