Dwiggins, W.A. (William Addison), 1880-1956

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Dwiggins, W.A. (William Addison), 1880-1956

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Dwiggins, W.A. (William Addison), 1880-1956

Dwiggins, William Addison, 1880-1956

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Dwiggins, William Addison, 1880-1956

Dwiggins, W. A. 1880-1956

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Dwiggins, W. A. 1880-1956

Dwiggins, William Addison

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Dwiggins, William Addison

Dwiggins, William Addison (American graphic designer, 1880-1956)

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Dwiggins, William Addison (American graphic designer, 1880-1956)

Dwiggins, William A. 1880-1956

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Dwiggins, William A. 1880-1956

Dwiggins, Bill, 1880-1956

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Dwiggins, Bill, 1880-1956

D., W. A. 1880-1956

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D., W. A. 1880-1956

Püterschein, Hermann 1880-1956

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Püterschein, Hermann 1880-1956

W. A. D. 1880-1956 (William Addison Dwiggins),

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W. A. D. 1880-1956 (William Addison Dwiggins),

W. A. D 1880-1956

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W. A. D 1880-1956

Püterschein, Hermann 1880-1956

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Püterschein, Hermann 1880-1956

WAD 1880-1956 (William Addison Dwiggins),

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WAD 1880-1956 (William Addison Dwiggins),

WAD, 1880-1956

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WAD, 1880-1956

Dwiggins, W. A. 1880-1956 (William Addison),

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Dwiggins, W. A. 1880-1956 (William Addison),

D., W. A. 1880-1956 (William Addison Dwiggins),

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D., W. A. 1880-1956 (William Addison Dwiggins),

William Addison Dwiggins

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William Addison Dwiggins

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Exist Dates

Exist Dates - Date Range

1880-06-19

1880-06-19

Birth

1956-12-25

1956-12-25

Death

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Biographical History

W. A. Dwiggins was a calligrapher, type designer and illustrator. Forthe first two decades of the twentieth century he supplied art work to Boston advertisers. Henry Watson Kent was the first librarian of the Grolier Club (a New York City bibliophile society). For many years Kent served as secretary to the Metropolitan Museum of Art, where he set the standard for fine institutional printing. He was also an authority on prints.

From the description of ALS: Boston, to Henry Watson Kent, New York, 1910 Oct. 27. (Unknown). WorldCat record id: 122516176

William Addison Dwiggins (1880-1956) was an American book designer, type designer, and graphic artist. He was a leading book designer in the 1920s and 1930s.

From the guide to the William Addison Dwiggins Collection, 1927-1927, (Special Collections Research Center, Syracuse University Libraries)

Dwiggins was an American type designer, calligrapher, and book designer. Philip Hofer was Curator of the Department of Printing and Graphic Arts of the Harvard College Library.

From the description of W. A. Dwiggins papers concerning Cedar Hill, 1934-1979. (Harvard University). WorldCat record id: 612769803 From the guide to the W. A. Dwiggins papers concerning, Cedar Hill, 1934-1979., (Houghton Library, Harvard College Library, Harvard University)

William Addison Dwiggins (1880-1956) is best remembered by his many friends and associates as a gentle, modest, and sensitive person, with numerous whimsical talents that gave his professional work a liveliness and richness in expression, even for the most serious of subjects. He was a type designer, book designer, calligrapher, illustrator, and writer. He also carved and wrote plays for his marionettes, and had occasional excursions into architecture, furniture design, mural painting, kite flying, weathervane-making, and making his own tools.

After studying illustration in Chicago under Frederic Goudy he moved to Hingham, Massachusetts in the first years of the century to work with Goudy and his Village Press, where he lived the rest of his life. Most of his work in the first two decades was in the advertising field which made use of his skills as a calligrapher and graphic artist. It was not until the mid-twenties that Dwiggins emerged as a book designer, following the publication of his 1919 essay "Extracts from an Investigation into the Physical Properties of Books as They Are At Present Published", written with his cousin Laurance B. Siegfried who later became editor of The American Printer . Published by The Society of Calligraphers, a fictitious group, with the "help" of Hermann Pterschein, Dwiggins' alter-ego, the essay did shake up a few men in the publishing industry by criticizing the lack of attention to careful design and typography and helped to establish Dwiggins as a designer opposed to shoddy workmanship.

Dwiggins' career as a designer of trade books began in 1926 when he designed and illustrated both the limited and trade editions of Willa Cather's My Mortal Enemy for the publisher Alfred A. Knopf. He went on to have a long and fruitful career designing many more trade and limited editions for Knopf, as well as limited editions for other organizations, including George Macy's Limited Editions Club. Dwiggins felt that book design ought not be a slave of the past. If a book was to be read in the present its design and illustrations should reflect contemporary tastes. As noted by Dorothy Abbe, an associate of Dwiggins, two keys styles of Dwiggins can readily be noted when viewing the collection: ornamentation done with stencils and hand lettering on the spines of his books.

From the guide to the William Addison Dwiggins collection, 1902-1990, 1920-1960, (Literature and Rare Books)

William Addison Dwiggins was born in Martinsville, OH, in 1880. He studied in Chicago at the Frank Holme School of Illustration, where he was influenced, among others, by typographer Frederic W. Goudy. Dwiggins ran his own printing firm in Ohio for a short time, but in 1904 he moved to Hingham, MA – a community near Boston which had embraced William Morris’s Arts and Crafts movement. Goudy himself was a resident at the time, and Dwiggins remained in Hingham until his death in 1956.

Dwiggins worked as a book designer, typographer, illustrator, and writer. He illustrated books for Alfred A. Knopf, Random House, and the Limited Editions Club. He also designed a number of typefaces for the Mergenthaler Linotype Company, including Electra in 1935 and Caledonia in 1939.

(Source: Roy R. Behrens, “Dwiggins, William Addison,” in Grove Art Online. Oxford Art Online. Accessed 23 Nov. 2010, <http://www.oxfordartonline.com/subscriber/article/grove/art/T098010>.)

From the guide to the W. A. Dwiggins Collection, 1919-1950, (Robert B. Haas Family Arts Library Special Collections)

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External Related CPF

https://viaf.org/viaf/33165024

https://www.wikidata.org/entity/Q8004169

https://www.worldcat.org/identities/lccn-n79115507

https://id.loc.gov/authorities/n79115507

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Languages Used

eng

Zyyy

Subjects

American literature

Printing

Printing

Book design

Book design

Book designers

Calligraphy

Drama

Graphic arts

Graphic arts

Illustration of books

Literature

Literature publishing

Publishing, printing and book arts

Type and type-founding

Type designers

Typewriters

Nationalities

Americans

Activities

Occupations

Artists

Artists

Authors

Book designers

Designer

Illustrator

Type designers

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Places

Massachusetts--Boston

as recorded (not vetted)

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United States

as recorded (not vetted)

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Massachusetts

as recorded (not vetted)

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<conventionDeclaration><citation>VIAF</citation></conventionDeclaration>

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w6xg9w97

54287008