Raphaël, 1483-1520
Name Entries
person
Raphaël, 1483-1520
Name Components
Forename :
Raphaël
Date :
1483-1520
eng
Latn
authorizedForm
rda
Santi, Raffaello, 1483-1520
Name Components
Surname :
Santi
Forename :
Raffaello
Date :
1483-1520
ita
Latn
alternativeForm
rda
Sanzio, Raffaele, 1483-1520
Name Components
Surname :
Sanzio
Forename :
Raffaele
Date :
1483-1520
ita
Latn
alternativeForm
rda
Rafael, 1483-1520
Name Components
Forename :
Rafael
Date :
1483-1520
spa
Latn
alternativeForm
rda
Sanzio, Raffaello, di Urbino, 1420-1520
Name Components
Surname :
Sanzio
Forename :
Raffaello
NameAddition :
di Urbino
Date :
1420-1520
ita
Latn
alternativeForm
rda
1483-1520, רפאל
Name Components
Date :
1483-1520
Forename :
רפאל
heb
Hebr
alternativeForm
rda
Рафаэль, 1483-1520
Name Components
Forename :
Рафаэль
Date :
1483-1520
rus
Cyrl
alternativeForm
rda
Genders
Male
Exist Dates
1483
1483
Birth
1520-04-06
1520-04-06
Death
Born on either March 28, 1483 or April 6, 1520
Biographical History
Raffaello Sanzio da Urbino (March 28 or April 6, 1483 – April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop and, despite his early death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome, much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking.
After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
eng
Latn
External Related CPF
https://www.worldcat.org/identities/lccn-n79041756/
https://www.wikidata.org/entity/Q5597
https://viaf.org/viaf/64055977
https://id.loc.gov/authorities/names/n79041756.html
Other Entity IDs (Same As)
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Languages Used
ita
Latn
Subjects
Nationalities
Italians
Activities
Occupations
Architect
Painters (artists)
Legal Statuses
Places
Rome
AssociatedPlace
Death
Firenze
AssociatedPlace
Residence
Perugia
AssociatedPlace
Residence
Urbino
AssociatedPlace
Birth