Steinert, Alexander, 1900-1982

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Steinert, Alexander, 1900-1982

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Steinert, Alexander, 1900-1982

Steinert, Alexander.

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Steinert, Alexander.

Steinert, Alexander Lang

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Steinert, Alexander Lang

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1900-09-21

1900-09-21

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1982-07-07

1982-07-07

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Biographical History

Composed 1934. First performance Boston, 8 February 1935, Boston Symphony Orchestra, Serge Koussevitzky conductor, the composer as soloist.--Cf. Fleisher Collection.

From the description of Concerto sinfonico / Alexander Steinert. [1934] (Franklin & Marshall College). WorldCat record id: 55074777

Composed 1925-36. First performance Boston, 15 October 1926, Boston Symphony Orchestra, Serge Koussevitzky conductor. Awarded Prix de Rome, 1927.--Cf. Fleisher Collection.

From the description of Nuit meridionale : poème pour orchestre / Alexander Steinert. [19--] (Franklin & Marshall College). WorldCat record id: 55074787

Alexander Lang Steinert (occasionally designated, Alexander Steinert, Jr.) was a composer, conductor, and pianist who worked in television, film, and radio, as well as concert settings. Born in Boston, Massachusetts on 21 September, 1900, Steinert came from a musical family. Steinert’s grandfather Morris Steinert, who emigrated from Bavaria, was the founder of M. Steinert & Sons, New England's preeminent piano dealer and the region’s exclusive Steinway representative, and his father, Alexander Steinert, became the Treasurer and General Manager of the company. While the younger Steinert’s brothers, Russell, Robert and Alan, joined the family firm, Alexander, Jr. studied music at Harvard with Charles Martin Loeffler and in 1922 graduated magna cum laude. In 1923 Steinert went on to the Paris Conservatoire where he studied with Andre Gedalge, Vincent d’Indy, and Charles Koechlin. Not only were these among the great musical minds in Paris at the advent of the 20th century, but it is notable that the latter two were exemplars of rival concert societies, the Societe Nationale (SN) and the Societe Musicale Independante (SMI) respectively. As such the young Steinert was among those in the fray of the evolving modern French music scene and this had a profound influence as would become evident in his own compositions. Steinert’s impressionistic tone poem, Southern Night, inspired by the French countryside, won him the American Prix de Rome, from the American Academy in May of 1927. The award consisted of a Frederic A. Juilliard fellowship for three years, with residence and a studio at the academy in Rome, and an annual stipend of $2000. Meanwhile, Steinert’s Southern Night had premiered with the Boston Symphony under the baton of Serge Koussevitzky in 1926, and was performed by the Rochester Symphony in 1928 under Howard Hanson. In June of 1929 Steinert directed the debut, in Rome, of his Two Poems for Soprano & Orchestra, based on the writings of Shelley, and his Leggenda Sinfonica was performed at Augusteo in Rome the following year, 1930. As Steinert’s compositions continued to appear in concert programs both domestically and abroad, he returned to the United States in the early thirties, or shortly after his fellowship in Rome. In 1935 he performed his own Concerto Sinfonico with the Boston Symphony under Koussevitzky; he performed the same piece again in 1939 at the Hollywood Bowl. In December of 1935 he conducted Gershwin’s Porgy and Bess in New York and toured with the production from January through March 1936. On 8 September, 1937, Steinert conducted the Gershwin Memorial Concert at the Hollywood Bowl with the original cast and Lily Pons. In February and March of 1938 Steinert conducted Porgy and Bess on the coast directing its first performances in Los Angeles and San Francisco. From this time on Steinert began to spend more time on the west coast extending his career as a composer and conductor into Hollywood. In 1941 he arranged and conducted the music for Disney’s production of Bambi, and throughout the forties he continued to score films. He was also credited as an actor in a few films appearing as a conductor in Too Young to Kiss (1951), Because You're Mine (1952), and others. In 1945 Steinert received an invitation from Leopold Stokowski, Musical Director of the Hollywood Bowl Symphony, to compose a piece for performance and broadcast, and in August of that year Steinert’s Rhapsody for Clarinet and Orchestra was premiered featuring soloist, Kalman Bloch. The forties through the sixties found Steinert as composer and conductor for numerous radio productions for CBS, NBS, and ABC. In the later fifties and into the sixties Steinert added television credits to his body of work composing and conducting original music for productions such as The Deadly Depths and Tarawa on CBS. From 1961 to 1963 his radio and television music was recorded and published by Boosey & Hawkes. Alexander Lang Steinert died in August of 1982.

