Hovde, Jane

Born and raised in Washington State, artist Jane Hamilton (1921- ) met Annis Jorgen (A.J.) Hovde (1917-1984) while studying English and Art at Western Washington College of Education in Bellingham.

The couple married in 1942, prior to A.J.'s three years of military service overseas. Jane received her teaching certificate in the same year, before completing a B.A. in Creative Writing at the University of Washington in Seattle. Following World War II, A.J. completed his B.A. and later an M.A. in English at the University of Washington, while Jane attended classes in the art department and studied with Northwest painter Mark Tobey. In 1948 the Hovdes began teaching at Western Washington State College in Bellingham. Jane's recognition as a significant Northwest artist began with the 1953 first prize at the Washington Territorial Centennial Show for "Nets and Driftwood." Her early artistic style reflected a semi-abstract treatment of landscapes and scenes in the Pacific Northwest and Italy. Her works were shown at local venues including the Whatcom Museum of History & Art, nationally with traveling exhibits of the Seattle Art Museum and the Smithsonian Institution, and she exhibited in Rome while living in Italy (1956-1957). Publishing as early as 1947, A.J.'s acceptance in literary journals and magazines grew to well over a hundred publications. In 1968 he was among faculty members who formed Fairhaven College, an experimental division of Western Washington State College. A.J. retired from the university in 1981, and continued to write journals of personal and family experiences until his death in 1984.

Jane Hamilton was born in 1921 on the tugboat “Northwest” in the seas of Rosario Strait, Washington State. She and her sister and brothers were raised on Blakeley and Whidbey Islands. Jane traveled a few miles north to attend Western Washington College of Education in Bellingham. While studying English and art, she met Annis Jorgen (A.J.) Hovde. A.J. came to Bellingham from Edmonds, Washington. Born the youngest of eleven children in 1917 in Alberta, Canada, his family moved to Washington State when he was seven years old. After high school, A.J. worked in sawmill and lumber employment, including the Civilian Conservation Corps, until 1939 when he enrolled in Western Washington College of Education.

In 1942, Jane received her teaching certificate from Western Washington College. That same year she married A.J. - immediately before his departure for a three-year tour in World War II. In 1944, she completed her Bachelor’s of Arts in Creative Writing from University of Washington. After A.J. reunited with Jane in Seattle, he also finished his degree with a Bachelor’s in English in 1947. While A.J. studied at the University of Washington, Jane continued her artistic education. She attended private lessons with Mark Tobey, the enigmatic Northwest painter, as well as full-time coursework in the University of Washington's art department. During the winter of 1947, the couple lived in New York City where she attended the Art Students’ League and he continued work on his Master’s degree. A.J. Hovde received his M.A. in English from the University of Washington in 1949.

In 1948, the Hovdes settled in Bellingham with employment at Western Washington State College. However, the Hovdes took several substantial sojourns from Bellingham. They spent a year in Palo Alto, California while A.J. studied at Stanford from 1951 to 1952. Then, after hosting W.H. Auden during his visit to Bellingham, they accepted an invitation to stay as guests at the poet’s villa on the island of Ischia, Italy, from 1955 to 1956. Other ventures included hosting students on a study-abroad program to Greece in 1970, and an artists-in-residence program at Virginia Center for the Creative Arts, Sweet Briar, Virginia, in 1980. In Bellingham, A.J. built both the family’s homes where he and Jane raised their daughters Karen and Kathy.

Jane began exhibiting her work in 1947 with yearly showings in the Seattle Art Museum’s Annual Exhibition of Northwest Artists. Recognition began with the 1953 first prize at the Washington Territorial Centennial Show for “Nets and Driftwood.” The 1950s, 1960s and 1970s were industrious decades, reflecting her firm establishment as a Northwest artist. Exhibitions continued through her 1972 Retrospective and the 2000 Exhibit “Picasso’s Eye: A Subjective Symbolic Process,” both held at Whatcom Museum of Art and History in Bellingham. Jane’s works appeared nationally with traveling exhibits of the Seattle Art Museum and the Smithsonian Institution; while living in Italy, she exhibited in Rome. Her paintings and drawings reside in private collections and the permanent collections of the Seattle Art Museum, the Whatcom County Museum of History and Art and the Virginia Center for the Creative Arts. Jane’s early artistic style reflected a semi-abstract treatment of landscapes and scenes she observed in the Pacific Northwest and Italy. Many subjects include beach and fishing images such as fishnets and driftwood. Through the decades, her images became more abstract and expressionistic, eventually emphasizing her interest in Jungian symbolic imagery.

A.J. wrote both poetry and fiction from a young age. Publishing as early as 1947, his acceptance in literary journals and magazines grew to well over a hundred publications. He began his teaching career at Western Washington State College in 1948. In 1967, A.J. and other faculty members joined to form Fairhaven College, an experimental division of Western Washington State College. In 1968 he and Jane published Hovde Folio 10:10, a combination of their works. He retired from his professorship in 1981. He kept journals - of World War II, the family’s various travels, and everyday affairs – until his death in 1984.