Sutherland, M. (Margaret), 1897-1984

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Sutherland, M. (Margaret), 1897-1984

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Sutherland, M. (Margaret), 1897-1984

Sutherland, Margaret 1897-1984

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Sutherland, Margaret 1897-1984

Sutherland, Margaret

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Sutherland, Margaret

Sutherland, Margaret Ada 1897-

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Sutherland, Margaret Ada 1897-

Sutherland, Margaret Ada 1897-1984

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Sutherland, Margaret Ada 1897-1984

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Exist Dates

Exist Dates - Date Range

1897-11-20

1897-11-20

Birth

1984-08-12

1984-08-12

Death

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Biographical History

Composer and pianist, lived in Melbourne. Composed musical works for orchestra, chamber groups, violin, piano, vocal, etc.

From the description of Papers of Margaret Sutherland. 1894-1967. (Libraries Australia). WorldCat record id: 221236854

Margaret Sutherland was born in Adelaide, South Australia, on November 20th, 1897. When she was four years old, her family, noted for its artistic and musical interests, moved to Melbourne, Victoria, where she lived until her death in 1984. In 1914 she was awarded a scholarship to study piano with Edward Goll, and composition with Fritz Hart at the Marshall Hall Conservatorium, where she completed her term of scholarship, after which she taught piano and theory and worked as assistant to Edward Goll. In 1923 she went to London and Vienna where she became involved in the musical life of these cities and absorbed the influences of European culture. In England, Sir Arnold Bax became a valued friend and musical mentor. She returned to Australia in 1925. During World War II she arranged midday chamber music concerts for the Red Cross and became a member of the Council for Education, Music and the Arts (CEMA). For many years she was associated with the Australian Advisory Committee for UNESCO, and was a member of the Advisory Board for the Australian Music Fund as well as a Council Member of the National Gallery Society of Victoria. She was also instrumental in promoting the plan for the present Victorian Arts Centre. Margaret Sutherland's only opera The Young Kabbarli, based on an incident in the life of Daisy Bates, was composed in 1964, and received its first performance at the Theatre Royal, Hobart, in 1965. It was again performed by the State Opera of South Australia, in Adelaide and in Melbourne in 1972, and was honoured as the first Australian opera recorded in Australia. More than half of Margaret Sutherland's compositions are chamber works, reflecting her life-long participation in this form and her final reputation will almost certainly rest on the body of this work. Her music generally displays cogent and sinewy strength of argument happily merged with a rich and humane emotionalism. In 1976, Graeme Murphy choreographed her orchestral work Haunted Hills in the award-winning Glimpses which has been performed with great success by the Australian Ballet and the Dance Company of New south Wales (now the Sydney Dance Company). In 1969 Margaret Sutherland was awarded an honorary Doctorate of Music from the University of Melbourne in recognition of her contribution to Australian music. In 1970 Commonwealth recognition followed with the awarding of an OBE. It was Margaret Sutherland who pioneered new music in the first half of this century in Australia, at a time when Australian composers experienced public indifference and a profound sense of isolation. Also she laboured under the extreme disadvantage in Australia, of being a woman. But for her example, it is unlikely that Australia would have produced such a proliferation of woman composers.0000000 EP.

From the description of [Music archive of Margaret Sutherland] [manuscript]. 191-?-196-? (Libraries Australia). WorldCat record id: 223171756

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External Related CPF

https://viaf.org/viaf/85971502

https://www.wikidata.org/entity/Q6759944

https://www.worldcat.org/identities/lccn-no91015809

https://id.loc.gov/authorities/no91015809

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Languages Used

Subjects

Musicians

Arts

Ballads, English

Ballet

Ballets

Ballets

Ballets

Caulfield House (Vic.)

Choruses, Secular (Children's voices) with piano

Choruses, Secular (Mixed voices (4 parts)), Unaccompanied

Choruses, Secular (Women's voices, 2 parts) with piano

Clarinet and piano music, Arranged

Clarinet and piano music, Arranged

Clarinet music

Composers

Concertos (Oboe with string orchestra)

Concert programs

Heronswood (Arthur's Seat, Vic.)

Incidental music

Literature

Music

Music

Oboe music

Orchestral music

Piano music

Quartets (Clarinet, violin, viola, violoncello)

Quartets (Clarinet, violin, viola, violoncello)

Quartets (English horn, violin, viola, violoncello)

Quintets (Clarinet, violins (2), viola, violoncello), Arranged

Sonatas (Oboe and piano)

Sonatas (Violin and piano)

Songs (High voice) with piano

Songs (Low voice) with piano

Songs with clarinet

Songs with clarinet

Songs with instrumental ensemble

Songs with violin

Wind quintets (Bassoon, clarinet, flute, horn, oboe), Arranged

Wirth's Park (Vic.)

Women composers

Nationalities

Activities

Occupations

Musicians

Composers

Legal Statuses

Places

Australia

as recorded (not vetted)

AssociatedPlace

Australia

as recorded (not vetted)

AssociatedPlace

Australia--Victoria

as recorded (not vetted)

AssociatedPlace

Australia

as recorded (not vetted)

AssociatedPlace

Australia--Melbourne (Vic.)

as recorded (not vetted)

AssociatedPlace

Australia

as recorded (not vetted)

AssociatedPlace

Australia--Victoria

as recorded (not vetted)

AssociatedPlace

Australia--Melbourne (Vic.)

as recorded (not vetted)

AssociatedPlace

Australia--Melbourne (Vic.)

as recorded (not vetted)

AssociatedPlace

Convention Declarations

<conventionDeclaration><citation>VIAF</citation></conventionDeclaration>

General Contexts

Structure or Genealogies

Mandates

Identity Constellation Identifier(s)

w6wm1ms7

37717851