Eric and Macdonald Gill

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Eric and Macdonald Gill

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Eric and Macdonald Gill

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Eric Gill was born in Brighton in 1882 where his father was Assistant Minister at the Countess of Huntingdon's Chapel, a non-conformist sect. The family, with 11 children, moved to Chichester when his father began to study for the Anglican ministry and Gill enrolled at the local art school. He was articled to the architect W.H.Caroe in London, was taught calligraphy at evening class by Edward Johnston and also learnt masonry skills.

He started executing lettering for Caroe's buildings and when a commission allowed him to leave, did so, taking up lettering full-time. He moved to a workshop in Hammersmith in 1905 where Hilary Pepler and Johnston were neighbours and he came into contact with the Arts and Crafts movement. He moved to Ditchling, East Sussex in 1907 with his family and set up a workshop with apprentice Joseph Cribb. In 1910 Gill began to carve figures in stone and in 1912 was included in Roger Fry's second Post-Impressionist Exhibition in London.

Gill moved away from Ditchling village to Hopkins Crank farmhouse in Ditchling Common in 1913 . Later that year he and his wife converted to Roman Catholicism.

Gill's major commission; a set of Stations of the Cross for Westminster Cathedral, was started in 1914 and judged of such importance that he was exempted from War Service until their completion in 1918 . The Guild of St Joseph and St Dominic was formed in 1920 by Gill, Hilary Pepler and Desmond Chute after they, and Gill's wife, were received as novices of the Third Order of St Dominic, so becoming lay members of the Order of Preachers. Gill moved to the remote hamlet of Capel y fin in 1924 where he worked for four years, then in 1929 moved to a large house Pigotts, near High Wycombe which became his home until his death in 1940 . During his life he was known as a typographer, book designer and illustrator, social campaigner and writer, as well as sculptor.

There is no biographical information about Macdonald Gill currently available to support this entry.

From the guide to the Eric and Macdonald Gill archive, 1920s-1940s, (Crafts Study Centre)

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