55117575http://n2t.net/ark:/99166/w63r8qkprevised
SNAC: Social Networks and Archival Context
VIAFrevised2015-09-24machineCPF merge programMerge v2.0revised2016-08-15T23:52:35machineSNAC EAC-CPF ParserBulk ingest into SNAC Databaserevised2016-08-15T23:52:35humanSystem Service (system@localhost)created2024-03-28machineSNAC EAC-CPF SerializerSNAC Identity Constellation serialized to EAC-CPFpersonCarstens, Asmus Jakob, 1754-1798,presumedCarstens, Asmus Jacob 1754-1798?presumedCarstens, Asmus JakobpresumedCarstens, Asmus Jakob (Danish-German painter, 1754-1798)presumedCarstens, Asmus JacobpresumedCarstens, A. J.presumedAsmus@Carstens, Jacob 1754-1798presumedCarstens, Jacob AsmuspresumedCarstens, Jakob Asmus 1754-1798presumedAsmus Jakob CarstenspresumedCarstens Asmus Jacques 1754-1798?presumedJacob Asmus CarstenspresumedCarstens, AsmuspresumedCarstens, A. J. 1754-1798 (Asmus Jakob),presumedCarstens Jacob Asmus 1754-1798?presumedCarstens, A. J. 1754-1798presumed1754-05-101798-05-25DanesSchadow, Johann Gottfried, 1764-1850.Carstens, Asmus Jakob, 1754-1798,Schadow, Johann Gottfried, 1764-1850. Johann Gottfried Schadow correspondence, 1806-1849.Schadow, Johann Gottfried, 1764-1850.Schadow, Albert Dietrich.Schadow, F.Schinkel, Karl Friedrich, 1781-1841.Johann Gottfried Schadow correspondence, 1806-1849.34 items.Schadow wrote the bulk of these letters in his capacity as Director of the Berlin Academy (1815-1850) to a variety of correspondents, primarily Academy colleagues. They relate to Academy business such as gifts, purchases, restorations, exhibitions and attributions. One letter contains a lengthy discussion of a painting by Asmus Jakob Carstens. Another, dated 2/19/24, addresses teaching policy and the improvement of curriculum. It includes a long comment by architect Karl Friedrich Schinkel on that topic. In a letter of 11/8/48, Schadow writes that he is sending a bas-relief for the Blùˆcher monument, which was the first monumental bronze sculpture to be cast in Germany in the 19th century. There is also a page of sketches for sculpture, one of which is a monument to Goethe. The earliest item is a receipt for a marble altar at Bellevue paid for by Princess Louise Radziwill (1806). Most of the letters discuss travel and personal plans. Included are invitations and thank-you notes. Getty Research Institute