Wolfgang Iser is a literary theorist and scholar who has been internationally recognized for his work on reception theory and reader-response criticism.
He was born in Marienberg, Germany on July 22, 1926. Following his high school education, he was drafted into the German army in 1944 and released from a prisoner of war camp in 1945. Iser studied at the University of Leipzig and received his Ph.D. in English philology and literature from the University of Heidelberg in 1950. After teaching at universities in Glasgow, Heidelberg, Würzburg, and Köln, he accepted a position at the newly founded University of Konstanz in 1967, which he maintained until his retirement as professor emeritus in 1991. Iser's writings on reception aesthetics and literary anthropology in the 1970s and 1980s gained him an international reputation in literary theory. He has taught at several institutions in the United States and Canada, accepting a professorship in 1978 at the University of California, Irvine, which he continues to hold as of 2002.
From the description of Wolfgang Iser papers, 1952-2000. (University of California, Irvine). WorldCat record id: 44390837
Biography
Wolfgang Iser was born on July 22, 1926, in Marienberg (Saxony), Germany, the son of Paul and Else (Steinbach) Iser. From 1933 to 1944 he attended elementary and high school. He was drafted into the German army in 1944, and released from a prisoner of war camp in 1945. At the age of 19, he enrolled as a student of English, Philosophy, and German at the University of Leipzig, after the "Vorsemester" required for enrollment of students who graduated from high school in the later war years. At the end of his first year he transferred to the University of Tübingen and later to the University of Heidelberg, where he earned his Ph.D. in Anglistik (English philology and literature) in 1950 and joined the first generation of West German postwar graduates. From that point onward Iser's academic career took a straight and very successful course, which in many ways was typical for a young scholar of his generation. After his graduation and a short teaching appointment in Heidelberg, he became an assistant lecturer in 1952 in Glasgow, Scotland, teaching German for the next three years. Just before his departure he married Lore Reichert, who continued to assist Iser in his academic endeavors.
Upon his return to Germany in 1955, Iser was appointed to a position equivalent to an assistant professorship in the English Department of the University of Heidelberg, where he earned his "Habilitation" in 1957 with a work on the aesthetics of Walter Pater. This postdoctoral degree is the final step in the German academic system in becoming a full professor. After three more years of teaching at the University of Heidelberg, Iser was appointed full professor of English at the University of Würzburg in 1960.
After this appointment and another at the University of Köln during the mid-1960s, Iser finally took a position in the Department of Literature at the newly founded University of Konstanz in 1967. Konstanz belonged to the numerous new "reform" campuses created in West Germany in the late 1960s and early 1970s in order to provide higher education for the burgeoning postwar generation of students and to fill West Germany's need for professionals in all fields. This rapid growth in the West German educational system was accompanied by deep reforms of traditional structures and teaching methods, and Wolfgang Iser was a significant participant in this reform project. He was a member of the founding council of the University of Bielefeld, another reform campus known at the time for its innovative structures. He became chairman of the Planning Committee for the University of Konstanz in 1971, a crucial position in the shaping of this new school, maintaining this post until his retirement as professor emeritus in 1991. Throughout his career Iser has been in great demand as an academic consultant in Germany, most recently as the chairman of the committee for establishing the "Grossbritannien-Zentrum" (i.e., British Studies Center) at the Humboldt-University in Berlin.
In the 1970s Iser established himself as one of the leading figures in literary theory with such works as Der implizite Leser (1972, English ed. The Implied Reader ) and Der Akt des Lesens (1976, English ed. The Act of Reading ). As a result, he was associated with "reception theory," which was very influential in literary studies during the 1970s; it was especially well-received in the United States, along with "reader-response" criticism. With Hans-Robert Jauss, Iser is considered to be the founding father of the Konstanz School of Reception Aesthetics. It was also during these years that Iser intensified his contacts with the North American academic community, which became over the years his second academic home. In the 1970s Iser held two fellowships and three visiting appointments at U.S. and Canadian institutions, including a visiting appointment in the German Department at the University of California, Irvine in 1976. In 1978 Iser became a faculty member of the Department of English and Comparative Literature at UCI, teaching classes regularly in English literature and literary theory.
Beginning in the mid-1980s Iser's research was oriented more and more toward the issues of literary anthropology. A large research project investigating these issues was established in the Department of Literature at the University of Konstanz, which is still in place. Books such as Prospecting: From Reader Response to Literary Anthropology (1989) and Das Fiktive und das Imaginäre (1991, English ed. The Fictive and the Imaginary ) are representative of this phase in Iser's theoretical research.
Wolfgang Iser pursued an international and highly successful career, with numerous appointments and lectureships in Europe, North America, and Asia. He served on boards of prestigious academic and cultural institutions and has instigated a number of research and editiorial projects such as the series Poetik und Hermeneutik . His international reputation was indicated by his numerous memberships and honorary memberships in academic associations such as the Modern Language Association, the American Academy of Arts and Sciences, and the Heidelberg Academy of Arts and Sciences, revealed his international reputation.
