12831606http://n2t.net/ark:/99166/w6th9zr9revised
SNAC: Social Networks and Archival Context
VIAFrevised2015-09-22machineCPF merge programMerge v2.0revised2016-08-10T14:36:52machineSNAC EAC-CPF ParserBulk ingest into SNAC Databaserevised2016-08-10T14:36:53humanSystem Service (system@localhost)created2024-03-29machineSNAC EAC-CPF SerializerSNAC Identity Constellation serialized to EAC-CPFpersonDuchamp-Villon, Raymond, 1876-1918presumedDuchamp-Villon, RaymondpresumedDuchamp-Villon, Raymond (French sculptor, 1876-1918)presumedDuchamp, Pierre-Maurice Raymond, 1876-1918presumedDuchamp-Villon, Pierre-Maurice-RaymondpresumedRaymond Duchamp-VillonpresumedDuchamp, Raymond 1876-1918presumedDuchamp, RaymondpresumedDuchamp, Pierre-Maurice RaymondpresumedVillon, Raymond Duchamp-presumedVillon Raymond Duchamp- 1876-1918presumed1876-11-051918-10-09FrenchArtArts, FrenchFrenchMatter, Herbert, 1907-1984.Museum of Modern Art (New York, N.Y.)Pach, WalterPach, Walter, 1883-1958.Quinn, John, 1870-1924.Roosevelt, Adelheid Lange, 1878-1962.Villon, Jacques, 1875-1963.Duchamp-Villon, Raymond, 1876-1918Duchamp Brothers [graphic].Duchamp Brothers [graphic]. ca. 1913.1 photographic print : b&w ; 11 x 17 cm.Marcel Duchamp, Raymond Duchamp-Villon and Jacques Villon seated outdoors with a dog. Published in: <i>Archives of American Art Journal </i> v. 2, no. 3, p. 7; v. 38, no. 1-2, p. 14. Archives of American ArtDuchamp-Villon, Raymond, 1876-1918. Le Cheval.Duchamp-Villon, Raymond, 1876-1918.Le Cheval.Bibliothèque nationale de France, BnFWalter Pach papers, 1880-1980Pach, WalterWalter Pach papersThe papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.Biographical material includes a copy of Pach's birth certificate and two passports for Walter and Magda Pach, in addition to address books, association membership cards and certificates.Correspondence is both personal and professional. Family correspondence includes letters from Pach's son, Raymond, his first wife Magdalene (Magda), and his second wife Nikifora, whom he married in 1951 following the 1950 death of Magda. General correspondence includes letters from artists including Jean Charlot, Arthur B. Davies, Marcel Duchamp, Raymond Duchamp-Villon, Jacques Lipchitz, Henri Matisse, Claude Monet, Maurice Prendergast, Diego Rivera, Morton Livingston Schamberg, John Sloan, and Jacques Villon; and other art-world figures including writers Van Wyck Brooks and Elie Faure, and Bryson Burroughs, curator of painting at the Metropolitan Museum of Art.The Writings series represents an extensive collection of hand-written manuscripts, typescripts, annotated drafts and notes for published and unpublished writings by Pach, including lectures, monographs such as <emph render="italic">Queer Thing, Painting</emph> and <emph render="italic">Ananias, or The False Artist</emph>, and journal and newspaper articles such as "Pierre-Auguste Renoir" (1912).Diaries and journals include one of particular note recording Pach's trip to Europe circa 1903-1904, with William Merritt Chase's class.Business records include 2 notebooks recording sales at the Armory Show in New York, Boston and Chicago, a record book with handwritten lists of paintings owned and sold by Pach in the early 1930s, and two books, one maintained by Nikifora Pach, recording pictures sold, lectures and publications by Pach from the early 1900s to the early 1960s.Printed material documents Pach's career through exhibition catalogs of Pach's solo and group exhibitions, news clippings about Pach, including reviews of his writings on art, and an almost comprehensive collection of copies of Pach's published journal and newspaper articles.Scrapbooks include a book of reviews and original letters pertaining to Pach's book <emph render="italic">Ananias or the False Artist</emph>, and a scrapbook documenting Pach's activities during the 1920s which included his first one-man show at the Brummer Gallery in New York and the publication of his books <emph render="italic">Masters of Modern Art</emph> and <emph render="italic">Raymond Duchamp-Villon</emph>.Artwork inlcudes a small group of drawings and three sketchbooks by Pach. Also of note are two print portfolios published