Cortez, Carlos, 1923-2005

Name Entries

Information

person

Name Entries *

Cortez, Carlos, 1923-2005

Computed Name Heading

Name Components

Name :

Cortez, Carlos, 1923-2005

Cortez, Carlos, 1923-...

Computed Name Heading

Name Components

Name :

Cortez, Carlos, 1923-...

Cortez, Carlos

Computed Name Heading

Name Components

Name :

Cortez, Carlos

Koyokuikatl 1923-2005

Computed Name Heading

Name Components

Name :

Koyokuikatl 1923-2005

Genders

Exist Dates

Exist Dates - Date Range

1923-08-13

1923-08-13

Birth

2005-01-19

2005-01-19

Death

Show Fuzzy Range Fields

Biographical History

Carlos Cortez (1923-2005) was an artist, poet, printmaker, photographer, songwriter and lifelong political activist. His support for the working man was likely encouraged by his parents: his German mother was a socialist pacifist and his father was a Mexican Indian organizer for the Industrial Workers of the World (IWW), also known as the Wobblies. Cortez himself was a member of the IWW for nearly sixty years.

Cortez began his art career drawing cartoons in 1948 for Industrial Worker, the IWW's newspaper, but soon became interested in printmaking. He later became an accomplished oil and acrylic painter, though it never replaced linoleum and woodblock as his preferred medium. Recurrent themes of his art include Chicano issues, Latino identity, and worker's rights; he is also known for his large linocut poster/portraits of well-known activists and labor organizers.

Cortez wrote several collections of poetry, including Where Are the Voices? & Other Wobbly Poems (1997), and was the editor of Viva Posada: A Salute to the Great Printmaker of the Mexican Revolution (2002).

Cortez served as editor of Industrial Worker and on IWW's General Executive Board, and was a popular public speaker. In 1985, to commemorate the union's 80th anniversary, he organized an exhibit entitled "Wobbly: 80 Years of Rebel Art," which featured original works by many of his fellow IWW cartoonists. Cortez's work has been exhibited at the Museum of Modern Art in New York, the Smithsonian Institution, and other venues throughout the United States, Europe and Mexico. In 1998 the Center for the Study of Political Graphics awarded Carlos Cortez their "Art as a Hammer" Award for "his inspired and inspiring use of art to create a more just world."

"When you do a painting that's it, it's one of a kind. But when you do a graphic the amount of prints you can make from it is infinite. I made a provision in my estate, for whoever will take care of my blocks, that if any of my graphic works are selling for high prices immediate copies should be made to keep the price down." (Carlos Cortez, quoted on politicalgraphics.org)

From the guide to the Carlos Cortez Prints, Undated, (Special Collections Research Center, Syracuse University Libraries)

eng

Latn

External Related CPF

https://viaf.org/viaf/187599060

https://www.wikidata.org/entity/Q5041954

https://www.worldcat.org/identities/lccn-n2002011262

https://id.loc.gov/authorities/n2002011262

Other Entity IDs (Same As)

Sources

Loading ...

Resource Relations

Loading ...

Internal CPF Relations

Loading ...

Languages Used

Subjects

Art

Mexican American artists

Mexican American poets

Printmakers

Wood-engravers

Nationalities

Activities

Occupations

Printmaker

Legal Statuses

Places

Convention Declarations

<conventionDeclaration><citation>VIAF</citation></conventionDeclaration>

General Contexts

Structure or Genealogies

Mandates

Identity Constellation Identifier(s)

w64t89v9

76050496