Marinetti Cappa, Benedetta, 1897-1977-
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Marinetti Cappa, Benedetta, 1897-1977-
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Marinetti Cappa, Benedetta, 1897-1977-
Benedetta
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Benedetta
Benedetta, 1897-1977
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Benedetta, 1897-1977
Cappa Marinetti, Benedetta, 1897-1977
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Cappa Marinetti, Benedetta, 1897-1977
Cappa , Benedetta
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Cappa , Benedetta
Cappa Marinetti, Benedetta, 1899-
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Cappa Marinetti, Benedetta, 1899-
Marinetti, Benedetta Cappa, 1897-1977
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Marinetti, Benedetta Cappa, 1897-1977
Benedetta, Cappa Marinetti
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Benedetta, Cappa Marinetti
Benedetta Schriftstellerin 1897-1977
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Benedetta Schriftstellerin 1897-1977
Cappa, Benedetta Marinetti, 1899-
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Cappa, Benedetta Marinetti, 1899-
Benedetta, 1899-
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Benedetta, 1899-
Benedetta Cappa Marinetti 1897-1977
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Benedetta Cappa Marinetti 1897-1977
Cappa, Benedetta Marinetti, 1897-1977
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Cappa, Benedetta Marinetti, 1897-1977
Marinetti Cappa, Benedetta
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Marinetti Cappa, Benedetta
Cappa Marinetti , Benedetta
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Cappa Marinetti , Benedetta
Marinetti , Benedetta
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Marinetti , Benedetta
Marinetti, Benedetta Cappa, 1899-
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Marinetti, Benedetta Cappa, 1899-
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Biographical History
Biographical/Historical Note
Filippo Tommaso Marinetti, born in Alexandria in 1876, attended secondary school and university in France, where he began his literary career. After gaining some success as a poet, he founded and edited the journal Poesia (1905), a forum in which the theories of Futurism rather quickly evolved. With "Fondazione e Manifesto del Futurismo," published in Le Figaro (1909), Marinetti launched what was arguably the first 20th c. avant-garde movement, anticipating many of the issues of Dada and Surrealism. Like other avant-garde movements, Futurism took the momentous developments in science and industry as signaling a new historical era, demanding correspondingly innovative art forms and language. Like other avant-garde movements, Futurism found a solution in collage, which Marinetti called "parole in libertà " when applied to literary forms. Between 1909 and 1920, the period known as Futurism's heroic phase, Marinetti energetically promoted his own work, and that of fellow Futurists, through numerous manifestos, speeches, essays, meetings, performances and publications. Following WWI, in which he served, Marinetti became an active member of the Fascist party; on April 15, 1919, he and Ferruccio Vecchi led the "battle" of piazza Mercanti against socialists, communists, and anarchists, which was Italian Fascism's first decisive victory. In 1929 he was elected to the Academy of Italy. Throughout the 1920s and 30s and until his death in 1944, Marinetti sought to reconcile the theories of Futurism with the ideology of state Fascism and to serve as impresario for both.
In 1923, Marinetti married Benedetta Cappa. The author of three critically acclaimed Futurist novels, a sizable body of art work, and the mother (with Marinetti) of three girls, Benedetta wrote essays and gave speeches on women and art and women and Fascism, and was presented in the press during the 1930s as a role model for Italian women. After her husband's death, Benedetta continued to correspond with fellow Futurists and to promote Futurism by organizing exhibitions, selling the Marinetti art collection to prominent American collectors and museums, and writing catalog essays.
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External Related CPF
https://viaf.org/viaf/232907944
https://www.worldcat.org/identities/lccn-n89601988
https://id.loc.gov/authorities/n89601988
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ita
Zyyy
Subjects
Art, Italian
Fascism and art
Fascism and literature
Fascism and women
Fascism in art
Futurism (Art)
Futurism (Art)
Futurism (Art)
Futurism (Literary movement)
Futurism (Music)
Italian literature
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Italians
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<conventionDeclaration><citation>VIAF</citation></conventionDeclaration>