in 1947 by the Laurel Gallery which include an essay and an etching by Pach, in addition to hand-pulled prints by artists such as Milton Avery, Reginald Marsh and Joan Miro.Photographs are of Pach from childhood through to the 1950s, in addition to Magda and Raymond Pach and other family members, artists, colleagues and friends. Included are photographs of William Merritt Chase's class and Robert Henri's class at the New York School of Art, circa 1904, and photos of artists including Robert Henri, Moriye Ogihara, and Pablo Picasso. Photographs of artwork by Pach and other artists can also be found here including Mexican mural projects by José Clemente Orozco and Diego Rivera, and works by Antoine-Louise Barye and George Of.Selections from Pach's library include works written by or translated by Pach, and items central to Pach's interests and work.EnglishFrenchSpanish; CastilianArchives of American ArtJohn Quinn papers, 1901-1926Quinn, John, 1870-1924John Quinn papers 1901-192646 linear feet (72 boxes, 41 letterbooks, 3 v.); 50 microfilm reelsJohn Quinn (1870-1924) was a corporation lawyer in New York City who amassed an important private collection of paintings, drawings and sculpture as well as books and manuscripts of contemporary authors. In addition to promoting modern and avant-garde art in all forms, he particularly encouraged the work of members of the Irish Literary Revival, the artists of the Paris School, and English and American writers of his time. In 1923 he sold his manuscript and library holdings to subsidize his art collection. Collection consists mainly of correspondence, with writings, printed matter and photographs that document Quinn's artistic and political interests. Correspondence, 1901-1924, is with artists, art dealers, critics, poets, playwrights, booksellers, publishers, and members of his family. Files of letters and letterbooks contain correspondence relating to his interest in the artistic and literary scene in America and abroad, events in Ireland especially during the Home Rule movement, his purchase of paintings, sculpture, first editions and manuscripts of contemporary literature, and the sale of his library and manuscript collection. Also includes typescripts of literary works, typescript of the catalog of Quinn's art collection, ledgers, sales and exhibition catalogs, periodicals, and photographs of Quinn with individual artists and group portraits.New York Public Library. Manuscripts and Archives DivisionPach, Walter, 1883-1958. Walter Pach papers, 1883-1980.Pach, WalterWalter Pach papersThe papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.Biographical material includes a copy of Pach's birth certificate and two passports for Walter and Magda Pach, in addition to address books, association membership cards and certificates.Correspondence is both personal and professional. Family correspondence includes letters from Pach's son, Raymond, his first wife Magdalene (Magda), and his second wife Nikifora, whom he married in 1951 following the 1950 death of Magda. General correspondence includes letters from artists including Jean Charlot, Arthur B. Davies, Marcel Duchamp, Raymond Duchamp-Villon, Jacques Lipchitz, Henri Matisse, Claude Monet, Maurice Prendergast, Diego Rivera, Morton Livingston Schamberg, John Sloan, and Jacques Villon; and other art-world figures including writers Van Wyck Brooks and Elie Faure, and Bryson Burroughs, curator of painting at the Metropolitan Museum of Art.The Writings series represents an extensive collection of hand-written manuscripts, typescripts, annotated drafts and notes for published and unpublished writings by Pach, including lectures, monographs such as <emph render="italic">Queer Thing, Painting</emph> and <emph render="italic">Ananias, or The False Artist</emph>, and journal and newspaper articles such as "Pierre-Auguste Renoir" (1912).Diaries and journals include one of particular note recording Pach's trip to Europe circa 1903-1904, with William Merritt Chase's class.Business records include 2 notebooks recording sales at the Armory Show in New York, Boston and Chicago, a record book with handwritten lists of paintings owned and sold by