Exeter University Library

Name Entries

Information

corporateBody

Name Entries *

Exeter University Library

Computed Name Heading

Name Components

Name :

Exeter University Library

University of Exeter. Library

Computed Name Heading

Name Components

Name :

University of Exeter. Library

Universitätsbibliothek Exeter Ehemalige Vorzugsbenennung SWD

Computed Name Heading

Name Components

Name :

Universitätsbibliothek Exeter Ehemalige Vorzugsbenennung SWD

Exeter, Eng Library

Computed Name Heading

Name Components

Name :

Exeter, Eng Library

Genders

Exist Dates

Biographical History

University of Exeter Library has been collecting in this area since c.2000.

From the guide to the Middle East and Islamic Women, 1929-present, (Exeter University)

Neil Ripley Ker (1908-1982), palaeographer, was born in Brompton, London, son of Robert Macneil Ker and his wife Lucy. He was educated at Eton and Magdalen College, Oxford, where he switched from philosophy, politics and economics to English language and literature on the advice of C.S. Lewis. He was appointed lecturer of palaeography in 1941, was elected as a Fellow at Magdalen in 1945, and subsequently to Reader in Palaeography in 1946. He was also librarian for Magdalen between 1955-1968. He is probably best known for his work on Anglo-Saxon manuscripts and his compilation of manuscript catalogues and handlists, including Medieval Libraries of Great Britain (1941), Catalogue of Manuscripts containing Anglo-Saxon (1957, amended reprint 1990), Medieval Manuscripts of Great Britain (1969 onwards), and English Manuscripts in the Century after the Norman Conquest (1960). He died in Foss near Pitlochry, Scotland, in 1982.

From the guide to the Anglo-Saxon manuscript microfilm collection, 1970s-1980s, (University of Exeter)

Sergei Mikhaylovich Eisenstein (1898-1948), Soviet film director and theorist, was born in Latvia and studied engineering and architecture at the Petrograd Institute He served with the Red Army during the civil war, and then became scene designer at the Proletkult Theatre. Although he only completed six films, he became most famous for The Battleship Potemkin (1926) and October; or ten days that shook the world (1928), which pioneered the use of montage. He developed a strong political and aesthetic style, which did not fit well into the new aesthetic of socialist realism when he returned to the USSR from a period in France in 1932. He was commissioned to make a three-part epic Ivan the Terrible, for which he received the Stalin Prize (first class) for Part I. Part II was not released until after the death of both Stalin and Eisenstein, and part III was never completed. He is the author of The Film Sense (1942), Film Form (1949), Notes of a Film Director (1959) and Film Essays (1968).

From the guide to the Exhibition materials relating to Sergei Eistenstein, ? 1980s, (University of Exeter)

eng

Latn

External Related CPF

https://viaf.org/viaf/244932836

https://www.worldcat.org/identities/lccn-n84-168357

https://id.loc.gov/authorities/n84168357

Other Entity IDs (Same As)

Sources

Loading ...

Resource Relations

Loading ...

Internal CPF Relations

Loading ...

Languages Used

Subjects

Islam

Manuscripts, English (Old) Facsimiles

Motion pictures Production and direction

Nationalities

Activities

Occupations

Legal Statuses

Places

Middle East

as recorded (not vetted)

AssociatedPlace

Asia

as recorded (not vetted)

AssociatedPlace

Convention Declarations

<conventionDeclaration><citation>VIAF</citation></conventionDeclaration>

General Contexts

Structure or Genealogies

Mandates

Identity Constellation Identifier(s)

w6rh0t50

71383596