Burroughs, William S., 1914-1997

William S. Burroughs (1914-1997) was an American experimental novelist, "beat" poet, and cultural icon.

From the guide to the William S. Burroughs Letter, undated, (Special Collections Research Center, Syracuse University Libraries)

William S. Burroughs (1914-1997), American novelist, essayist, writer of experimental fiction. A primary member of the Beat generation, he was an avant-garde author who affected postwar popular culture as well as literature.

From the description of William S. Burroughs collection. (Unknown). WorldCat record id: 762145657

From the description of Barry Miles William S. Burroughs collection, 1957-2000. (Unknown). WorldCat record id: 428733921

American author. Burroughs was one of three major writers, with Allen Ginsberg and Jack Kerouac, whose work typified the Beat Generation, an important artistic and cultural movement of the 1950's.

From the description of Papers, [ca. 1953-ca. 1985]. (Ohio State University Libraries). WorldCat record id: 21961286

Twentieth century American literary author.

From the description of William S. Burroughs collection, 1938- (Scottsdale Public Library). WorldCat record id: 28132428

American Beat writer.

From the description of William S. Burroughs letter to Jack Crimmins [manuscript], 1985 July 1. (University of Virginia). WorldCat record id: 369173813

William S. Burroughs (1914-1997), an American writer, is one of the literary figures identified with the Beat movement. A prose-poet, Burroughs is known as an experimental innovator of forms (such as the cut-up technique), unique narrative techniques and moods in his writings. He is the grandson of William Burroughs (1855-1898), the inventor of the first recording adding machine and founder of the Burroughs Adding Machine Company. At Harvard, Burroughs studied literature, linguistics, and anthropology. Later, in the process of drifting through odd jobs in New York City, he became a drug addict. From the late 1940's to 1973, Burroughs lived in Mexico, Tangiers, London, and Paris, returning briefly to New York in 1965. In 1981 he moved to Lawrence, Kansas where he died August 3, 1997 at the age of 83.

From the guide to the William Seward Burroughs Papers, 1938-1997, 1959-1978, (Arizona State University Libraries Special Collections)

American writer.

From the description of Correspondence, 1961-1965. (University of California, San Diego). WorldCat record id: 18393927

Writer; close friend of Brion Gysin, who lives in Paris.

From the description of Letters, 1980, to Brion Gysin. (Brown University). WorldCat record id: 122491569

William S. Burroughs was born in 1914 in St. Louis, Missouri. He attended private schools in St. Louis before a brief stint at the Los Alamos Ranch School in New Mexico. He received a bachelor's degree from Harvard in 1936.

After graduating from Harvard, Burroughs spent a few years traveling through Europe, followed by a short stint in the US Army. After his discharge from the Army Burroughs moved to Chicago where he worked a string of odd jobs and spent time with his friend David Kammerer and Kammerer's obsession, University of Chicago student Lucien Carr. When Carr transferred from UC to Columbia University, both of the older men used this as an impetus to move to New York City as well.

It was through Carr that Burroughs met Allen Ginsberg and Jack Kerouac. The three, along with Carr, Kerouac's girlfriend Edie Parker and her roommate Joan Vollmer, forged close friendships centered around a shared love of literature, drugs, and a bohemian lifestyle. It was during this time that Burroughs was first introduced to narcotics through the well known Times Square hustler, and writer, Herbert Huncke and quickly became addicted to opiates. Jean Vollmer, Burroughs's lover, and later common-law wife, also suffered from an addiction that eventually resulted in her hospitalization for acute amphetamine psychosis. The two had a son, William S. Burroughs Jr., before Burroughs accidentally, but fatally, shot Vollmer in Mexico City.

Burroughs began working on the manuscript that would eventually become Junky in Mexico City before Vollmer's death. Though he had briefly worked on the short story "And the Hippos Were Boiled in Their Tanks" with Jack Kerouac, he did not have literary aspirations. Even while working on Junkie he assumed that the autobiographical novel would be an anomaly, not the beginning of a literary career.

After his trial over Vollmer's death, Burroughs thought it prudent to leave Mexico. He spent more time traveling in South America researching the hallucinatory drug yage and corresponding with Allen Ginsberg, who was by this point acting as his literary agent, about his search for the drug and its effects. These letters formed the basis of Burroughs and Ginsberg's book The Yage Letters. After the yage quest, Burroughs returned, briefly, to New York where he initiated an intense but mostly one-sided romantic and sexual relationship with Ginsberg before leaving the United States for a brief stay in Rome and then Tangier.

While in Tangier Burroughs completed the text that would become The Naked Lunch. Interzone, as he called the working manuscript, was, in opposition to his earlier works Junkie and Queer, a non-linear collection of loosely connected episodes. Allen Ginsberg, who, along with Peter Orlovsky and Jack Kerouac, had traveled to Tangier to help collect and type a clean copy of the manuscript, presented The Naked Lunch to Maurice Girodias of the Olympia Press. Though Girodias was not initially interested in the work, he did decide to print it after all in 1959. An American edition, based on a 1958 manuscript of the novel (currently part of the Allen Ginsberg Papers held by the RBML) was published by Grove Press in 1962.