Iser died in Konstanz, Germany on January 24, 2007.
1926
Born on July 22 in Marienberg (Saxony), Germany.
1946
Student at the University of Leipzig.
1946
1947
Student at the University of Tübingen.
1947
1950
Student at the University of Heidelberg.
1950
Ph.D. in Anglistik (English philology and literature), University of Heidelberg (dissertation: Die Weltanschauung Henry Fieldings).
1951
1952
Instructor, English Department, University of Heidelberg.
1952
Die Weltanschauung Henry Fieldings (Niemeyer).
1952
1955
Assistant Lecturer, German Department, University of Glasgow.
1955
1957
Wissenschaftlicher Assistent (equivalent to an assistant professorship), English Department, University of Heidelberg.
1957
Habilitation (postdoctoral degree), University of Heidelberg.
1957
1960
Privatdozent (equivalent to a non-tenured associate professorship), English Department, University of Heidelberg.
1960
Walter Pater: Die Autonomie des Ästhetischen (Niemeyer).
1960
Editor of Britannica: Festschrift für Hermann M. Flasdieck (Winter).
1960
1963
Professor of English, English Department, University of Würzburg.
1963
1967
Professor of English, English Department, University of Köln.
1963
1982
Founding member and member of the Board of the Research Unit "Poetik und Hermeneutik."
1963
1994
Editor of Theorie und Geschichte der Literatur und der Schönen Künste: Texte und Abhandlungen (Fink).
1966
Editor of Immanente Ästhetik - Ästhetische Reflexionen: Lyrik als Paradigma der Moderne (Fink).
1967
1972
Member of the Council for establishing the University of Bielefeld.
1967
1991
Professor of English and Comparative Literature, Department of Literature, University of Konstanz.
1968
Visiting appointment, English Department, Colgate University, Hamilton, New York.
1970
1971
Fellow at the Center of the Humanities, Wesleyan University, Middletown, Connecticut.
1970
Die Appellstruktur der Texte: Unbestimmtheit als Wirkungsbedingung literarischer Prosa (Universitätsverlag).
1970
Spensers Arkadien: Fiktion und Geschichte in der englischen Renaissance (Scherpe).
1970
Editor of Dargestellte Geschichte in der europäischen Literatur des 19. Jahrhunderts (Klostermann).
1971
1991
Chairman of the Planning Committee of the University of Konstanz.
1972
Der implizite Leser: Kommunikationsformen des Romans von Bunyan bis Beckett (Fink).
1972
Editor of Henry Fielding und der englische Roman des 18. Jahrhunderts (Wissenschaftliche Buchgesellschaft).
1973
1974
Fellow at the Center of Advanced Studies in the Humanities and Social Sciences, Wassenaar, Holland.
1974
Visiting appointment, Graduate Program of Comparative Literature, University of Toronto, Ontario.
since 1975
Fellow of the Heidelberg Academy of Arts and Sciences.
1976
Visiting appointment, German Department, University of California, Irvine.
1976
Poggioli Lecture, Harvard University, Cambridge, Massachusetts.
1976
Der Akt des Lesens: Theorie ästhetischer Wirkung (Fink).
since 1978
Professor of English, Department of English and Comparative Literature, University of California, Irvine.
1978
Teaching Fellow, School of Criticism and Theory, University of California, Irvine.
1978
Senior Old Dominion Fellow, Council of the Humanities, Princeton University, Princeton, New Jersey.
since 1979
Honorary Member of the British Comparative Literature Association, Cambridge, England.
1979
Die Artistik des Mißlingens: Ersticktes Lachen im Theater Becketts (Winter).
1982
Editor of Theorien der Kunst (Suhrkamp).
1983
1984
Visiting appointment, English Department, University of Zürich.
1984
1998
Member of the Selection Committee of the Alexander von Humboldt-Foundation, Bonn-Bad Godesberg.
since 1985
Honorary Member of the Modern Language Association of America, New York.
1985
Hanes-Willis-Lectures, University of North Carolina, Chapel Hill.
1985
1986
Fellow at the Center for Advanced Study, Hebrew University, Jerusalem.
since 1987
Honorary Foreign Fellow of the American Academy of Arts and Sciences, Boston, Massachusetts.
1987
Laurence Sternes "Tristram Shandy": Inszenierte Subjektivität (Fink).
1988
1991
Co-Director of the research project "Institutions of Interpretation," sponsored by the German-Israeli Foundation for Scientific Research & Development, Jerusalem.
1988
Shakespeares Historien: Genesis und Geltung (Universitätsverlag Konstanz).
1989
Walker-Ames Lectureship, University of Washington, Seattle.