From the guide to the Alexander Steinert papers, 1888-1977, 1909-1977, (The New York Public Library. Music Division.)

Alexander Lang Steinert (occasionally designated, Alexander Steinert, Jr.; 1900-1982) was a composer, conductor, arranger, and pianist who worked in television, film, and radio, as well as concert settings.

Born in Boston, Massachusetts, Steinert came from a musical family; his grandfather, Morris (or Moritz) Steinert, was the founder of M. Steinert & Sons, a prominent piano dealer in the New England region. He attended Harvard University, studying music with Charles Martin Loeffler. In 1923, Steinert began training at the Paris Conservatoire, where he studied with Andre Gedalge, Vincent d'Indy, and Charles Koechlin. His impressionistic tone poem, Southern Night, inspired by the French countryside, won him the American Prix de Rome in 1927. This piece had received its premiere with the Boston Symphony (under the baton of Serge Koussevitzky) in 1926. During his residency in Rome, Steinert directed the debut of his Two Poems for Soprano & Orchestra (1929), based on the writings of Percy Bysshe Shelley; Leggenda Sinfonica (1930) was performed the following year. As Steinert's compositions continued to appear on concert programs, he returned to the United States shortly after his fellowship in Rome concluded. In 1933, he toured the United States as a conductor with the Russian Opera Company (this financially-strapped troupe frequently changed names). During his engagement with the company, Steinert learned Russian and was involved with the American premiere of Alexander Tcherepnin's opera Ol-Ol (1934). In 1935, he performed his own Concerto Sinfonico with the Boston Symphony. During that same year, Steinert became a coach and assistant conductor for the original production of George Gershwin's Porgy and Bess during its out of town tryout in Boston and New York premiere. In December 1935, he substituted for Alexander Smallens and became the regular conductor at matinee performances. Steinert would serve as the conductor for the 1936 Porgy and Bess tour and the 1938 West Coast premiere; he also conducted selections at the 1937 Gershwin Memorial Concert at the Hollywood Bowl. In late 1936, Steinert settled in Los Angeles and began working in the film industry. In 1941, he arranged and conducted the music for Disney's animated film, Bambi, and throughout the 1940s he continued to score films. He also was credited as an actor in a few films, appearing as a conductor in Too Young to Kiss (1951), Because You're Mine (1952), and others. From the 1940s through the 1960s, Steinert worked extensively as composer and conductor on numerous radio productions for CBS, NBS, and ABC. In the later 1950s and into the 1960s, he added television credits to his body of work, primarily affiliated with CBS television.

From the description of Alexander Steinert papers 1888-1977 (bulk 1909-1977) (New York Public Library). WorldCat record id: 165080141

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https://viaf.org/viaf/76574833

https://www.worldcat.org/identities/lccn-no91023702

https://id.loc.gov/authorities/no91023702

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Arrangers (Musicians)

Arrangers (Musicians)

Composers

Composers

Concertos (Piano)

Conductors (Music)

Conductors (Music)

Film composers

Film composers

Incidental music

Motion picture music

Music

Music

Orchestral music

Piano trios

Piano with orchestra

Songs (Medium voice) with piano

Symphonic poems

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Violoncello and piano music

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Americans

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Arrangers (Musicians)

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Film composers

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36577330