Smit, Leo, 1921-1999
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Smit, Leo, 1921-1999
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Smit, Leo, 1921-1999
Smit, Leo, 1921-
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Smit, Leo, 1921-
Smit, Leo (American composer)
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Smit, Leo (American composer)
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Biographical History
American pianist and composer.
Composer, pianist, and educator, Leo Smit was born in Philadelphia, Pa. in 1921. After studies at Curtis Institute of Music, he worked as a rehearsal pianist with George Balanchine's American Ballet in 1930-32. He made his solo debut at Carnegie Hall in 1939. Smit taught at Sarah Lawrence College (1947-49), UCLA (1957-63), and at the State University of New York at Buffalo (1963-1984). Smit died Dec. 12, 1999 in Encinitas, Calif.
Composer, pianist, and educator, Leo Smit was born in Philadelphia, Pa. in 1921. After studies at Curtis Institute of Music, he worked as a rehearsal pianist with George Balanchine's American Ballet in 1936-37. He made his solo debut at Carnegie Hall in 1939. Smit taught at Sarah Lawrence College (1947-49), UCLA (1957-63), and at the State University of New York at Buffalo (1963-1984). Leo Smit died Dec. 12, 1999 in Encinitas, Calif.
Leo Smit was born to Russian immigrants on January 12, 1921, in Philadelphia. He received his earliest musical training from his father, Kolman Smit, beginning at age five. Kolman Smit was a professional violinist who performed in the Philadelphia Orchestra (1926-1931) under Leopold Stokowski, the Cincinnati Symphony under Fritz Reiner, and the NBC Symphony under Arturo Toscanini. After private piano studies with Martha Lantner, Joseph Wissof, and Bert Shefter, Smit traveled to Moscow with his mother in 1929 to study piano for three months with Dmitri Kabalevsky on scholarship at the Moscow Conservatory. Upon his return to Philadelphia, Smit received a scholarship in 1930 to study piano at Curtis Institute of Music with noted piano pedagogue Isabelle Vengerova. He continued his studies on scholarship in New York, studying piano with José́ Iturbi (1933-35) and composition with Nicolas Nabokov (1935). It was under Nabokov's tutelage that Smit produced his first original composition in 1935, Zvay, a song setting of a Yiddish poem by Mani Loeb for soprano and piano. Smit began his professional career as a pianist while still in his teens. His first professional engagement was as rehearsal pianist for George Balanchine's American Ballet Company in 1936-37. A year after beginning in this position, Smit met Igor Stravinsky during rehearsals of the composer's ballet, Jeu de Cartes. Smit gave his debut recital as a solo pianist at Carnegie Hall in February 1939. His successful debut was followed by a concert tour of the United States in 1940. Leo Smit's career as composer, pianist, conductor, and educator spanned seven decades of musical life in the United States. He established close working relationships, and/or friendships, with many of the most prominent musicians of the 20th century, incl uding Igor Stravinsky, Béla Bartók, Aaron Copland, Leonard Bernstein, Harold Shapero, William Schuman, Alex Haieff, Leopold Stokowski, and Lukas Foss. As a performer, Smit was an enthusiastic and persuasive advocate and interpreter of the music of his time, especially the solo piano music of Aaron Copland. His compositional output totals more than one hundred works, including two operas, three symphonies, more than ninety songs, two ballets, and numerous chamber and piano works. Smit was also a talented photographer. In addition to the many photographs he took of noted musicians, Smit also used his skill as a photographer to capture images from his travels. Many of his travel pictures reflect his reverence for nature. As part of his innovative approach to programming, Smit would often include displays of his photography in his theme-based concerts. During his career Leo Smit earned several awards and honors, including Fulbright (piano) and Guggenheim (composition) Fellowships in 1950, a fellowship at the American Academy in Rome for 1950-51, the Boston Symphony Merit Award in 1953 for his Symphony No. 1 (premiered October 16, 1953 by the Boston Symphony Orchestra, conducted by Charles Munch), the New York Critics Circle Award in 1957 (also for his Symphony No. 1), his selection as an artist for a State Department concert tour of Latin America in 1967-68, and the Buffalo Evening News Man of the Year award in 1969. As an educator, Smit held positions at Sarah Lawrence College (1947-49), UCLA (1957-63), and the State University of New York at Buffalo (1962-84). Leo Smit died December 12, 1999 in Scripps Hospital, Encinitas, Cailfornia.
American composer, pianist, conductor, and teacher, Leo Smit (1921-1999) enjoyed a career that spanned nearly seventy years.
He established close working relationships and friendships with many of the most prominent musicians of the twentieth century, including Igor Stravinsky, Béla Bartók, Aaron Copland, Leonard Bernstein, Harold Shapero, William Schuman, and Lukas Foss. As a performer, Smit was an advocate and interpreter of the music of his time, especially the solo piano music of Aaron Copland, with whom he enjoyed an especially close relationship. Born in in Philadelphia, Smit received his earliest musical training from his parents and studied piano at the Curtis Institute of Music. He began his professional career as a pianist while still in his teens, his first job being rehearsal pianist for George Balanchine's American Ballet Company in 1936-1937. Smit gave his first recital as a solo pianist at Carnegie Hall in February 1939. Among his numerous teaching positions were Sarah Lawrence College (1947-1949), University of California, Los Angeles (1957-1963), and the State University of New York at Buffalo (1962-1984).