Pach in the early 1930s, and two books, one maintained by Nikifora Pach, recording pictures sold, lectures and publications by Pach from the early 1900s to the early 1960s.Printed material documents Pach's career through exhibition catalogs of Pach's solo and group exhibitions, news clippings about Pach, including reviews of his writings on art, and an almost comprehensive collection of copies of Pach's published journal and newspaper articles.Scrapbooks include a book of reviews and original letters pertaining to Pach's book <emph render="italic">Ananias or the False Artist</emph>, and a scrapbook documenting Pach's activities during the 1920s which included his first one-man show at the Brummer Gallery in New York and the publication of his books <emph render="italic">Masters of Modern Art</emph> and <emph render="italic">Raymond Duchamp-Villon</emph>.Artwork inlcudes a small group of drawings and three sketchbooks by Pach. Also of note are two print portfolios published in 1947 by the Laurel Gallery which include an essay and an etching by Pach, in addition to hand-pulled prints by artists such as Milton Avery, Reginald Marsh and Joan Miro.Photographs are of Pach from childhood through to the 1950s, in addition to Magda and Raymond Pach and other family members, artists, colleagues and friends. Included are photographs of William Merritt Chase's class and Robert Henri's class at the New York School of Art, circa 1904, and photos of artists including Robert Henri, Moriye Ogihara, and Pablo Picasso. Photographs of artwork by Pach and other artists can also be found here including Mexican mural projects by José Clemente Orozco and Diego Rivera, and works by Antoine-Louise Barye and George Of.Selections from Pach's library include works written by or translated by Pach, and items central to Pach's interests and work.EnglishFrenchSpanish; CastilianArchives of American ArtDuchamp-Villon, Raymond, 1876-1918. Artist file.Duchamp-Villon, Raymond, 1876-1918.Artist file.1 folder.Brooklyn Museum Libraries & ArchivesDuchamp-Villon, Raymond, 1876-1918. Raymond Duchamp Villon : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].Duchamp-Villon, Raymond, 1876-1918.Museum of Modern Art (New York, N.Y.)Raymond Duchamp Villon : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York]. 1930?-19901 or more folders: ill. (some col.) ; 38 cm.File of color and black and white photographs of work of art, assembled by the staff of The Museum of Modern Art in New York from the museum's establishment until 1990. Items may include full views, details, installations, etc. Frick Art Reference Library of The Frick CollectionVillon, Jacques, 1875-1963. Reminiscences, 1953.Villon, Jacques, 1875-1963.Reminiscences, 1953.1 item (6 p.)An autobiographical essay describing Villon's years in school (giving the names of classmates and teachers), his work as a notary public, his early interest in engraving and his later successes with painting and engraving. Villon also mentions the activities of his brother, Raymond Duchamp-Villon. At the close of the essay, Villon discusses his theory of painting. Getty Research InstituteHerbert Matter papers, ca. 1937-1984Matter, Herbert, 1907-1984Herbert Matter papers ca. 1937-1984ca. 310 linear feetOriginal artwork, photographs, letters, manuscripts, process materials, memorabilia, negatives, transparencies, film, printed material, and working equipment.EnglishStanford University. Department of Special Collections and University ArchivesRoosevelt, Adelheid Lange, 1878-1962. Adelheid Lange Roosevelt papers, 1955-1959.Roosevelt, Adelheid Lange, 1878-1962.Villon, Jacques, 1875-1963.Duchamp-Villon, Raymond, 1876-1918.Picabia, Francis, 1879-1953.Childs Gallery.Adelheid Lange Roosevelt papersCorrespondence, photographs, and memoirs.Archives of American ArtQuinn, John, 1870-1924. John Quinn papers, 1901-1926.Quinn, John, 1870-1924.Brancusi, Constantin, 1876-1957.Casement, Robert, Sir, 1864-1916.Coady, Robert J.Cohalan, Daniel F.Conrad, Joseph, 1857-1924.Duchamp, Marcel, 1887-1968.Duchamp-Villon, Raymond, 1876-1918.Eliot, T. S. (Thomas Stearns), 1888-1965.Epstein, Jacob.Farr, Florence, 1860-1917.Foster, Annie.Foster, Jeanne