Dwiggins, W.A. (William Addison), 1880-1956
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Dwiggins, W.A. (William Addison), 1880-1956
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Dwiggins, W.A. (William Addison), 1880-1956
Dwiggins, William Addison, 1880-1956
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Name :
Dwiggins, William Addison, 1880-1956
Dwiggins, W. A. 1880-1956
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Name :
Dwiggins, W. A. 1880-1956
Dwiggins, William Addison
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Dwiggins, William Addison
Dwiggins, William Addison (American graphic designer, 1880-1956)
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Dwiggins, William Addison (American graphic designer, 1880-1956)
Dwiggins, William A. 1880-1956
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Dwiggins, William A. 1880-1956
Dwiggins, Bill, 1880-1956
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Dwiggins, Bill, 1880-1956
D., W. A. 1880-1956
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D., W. A. 1880-1956
Püterschein, Hermann 1880-1956
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Püterschein, Hermann 1880-1956
W. A. D. 1880-1956 (William Addison Dwiggins),
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W. A. D. 1880-1956 (William Addison Dwiggins),
W. A. D 1880-1956
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W. A. D 1880-1956
Püterschein, Hermann 1880-1956
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Püterschein, Hermann 1880-1956
WAD 1880-1956 (William Addison Dwiggins),
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WAD 1880-1956 (William Addison Dwiggins),
WAD, 1880-1956
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WAD, 1880-1956
Dwiggins, W. A. 1880-1956 (William Addison),
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Dwiggins, W. A. 1880-1956 (William Addison),
D., W. A. 1880-1956 (William Addison Dwiggins),
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D., W. A. 1880-1956 (William Addison Dwiggins),
William Addison Dwiggins
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William Addison Dwiggins
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Biographical History
W. A. Dwiggins was a calligrapher, type designer and illustrator. Forthe first two decades of the twentieth century he supplied art work to Boston advertisers. Henry Watson Kent was the first librarian of the Grolier Club (a New York City bibliophile society). For many years Kent served as secretary to the Metropolitan Museum of Art, where he set the standard for fine institutional printing. He was also an authority on prints.
William Addison Dwiggins (1880-1956) was an American book designer, type designer, and graphic artist. He was a leading book designer in the 1920s and 1930s.
Dwiggins was an American type designer, calligrapher, and book designer. Philip Hofer was Curator of the Department of Printing and Graphic Arts of the Harvard College Library.
William Addison Dwiggins (1880-1956) is best remembered by his many friends and associates as a gentle, modest, and sensitive person, with numerous whimsical talents that gave his professional work a liveliness and richness in expression, even for the most serious of subjects. He was a type designer, book designer, calligrapher, illustrator, and writer. He also carved and wrote plays for his marionettes, and had occasional excursions into architecture, furniture design, mural painting, kite flying, weathervane-making, and making his own tools.
After studying illustration in Chicago under Frederic Goudy he moved to Hingham, Massachusetts in the first years of the century to work with Goudy and his Village Press, where he lived the rest of his life. Most of his work in the first two decades was in the advertising field which made use of his skills as a calligrapher and graphic artist. It was not until the mid-twenties that Dwiggins emerged as a book designer, following the publication of his 1919 essay "Extracts from an Investigation into the Physical Properties of Books as They Are At Present Published", written with his cousin Laurance B. Siegfried who later became editor of The American Printer . Published by The Society of Calligraphers, a fictitious group, with the "help" of Hermann Pterschein, Dwiggins' alter-ego, the essay did shake up a few men in the publishing industry by criticizing the lack of attention to careful design and typography and helped to establish Dwiggins as a designer opposed to shoddy workmanship.
Dwiggins' career as a designer of trade books began in 1926 when he designed and illustrated both the limited and trade editions of Willa Cather's My Mortal Enemy for the publisher Alfred A. Knopf. He went on to have a long and fruitful career designing many more trade and limited editions for Knopf, as well as limited editions for other organizations, including George Macy's Limited Editions Club. Dwiggins felt that book design ought not be a slave of the past. If a book was to be read in the present its design and illustrations should reflect contemporary tastes. As noted by Dorothy Abbe, an associate of Dwiggins, two keys styles of Dwiggins can readily be noted when viewing the collection: ornamentation done with stencils and hand lettering on the spines of his books.
William Addison Dwiggins was born in Martinsville, OH, in 1880. He studied in Chicago at the Frank Holme School of Illustration, where he was influenced, among others, by typographer Frederic W. Goudy. Dwiggins ran his own printing firm in Ohio for a short time, but in 1904 he moved to Hingham, MA – a community near Boston which had embraced William Morris’s Arts and Crafts movement. Goudy himself was a resident at the time, and Dwiggins remained in Hingham until his death in 1956.
Dwiggins worked as a book designer, typographer, illustrator, and writer. He illustrated books for Alfred A. Knopf, Random House, and the Limited Editions Club. He also designed a number of typefaces for the Mergenthaler Linotype Company, including Electra in 1935 and Caledonia in 1939.
(Source: Roy R. Behrens, “Dwiggins, William Addison,” in Grove Art Online. Oxford Art Online. Accessed 23 Nov. 2010, <http://www.oxfordartonline.com/subscriber/article/grove/art/T098010>.)
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External Related CPF
https://viaf.org/viaf/33165024
https://www.wikidata.org/entity/Q8004169
https://www.worldcat.org/identities/lccn-n79115507
https://id.loc.gov/authorities/n79115507
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Languages Used
eng
Zyyy
Subjects
American literature
Printing
Printing
Book design
Book design
Book designers
Calligraphy
Drama
Graphic arts
Graphic arts
Illustration of books
Literature
Literature publishing
Publishing, printing and book arts
Type and type-founding
Type designers
Typewriters
Nationalities
Americans
Activities
Occupations
Artists
Artists
Authors
Book designers
Designer
Illustrator
Type designers
Legal Statuses
Places
Massachusetts--Boston
AssociatedPlace
United States
AssociatedPlace
Massachusetts
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