1989
Keynote speaker at Hanyang University, Seoul, Korea, on the occasion of its 50th anniversary celebration.
1989
Editor of Languages of the Unsayable: The Play of Negativity in Literature and Literary Theory (Columbia University Press).
1989
Prospecting: From Reader Response to Literary Anthropology (Johns Hopkins University Press).
1989
Editor of Theodor A. Meyer: Das Stilgesetz der Poesie (Suhrkamp).
1990
1996
Member of the Board of the Franz-Rosenzweig-Center for German-Jewish Literature and Cultural History, Hebrew University, Jerusalem.
1990
Fingieren als anthropologische Dimension der Literatur (Universitätsverlag Konstanz).
since 1991
Member of the Academia Europaea, London.
1991
Professor emeritus as of October 1, 1991, at the University of Konstanz.
1991
Scholar at the Rockefeller Study and Conference Center, Bellagio, Italy.
1991
Das Fiktive und das Imaginäre: Perspektiven literarischer Anthropologie (Suhrkamp).
1992
Theorie der Literatur: Eine Zeitperspektive (Universitätsverlag Konstanz).
1993
Spielstrukturen in Shakespeares Komödien: "Sommernachtstraum"-"Was ihr wollt" (Winter).
1993
1994
Chairman of the committee for establishing the "Großbritannien-Zentrum" at the Humboldt-University, Berlin.
1994
Wellek Library Lecturer at the University of California, Irvine.
1994
1999
Co-Director of the International Conference of Humanistic Discourse research project, sponsored by the Alexander von Humboldt-Foundation, Bonn, and University of California, Irvine.
1995
Visiting appointment, University of Basel.
1995
Das Großbritannien-Zentrum in kulturwissenschaftlicher Sicht (Humboldt-Universität).
1996
Editor of The Translatability of Cultures: Figurations of the Space Between (Stanford University Press).
1998
Stepping Forward: Essays, Lectures and Interviews (Crescent Moon).
2000
The Range of Interpretation (Columbia University Press): Iser's Wellek Library lectures.
2000
Presidential Lecture, Stanford University, California.
2000
Ph.D., Honoris Causa, New Bulgarian University, Sofia, Bulgaria.
2000
Werner Heisenberg Medal, Alexander von Humboldt-Stiftung, Bonn.
2000
2001
Senior Distinguished Andrew W. Mellon Fellow, National Humanities Center, North Carolina.
2001
Corresponding Fellow, British Academy, London.
2001
Senior Fellow for Life, School of Advanced Study, University of London, 2001.
2005
Professor emeritus at University of California, Irvine.
2006
How to Do Theory (Blackwell).
2007
Died in Konstanz, Germany.
Course Chronology
The following chronology of courses taught by Wolfgang Iser at the University of Konstanz and at the University of California, Irvine was assembled with the assistance of Dr. Rolf Eichler and Christa Schellhammer (Konstanz) and Arielle Read (Irvine). Although every effort has been made to list every course taught by Iser at these institutions, this chronology is not definitive. Course titles frequently do not exactly match the titles supplied by Iser for the course materials in Series 2 of this finding aid. At Konstanz, courses are offered during Winter (Oct.-March) and Summer (April-Sept.) semesters. Also at Konstanz, Iser frequently taught Doktorandenkolloquium (doctoral colloquia), for which individual titles were not available for this chronology. At Irvine courses are offered during Fall (Oct.-Dec.), Winter (Jan.-March), and Spring (April-June) quarters.
Courses taught at UCI are explicitly noted; all other courses were taught at Konstanz.