Robert, 1879-1978.Foster, Roger, 1857-1924.Gaudier-Brzeska, Henri, 1891-1915.Gregg, Frederick James.Gregory, Lady, 1852-1932.Harris, Frank, 1855-1931.Huneker, James, 1857-1921.Hyde, Douglas, 1868-1949.John, Augustus, 1878-1961.John, Gwen, 1876-1939.Joyce, James, 1882-1941.Kennerly, Mitchell, 1878-1950.Keogh, Martin.Kuhn, Walt, 1877-1949.Lewis, Wyndham, 1882-1957.MacBride, Maud Gonne.Monahan, Michael, 1865-1933.O'Donnell, Frank J. Hugh.O'Donovan, Gerald.O'Grady, Standish, 1846-1928.Pach, Walter, 1883-1958.Pascin, Jules, 1885-1930.Pissarro, Lucien, 1863-1944.Pound, Ezra, 1885-1972.Roché, Henri Pierre, 1879-1959.Rolleston, T.W. (Thomas William), 1857-1920.Roualt, Georges, 1871-1958.Russell, George William, 1867-1935.Saint-Gaudens, Augustus, 1848-1907.Stephens, James, 1882-1950.Symonds, Arthur, 1865-1945.Walsh, Townsend.Stieglitz, Alfred, 1864-1946.Yeats, Elizabeth Corbet, 1868-1940.Yeats, Lily, 1866-1949.Yeats, Jack Butler, 1871-1957.Yeats, John Butler, 1839-1922.Yeats, W. B. (William Butler), 1865-1939.American Art Association.Anderson Galleries, Inc.Carroll Galleries.Durand-Ruel Gallery.Goupil Gallery.M. Knoedler & Co.John Quinn papers, 1901-1926.Originals: 46 linear feet (72 boxes, 41 letterbooks, 3 v.).General correspondence: 50 microfilm reels.Collection consists mainly of correspondence, with writings, printed matter and photographs that document Quinn's artistic and political interests. New York Public Library System, NYPLMatter, Herbert, 1907-1984. Herbert Matter papers, circa 1937-1984.Matter, Herbert, 1907-1984.Ain, Gregory, 1908-1988.Baldwin, Benjamin.Beebe, Tina.Bill, Max, 1908-1994.Breuer, Connie.Breuer, Marcel, 1902-1981.Bunshaft, Gordon, 1909-1990.Cage, John.Chermayeff, Serge, 1900-1996.Dearstyne, Howard.Entenza, John, 1903-1984.Girard, Alexander.Gropius, Walter, 1883-1969.Johnson, Philip, 1906-2005.Kendrick, Marvin.Kepes, Gyorgy, 1906-2001.Larsen, Jack Lenor.Liberman, Alexander, 1912-1999.Lord, James.Noguchi, Isamu, 1904-1988.Penn, Irving.Prestini, James.Salzman, Arthur George.Vignelli, Massimo.Weese, Harry, 1915-1998.Weston, Brett.Yanaihara, Isaku, 1918-1989.Herbert Matter papers, circa 1937-1984.circa 350 linear feet (467 containers)The collection represents the photography and graphic design career of Herbert Matter, his commercial and personal work. This includes original artwork (collages, sketches), photographs (predominately black and white prints, contact prints, working prints), manuscripts, process materials (paste-ups, proof sheets), memorabilia, negatives, transparencies, slides, 16mm motion picture film, printed material, and working equipment. There is considerable correspondence with particularly noteworthy letters from Gregory Ain, John Cage, John Entenza, Walter Gropius, Gyorgy Kepes, Isamu Noguchi, Irving Penn, and Brett Weston among others. Stanford University. Department of Special Collections and University ArchivesDuchamp-Villon, Raymond, 1876-1918 : [miscellaneous ephemeral material].Duchamp-Villon, Raymond, 1876-1918 : [miscellaneous ephemeral material].1 folder.The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items. Metropolitan Museum of Art, Thomas J. Watson LibraryQuinn, John, 1870-1924. John Quinn ledgers, 1909-1924.Quinn, John, 1870-1924.John Quinn ledgersLedgers detailing the art purchases of John Quinn. Entries include the Association of American Painters and Sculptors listing purchases from the Armory Show, February to June 1913, of works by Cezanne, Renoir, Raymond Villon-Duchamp, Andre Derain, Jules Pascin, Odilon Redon, Walt Kuhn, Jacques Villon and others. Also entered are purchases from Alfred Stieglitz's Photo-Secession Gallery for paintings by Marsden Hartley, John Marin, Severini and Stanton Macdonald-Wright. Purchases from art dealers include M. Knoedler & Co. (for works by Morton Schamberg), Montross Gallery (for works by Arthur B. Davies, Maurice Pendergast, Walt Kuhn, Charles Sheeler, Max Weber), William Macbeth Gallery, Durand Ruel & Sons, and Ambroise Vollard.Archives of American ArtDUCHAMP-VILLON, RAYMOND. Artist file : miscellaneous uncataloged material.DUCHAMP-VILLON, RAYMONDArtist file : miscellaneous uncataloged material.1 folderMuseum of Modern Art (MOMA)