Leo Smit was born on January 12, 1921, in Philadelphia. He received his earliest musical training from his parents. His father, Kolman Smit was a violinist who performed in the Philadelphia Orchestra, the Cincinnati Symphony, and the NBC Symphony.
Smit’s early piano teachers included Martha Lantner and Bert Shefter. When he was eight years old, Leo traveled to Moscow with his mother to study piano with Dmitri Kabalevsky at the Moscow Conservatory. Upon his return to Philadelphia in 1930, Smit received a scholarship to study piano at Curtis Institute of Music with Isabelle Vengerova.
Smit began his professional career as a pianist while still in his teens. His first job was as rehearsal pianist for George Balanchine's American Ballet Company in 1936-37. Smit gave his first recital as a solo pianist at Carnegie Hall in February 1939. This was followed by a concert tour of the United States in 1940.
Leo Smit's career as composer, pianist, conductor, and teacher spanned nearly seventy years. He established close working relationships and friendships with many of the most prominent musicians of the 20th century. This included Igor Stravinsky, Béla Bartók, Aaron Copland, Leonard Bernstein, Harold Shapero, William Schuman, and Lukas Foss. As a performer, Smit was an advocate and interpreter of the music of his time, especially the solo piano music of Aaron Copland, with whom he enjoyed an especially close relationship.
Smit was also a talented photographer. In addition to the many photographs he took of musicians, performers, and friends, Smit also used his skill as a photographer to capture images from his travels.
During his career Leo Smit earned several awards and honors, including Fulbright and Guggenheim Fellowships in 1950, a fellowship at the American Academy in Rome for 1950-51, the Boston Symphony Merit Award in 1953 for his Symphony No. 1, and the New York Critics Circle Award in 1957. Smit was also selected to give a State Department concert tour of Latin America in 1967-68. He also had an educational career, holding positions at Sarah Lawrence College (1947-49), UCLA (1957-63), and the State University of New York at Buffalo (1962-84).
Leo Smit died December 12, 1999 in California.
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External Related CPF
https://viaf.org/viaf/114852769
https://www.wikidata.org/entity/Q2341356
https://www.worldcat.org/identities/lccn-n81132032
https://id.loc.gov/authorities/n81132032
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Languages Used
yid
Zyyy
eng
Zyyy
ger
Zyyy
lat
Zyyy
Subjects
Musicians
Musicians
Ballets
Ballets
Ballets
Ballets
Canons, fugues, etc.
Canons, fugues, etc. (String quartet)
Cantatas, Sacred
Cantatas, Secular
Carols
Choruses, Sacred (Mixed voices) with instrumental ensemble
Choruses, Secular (Equal voices), Unaccompanied
Choruses, Secular (Mixed voices), Unaccompanied
Choruses, Secular (Mixed voices) with instrumental ensemble
Choruses, Secular (Unison) with instrumental ensemble
Christmas music
Clarinet and piano music
Composers
Composers
Composers
Concertos (Piano)
Concertos (Piano)
Concertos (Piano)
Concert tours
Dickinson, Emily
Duets (Vibraphone, double bass)
Flute music with piano, Arranged
Flute music with piano, Arranged
Harp music
Instrumental ensembles
Latin poetry
Marches (Orchestra)
Monologues with music (Chamber orchestra)
Monologues with music (Chorus with instrumental ensemble)
Monologues with music (piano)
Music
Music
Musical sketches
Operas
Operas
Operas
Operas
Opera
Opera
Orchestral music
Orchestral music, Arranged
Organ music
Pianists
Piano music
Slides (Photography)
Sonatas (Piano)
Sonatas (Piano, 4 hands)
Sonatas (Violoncello)
Song cycles
Songs (High voice) and piano
Songs (High voice) with instrumental ensemble
Songs (High voice) with piano
Songs (High voice) with piano
Songs (Low voice) with piano
Songs (Medium voice) with guitar
Songs (Medium voice) with instrumental ensemble
Songs (Medium voice) with orchestra
Songs (Medium voice) with piano
Songs with instrumental ensemble
String orchestra music
String quartets
String quartets
String trios
String trios
Symphonies
Toccata
Trios (Oboe, harp, percussion)
Trios (Trombone, viola, violoncello)
Variations (Piano with orchestra)
Viola and piano music
Violin and piano music
Violin and violoncello music
Violin music
Violoncello and piano music
Vocal quartets with instrumental ensemble
Vocal quartets with instrumental ensemble
Woodwind quartets (Saxophones (4))
Woodwind quartets (Saxophones (4)), Arranged
Nationalities
Americans
Activities
Occupations
Arrangers
Composers
Pianists
Legal Statuses
Places
New York (State)--Buffalo
as recorded (not vetted)
AssociatedPlace
New York (State)--Buffalo
as recorded (not vetted)
AssociatedPlace
United States
as recorded (not vetted)
AssociatedPlace
New York (State)--Buffalo
as recorded (not vetted)
AssociatedPlace
Latin America
as recorded (not vetted)
AssociatedPlace
Convention Declarations
<conventionDeclaration><citation>VIAF</citation></conventionDeclaration>