Winter 1968
Der englische Roman der Aufklärung
Joyce und Beckett
Moderne ästhetische Theorien. Intention und Leistung
Summer 1969
Shakespeares Tragödien
Spenser's
Shepheardes Calender
Moderne ästhetische Theorien. Intention und Leistung II
Winter 1969
Der moderne englische Roman. Einübung in praktische Literaturkritik
Romantische Odendichtung
Kolloquium für Aufbaustudenten über Kunsttheorien des Pragmatismus und der Semiotik
Summer 1970
Modernes englisches Drama
Lyrische Montagen. T.S. Eliots
Waste Land und Ezra Pounds
Cantos
Kolloquium für Aufbaustudenten über Kritik ästhetischer Theorieentwürfe
Summer 1971
Theorie literarischer Kommunikation
Laurence Sterne,
Tristram Shandy
Kritik ästhetischer Theorieentwürfe (Rader, Krieger/Vivas, Margolis)
Winter 1971
Shakespeares Historien
Fiktion in der Tradition des Empirismus und in der Literatur
Summer 1972
Der viktorianische Roman
Arkadien in der Literatur der Renaissance
Winter 1972
Englische und amerikanische Lyrik des 20. Jahrhunderts
Der Fiktionsbegriff in der Tradition des Empirismus
Summer 1973
Bürgerliches Trauerspiel und sentimentale Komödie
Fiktion und Fiktionstheorie von der Aufklärung bis zur Gegenwart
Summer 1974
Der englische Roman des 18. Jahrhunderts
Phänomenologie des Lesens
Winter 1974
Shakespeares Historien
Kunsttheorien der Gegenwart
Summer 1975
Moderne englische Lyrik
Becketts Dramen
Winter 1975
Shakespeares Tragödien
Romantische Odendichtung
Fiktion und Fiktionstheorie von der Aufklärung bis zur Gegenwart
Winter 1976
Dickens und Thackeray
Modernes englisches Drama
Kunsttheorien der Gegenwart
Summer 1977
Shakespeares Historien
Schäferdichtung der Renaissance
Winter 1977
Dickens und Thackeray
Entblößte Fiktion
Vorlesungskurs: Moderne englische Lyrik
Winter 1978
Romantische Odendichtung
Shakespeares Tragödien
Kunsttheorien der Moderne
Summer 1979
Henry James:
The Ambassadors und Joseph Conrad:
Lord Jim
Das englische Drama des 20. Jahrhunderts
Winter 1979
Bürgerliches Trauerspiel
Shakespeares Historien
Winter 1980
Dickens und Thackeray
Der englische Roman der Aufklärung
Winter 1981
Henry James:
The Ambassadors und Joseph Conrad:
Lord Jim
Englische Lyrik der Moderne
Kunsttheorie der Gegenwart
Summer 1982
Bürgerliches Trauerspiel
Shakespeares Historien
Europäische Bukolik: Zur historischen Genese der literarischen Fiktion
Winter 1982
Romantische Odendichtung
Shakespeares Tragödien
Idole, Fiktionen und Fiktionsbegriffe in der Tradition des Empirismus
Winter 1983
Modernes englisches Drama: Vom Naturalismus bis zum absurden Theater
Summer 1984
Der englische Roman der Aufklärung
Winter 1984
Shakespeares Historien
Idole, Fiktionen und Fiktionsbegriffe in der Tradition des Empirismus
Winter 1985
English 210: Representation in Narrative (UCI)
Summer 1985
Englische Lyrik der Moderne
Tristram Shandy und
Jacques le fataliste
Winter 1985
Shakespeares Tragödien
Literatur und Spielbegriff
Winter 1986
Humanities 270: Theories of Art (UCI)
Winter 1986
Der englische Roman der Aufklärung
Phantasie und Phantasietheorien
Winter 1987
English 225: Fictionality in Philosophy and Literature (UCI)
Summer 1987
Dickens und Thackeray
Shakespeares Historien
Winter 1988
Das Fiktive und das Imaginäre: Grundzüge einer Literaturanthropologie. Teil I: Fiktionalität
Spielstrukturen in Shakespeares Komödien
Winter 1989
Humanities 270: The Play of the Text (UCI)
Summer 1989
Das Fiktive und das Imaginäre: Grundzüge einer Literaturanthropologie. Teil II: das Imaginäre
Kanonbildung von der Aufklärung zur Moderne: Dr. Johnson, Matthew Arnold, T.S. Eliot
Winter 1989
Englische Lyrik der Moderne
Winter 1990
Humanities 270: Theories of Art and their Consequences for Interpretations: Phenomenology, Gestalt, Hermeneutics, and Semiotics (UCI)
Winter 1990
Shakespeares Tragödien
Dramatische Literatur der englischen Renaissance: Shakespeares Zeitgenossen
Summer 1991
Institutionen der Interpretation
Thomas Carlyle: Die übersetzbarkeit von Kulturen
Winter 1992
Humanities 270: The Fictive and the Imaginary (UCI)
Spring 1992
English 210: Institutions of Interpretation (UCI)
Winter 1993
Criticism 240: Translatability of Discourses (UCI)
Winter 1994
Humanities 270: Anatomy of Interpretation (UCI)
Spring 1994
Criticism 240: Modern Theories of Art (UCI)
Winter 1995
Humanities 270: Conceptions of Culture (UCI)
Winter 1996
Humanities 270: Interpretive Procedures: Readings of Sealed and Open Canons; Hermeneutics, Cybernetics, and the Differential (UCI)
Winter 1997
Humanities 270: Modern Theories of Art (UCI)
Winter 1998
Humanities 270: Unfolding Interpretation: Iterations of Translatability (UCI)
Winter 1999
Humanities 270: Conceptions of Culture in Ethnographical and Anthropological Perspective (UCI)
Spring 1999
Humanities 270: Beckett and Theory (UCI)
Winter 2002
Humanities 270: Culture as an Emergent Phenomenon (UCI)
From the guide to the Wolfgang Iser papers, 1952-2000, (University of California, Irvine. Library. Special Collections and Archives.)