Burroughs then moved to Paris where he continued writing and producing the episodic sketches that, combined with material from The Naked Lunch manuscripts, comprise The Soft Machine, The Ticket that Exploded, and Nova Express. While in Paris living in a guesthouse christened the Beat Hotel with Ginsberg, Orlovsky, Gergory Corso, and Harold Chapman, Burroughs first came into contact with Brion Gysin. Gysin, a painter, had a profound impact on Burroughs and Gysin's "cut-up technique" where strips of two different texts were aligned to create a new, composite text became a prominent feature of Burroughs's future writing.

In 1974 Burroughs returned to the United States. He accepted a teaching post at City College of New York that Allen Ginsberg had recommended him for and settled into an apartment nicknamed The Bunker on Manhattan's Lower East Side. During this time Burroughs became acquainted with James Grauerholz, a young beat devotee who became Burroughs's devoted manager, secretary, and companion.

Burroughs moved to Lawrence Kansas in 1981 and remained there until his death in 1997. During the later part of his life he wrote less and less, focusing on visual art and spoken word performances. He also appears in the Gus Van Sant movie Naked Cowboy.

From the description of William S. Burroughs papers, 1957-1976. (Columbia University In the City of New York). WorldCat record id: 429426712

BIOGHIST REQUIRED William S. Burroughs was born in 1914 in St. Louis, Missouri. He attended private schools in St. Louis before a brief stint at the Los Alamos Ranch School in New Mexico. He received a bachelor's degree from Harvard in 1936.

BIOGHIST REQUIRED After graduating from Harvard, Burroughs spent a few years traveling through Europe, followed by a short stint in the US Army. After his discharge from the Army Burroughs moved to Chicago where he worked a string of odd jobs and spent time with his friend David Kammerer and Kammerer's obsession, University of Chicago student Lucien Carr. When Carr transferred from UC to Columbia University, both of the older men used this as an impetus to move to New York City as well.

BIOGHIST REQUIRED It was through Carr that Burroughs met Allen Ginsberg and Jack Kerouac. The three, along with Carr, Kerouac's girlfriend Edie Parker and her roommate Joan Vollmer, forged close friendships centered around a shared love of literature, drugs, and a bohemian lifestyle. It was during this time that Burroughs was first introduced to narcotics through the well known Times Square hustler, and writer, Herbert Huncke and quickly became addicted to opiates. Jean Vollmer, Burroughs's lover, and later common-law wife, also suffered from an addiction that eventually resulted in her hospitalization for acute amphetamine psychosis. The two had a son, William S. Burroughs Jr., before Burroughs accidentally, but fatally, shot Vollmer in Mexico City.

BIOGHIST REQUIRED Burroughs began working on the manuscript that would eventually become Junky in Mexico City before Vollmer's death. Though he had briefly worked on the short story "And the Hippos Were Boiled in Their Tanks" with Jack Kerouac, he did not have literary aspirations. Even while working on Junkie he assumed that the autobiographical novel would be an anomaly, not the beginning of a literary career.

BIOGHIST REQUIRED After his trial over Vollmer's death, Burroughs thought it prudent to leave Mexico. He spent more time traveling in South America researching the hallucinatory drug yage and corresponding with Allen Ginsberg, who was by this point acting as his literary agent, about his search for the drug and its effects. These letters formed the basis of Burroughs and Ginsberg's book The Yage Letters . After the yage quest, Burroughs returned, briefly, to New York where he initiated an intense but mostly one-sided romantic and sexual relationship with Ginsberg before leaving the United States for a brief stay in Rome and then Tangier.

BIOGHIST REQUIRED While in Tangier Burroughs completed the text that would become The Naked Lunch. Interzone, as he called the working manuscript, was, in opposition to his earlier works Junkie and Queer, a non-linear collection of loosely connected episodes. Allen Ginsberg, who, along with Peter Orlovsky and Jack Kerouac, had traveled to Tangier to help collect and type a clean copy of the manuscript, presented The Naked Lunch to Maurice Girodias of the Olympia Press. Though Girodias was not initially interested in the work, he did decide to print it after all in 1959. An American edition, based on a 1958 manuscript of the novel (currently part of the Allen Ginsberg Papers held by the RBML) was published by Grove Press in 1962.

BIOGHIST REQUIRED Burroughs then moved to Paris where he continued writing and producing the episodic sketches that, combined with material from The Naked Lunch manuscripts, comprise The Soft Machine, The Ticket that Exploded, and Nova Express. While in Paris living in a guesthouse christened the Beat Hotel with Ginsberg, Orlovsky, Gergory Corso, and Harold Chapman, Burroughs first came into contact with Brion Gysin. Gysin, a painter, had a profound impact on Burroughs and Gysin's "cut-up technique" where strips of two different texts were aligned to create a new, composite text became a prominent feature of Burroughs's future writing.

BIOGHIST REQUIRED In 1974 Burroughs returned to the United States. He accepted a teaching post at City College of New York that Allen Ginsberg had recommended him for and settled into an apartment nicknamed The Bunker on Manhattan's Lower East Side. During this time Burroughs became acquainted with James Grauerholz, a young beat devotee who became Burroughs's devoted manager, secretary, and companion.

BIOGHIST REQUIRED Burroughs moved to Lawrence Kansas in 1981 and remained there until his death in 1997. During the later part of his life he wrote less and less, focusing on visual art and spoken word performances. He also appears in the Gus Van Sant movie Naked Cowboy.

From the guide to the William Seward Burroughs Papers, 1957-1976., (Columbia University. Rare Book and Manuscript Library, )